A work in constant progress (and occasional regress).
Release Date:
August 16, 2012
Original Title:
Robot & Frank
Alternate Titles:
A robot és Frank
Frank e o Robô
Robot & Frank
Robot & Frank - Zwei diebische Komplizen
Robot and Frank
Robot u'Frank
Robot und Frank
Robot y Frank
Robô e Frank
Un Amigo Para Frank
Un amigo para Frank
Робот и Фрэнк
我的機械人老友
机器人与法兰克
Genres:
Comedy | Crime | Drama | Science Fiction
Production Companies:
Dog Run Pictures
Park Pictures Features
Samuel Goldwyn Films
Stage 6 Films
TBB
White Hat Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AT: 6 AU: M BR: 10 CH: 6 DK: 11 GB: 12A|12 HU: 18 IE: 12A JP: PG12 NL: AL PT: M/12 US: PG-13
Runtime: 85
Curmudgeonly old Frank lives by himself. His routine involves daily visits to his local library, where he has a twinkle in his eye for the librarian. His grown children are concerned about their father’s well-being and buy him a caretaker robot. Initially resistant to the idea, Frank soon appreciates the benefits of robotic support – like nutritious meals and a clean house – and eventually begins to treat his robot like a true companion. With his robot’s assistance, Frank’s passion for his old, unlawful profession is reignited, for better or worse.
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"B" Camera Operator:
Lance Acord
Art Direction:
Lisa Myers
Associate Producer:
Theodora Dunlap
Co-Producer:
Erika Hampson
Cody Ryder
Costume Design:
Erika Munro
Director:
Jake Schreier
Director of Photography:
Matthew J. Lloyd
Executive Producer:
Jeremy Bailer
Bob Kelman
Bill Perry
Ann Porter
Danny Rifkin
Delaney Schultz
Jenna Schultz
Stefan Sonnenfeld
Tom Valerio
Original Music Composer:
Francis Farewell Starlite
Producer:
Lance Acord
Jackie Kelman Bisbee
Sam Bisbee
Galt Niederhoffer
Screenplay:
Christopher Ford
Set Decoration:
Michelle Schluter-Ford
Stunt Double:
Don Hewitt Sr.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.