A work in constant progress (and occasional regress).
Release Date:
February 2, 2002
Original Title:
The Salton Sea
Alternate Titles:
The Salton Sea
万里追凶
Genres:
Crime | Drama | Mystery | Thriller
Production Companies:
Castle Rock Entertainment
Darkwoods Productions
Humble Journey Films
Production Countries:
United States of America
Ratings / Certifications:
AR: 16 BE: 18 CA: 18A DE: 16 ES: 18 GB: 18 HU: 18 IE: 18 IS: 16 IT: VM14 NL: 16 NO: 18 SE: 15 US: R
Runtime: 103
After the murder of his beloved wife, a man in search of redemption is set adrift in a world where nothing is as it seems. On his journey, he befriends slacker Jimmy "The Finn", becomes involved in rescuing his neighbor Colette from her own demons, and gets entangled in a web of deceit full of unexpected twists and turns.
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Armorer:
David Aaron
Roland Bleitz
Art Department Coordinator:
Kent Johnson
Art Direction:
Douglas Cumming
Best Boy Electric:
Greg Cantrell
Boom Operator:
Bill Shotland
Camera Operator:
Philippe Carr-Forster
Daniel C. Gold
Casting:
Deborah Aquila
Chief Lighting Technician:
Max Pomerleau
Construction Coordinator:
John R. Elliott
Construction Foreman:
Larry Guy Clause
Costume Design:
Karyn Wagner
Costume Supervisor:
Alison Gail Bixby
Dialogue Editor:
Mary Andrews
Petra Bach
Director:
D. J. Caruso
Director of Photography:
Amir Mokri
Dolly Grip:
David Pearlberg
Editor:
Jim Page
Executive Producer:
Jim Behnke
First Assistant Camera:
John Grillo
First Assistant Director:
Tony Adler
First Assistant Editor:
Vince Filippone
Tracey Wadmore-Smith
Foley Editor:
Thom Brennan
Gaffer:
Joseph F. Warren
Greensman:
Steve Borgese
Hairstylist:
Norma Lee
Key Costumer:
Leslie Sungail
Key Grip:
Richard Mall
Key Hair Stylist:
Patricia Miller
Key Makeup Artist:
Ashlee Petersen
Leadman:
Greg Wilkinson
Lighting Technician:
Morten Petersen
Location Manager:
Bob Berkus
Rob Gibson
Makeup Department Head:
Bill Corso
Music Editor:
Bill Bernstein
Orchestrator:
Thomas Pasatieri
Original Music Composer:
Thomas Newman
Painter:
Tim Gomes
Post-Production Manager:
Christy Dimmig
Producer:
Butch Robinson
Frank Darabont
Ken Aguado
Eriq La Salle
Production Coordinator:
Shari LaFranchi Blakney
Production Design:
Tom Southwell
Production Manager:
Jim Behnke
Production Supervisor:
Alison Harstedt
Property Master:
Lynda Reiss
Propmaker:
David Fanderlik
Rigging Gaffer:
George A. Hock
Rigging Grip:
Kris Guthrie
Screenplay:
Tony Gayton
Script Supervisor:
Susan Malerstein
Sculptor:
Kenneth Garrett
Set Decoration:
Amanda Moss Serino
Set Designer:
Eric Sundahl
Sound Effects Designer:
Mark Mangini
Sound Effects Editor:
George Simpson
Sound Recordist:
Eric Bretter
Special Effects Coordinator:
Darrell Pritchett
Steadicam Operator:
Chris Haarhoff
Still Photographer:
Stephen Vaughan
Studio Teachers:
Ruth Auerbach
Judith M. Brown
Thomas John McGowan
Jack Tice
Stunt Coordinator:
Manny Perry
Stunts:
Danny Wynands
Tim Trella
Doc Duhame
Henry Kingi
Bob Brown
Supervising ADR Editor:
Elizabeth Kenton
Supervising Sound Editor:
Howell Gibbens
Tattoo Designer:
Ken Diaz
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.