A work in constant progress (and occasional regress).
Release Date:
August 1, 2013
Original Title:
Blue Jasmine
Alternate Titles:
Jazmín azul
情迷藍茉莉
Genres:
Drama
Production Companies:
Gravier Productions
Perdido Productions
Production Countries:
United States of America
Ratings / Certifications:
AU: PG BE: 14 BR: 12 CA: 14A CH: 10 DE: 6 DK: 7 FI: S FR: TP|12 GB: 12 GR: Κ-15 HK: IIA HU: 12 IE: 15A IT: T KR: 15 LT: N-13 MX: B-15 NL: 12 NO: 12 PL: 16 PT: M/12 SE: 7 US: PG-13
Runtime: 99
After experiencing a traumatic misfortune, Jasmine French, a wealthy woman from New York, moves to San Francisco to live with her foster sister Ginger and the firm purpose of getting a new life, but she will be haunted by anxiety and memories of the past.
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Art Department Coordinator:
David Hendrickson
Art Direction:
Michael E. Goldman
Douglas Huszti
Assistant Accountant:
Paul J. Park
Assistant Art Director:
Chad Owens
Assistant Costume Designer:
Marco Piemontese
Assistant Editor:
Kate Rose Itzkowitz
Assistant Hairstylist:
Robert Mrazik
Assistant Makeup Artist:
Karen Bradley
Assistant Production Coordinator:
Laura F. Haynes
Assistant Property Master:
Anna Rogers
Best Boy Electric:
John Lacy
Best Boy Grip:
Robert 'Boomer' McCann
Boom Operator:
Brendan Jamieson O'Brien
Brian Copenhagen
Brendan O'Brien
Cableman:
Michael Primmer
Camera Loader:
Aaron Kirby
Camera Operator:
Will Arnot
Casting:
Patricia Kerrigan DiCerto
Juliet Taylor
Nina Henninger
Co-Executive Producer:
Jack Rollins
Co-Producer:
Helen Robin
Construction Coordinator:
Qris Fry
Construction Foreman:
Joel Morgante
Costume Designer:
Suzy Benzinger
Costume Supervisor:
Leslie Weir
Rory Powers
Yaneya Rovira
Craft Service:
Sandy Reed
James Chandler
Dialect Coach:
Carla Meyer
Dialogue Editor:
Sylvia Menno
Director:
Woody Allen
Director of Photography:
Javier Aguirresarobe
Dolby Consultant:
Thomas Kodros
Dolly Grip:
Don L. Henderson
Editor:
Alisa Lepselter
Executive Producer:
Leroy Schecter
Adam B. Stern
First Assistant Camera:
Patrick McArdle
First Assistant Director:
John M. Morse
Danielle Rigby
First Assistant Editor:
Morgan Neville
Foley Artist:
Jay Peck
Foley Editor:
Matthew Haasch
Gaffer:
Steve Condiotti
Scott H. Ramsey
Graphic Designer:
David Hendrickson
Grip:
Michael Best
Gregory M. Childers
Gregory Collis
Richard A. Hunt
Chris Sanders
Hair Department Head:
Yvette Rivas
Peggy Schierholz
Key Grip:
Dave Childers
Gary Martone
Key Hair Stylist:
Lona Vigi
Key Makeup Artist:
Robin Fredriksz
Key Rigging Grip:
Pedro Hernández
Leadman:
Doni McMillan
Location Assistant:
Heather MacLean
Location Manager:
Jonathan Shedd
Christie Mullen
Makeup Department Head:
Gretchen Davis
Lori Hicks
Payroll Accountant:
Gaetano Akiya
Producer:
Letty Aronson
Stephen Tenenbaum
Edward Walson
Producer's Assistant:
Deborah Alexander
Production Accountant:
Pietro Lorino, Jr.
Production Coordinator:
Emily Pierceall
Scott Kordish
Production Design:
Santo Loquasto
Production Supervisor:
Scott Kordish
Property Master:
Patrick Ludden
Ann Miller
Rigging Gaffer:
Chris Shellenberger
Rigging Grip:
Brook Johnson
Screenplay:
Woody Allen
Script Supervisor:
Virginia Saenz McCarthy
Second Assistant Camera:
Jeph Folkins
Second Assistant Director:
Cindy A. Taylor
Brad Robinson
Second Second Assistant Director:
Ted Leonard
Security Coordinator:
Bob Loeffler
Set Decorating Coordinator:
Kelli Lundy
Set Decoration:
Kris Boxell
Regina Graves
Set Designer:
Chad Owens
Set Dresser:
John Lister
Louis Visco
Mike Helbig
Set Medic:
Mark Bosia
Sound Effects Editor:
Glenfield Payne
David Wahnon
Sound Mixer:
Nelson Stoll
Thomas Varga
Sound Re-Recording Mixer:
Lee Dichter
Robert Hein
Steadicam Operator:
Will Arnot
Still Photographer:
Merrick Morton
Jessica Miglio
Studio Teacher:
Elise Ganz
Supervising Sound Editor:
Robert Hein
Tailor:
Nancy Servin
Transportation Captain:
Anthony R. Sacco
Transportation Co-Captain:
Joe Feeney
Erik Hattan
Transportation Coordinator:
Jim Chesney
Unit Production Manager:
Helen Robin
Debbie Brubaker
Video Assist Operator:
Doug Hunt
Visual Effects Supervisor:
Jake Braver
Jim Rider
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.