A work in constant progress (and occasional regress).
Release Date:
September 14, 2016
Original Title:
The Magnificent Seven
Alternate Titles:
7 สิงห์แดนเสือ
I Magnifici 7
Les 7 Mercenaires
Los 7 magníficos
Los siete magníficos
Os Sete Magníficos
The Magnificent Seven Remake
Седморица величанствених
Чудесна сімка
マグニフィセント・セブン:2016
七侠荡寇志
七俠蕩寇志
매그니피센트 7
매그니피센트7
Genres:
Action | Adventure | Western
Production Companies:
Columbia Pictures
Escape Artists
LStar Capital
Metro-Goldwyn-Mayer
Pin High
Village Roadshow Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BE: 16 BR: 14 CA: 14A CH: 14 CZ: 15+ DE: 16 DK: 11 ES: 12 FR: U GB: 12A|12 GR: Κ-15 HU: 16 IE: 12A IT: T KR: 15 LT: N-13 MX: B-15 NL: 12 PL: 16 PT: M/14 RO: 18 RU: 12+ SE: 15 US: PG-13
Runtime: 132
Looking to mine for gold, greedy industrialist Bartholomew Bogue seizes control of the Old West town of Rose Creek. With their lives in jeopardy, Emma Cullen and other desperate residents turn to bounty hunter Sam Chisolm for help. Chisolm recruits an eclectic group of gunslingers to take on Bogue and his ruthless henchmen. With a deadly showdown on the horizon, the seven mercenaries soon find themselves fighting for more than just money once the bullets start to fly.
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Armorer:
Morey Butler
Art Department Coordinator:
Vicki M. McWilliams
Jarrette Moats
Art Direction:
Sean Ryan Jennings
Assistant Location Manager:
Jim Small
CG Supervisor:
Don Libby
Camera Operator:
David Richert
Brown Cooper
Jerry M. Jacob
Michael Applebaum
Casting:
Jo Edna Boldin
Lindsay Graham Ahanonu
Mary Vernieu
Elizabeth Coulon
Casting Associate:
Marie A. Kohl
Marisol Roncali
Costume Design:
Sharen Davis
Costume Supervisor:
Bill Edwards
Dialogue Editor:
Henry Auerbach
Russell Farmarco
Director:
Antoine Fuqua
Director of Photography:
Mauro Fiore
Driver:
Jim Robin
Editor:
John Refoua
Executive Producer:
Bruce Berman
First Assistant Camera:
Ray Milazzo
Larry Nielsen
Christopher M. Fisher
Foley:
John T. Cucci
Dan O'Connell
Gaffer:
Michael Kelly
Hair Department Head:
Mary L. Hart-Mastro
Key Hair Stylist:
Donna Spahn
Lighting Technician:
Joey Moran
Makeup Artist:
Carla Brenholtz
Makeup Department Head:
Liz Bernstrom
Original Film Writer:
William Roberts
Akira Kurosawa
Shinobu Hashimoto
Original Music Composer:
Simon Franglen
James Horner
Producer:
Roger Birnbaum
Todd Black
Production Design:
Derek R. Hill
Propmaker:
Tony R. Medina
Rigging Gaffer:
Glenn E. Moran
Screenplay:
Nic Pizzolatto
Richard Wenk
Script Coordinator:
Cory C. Myler
Script Supervisor:
Dawn Gilliam
Lisa McNeil
Second Unit Cinematographer:
Lukasz Jogalla
Second Unit Director:
Jeff 'JJ' Dashnaw
Set Costumer:
Rendell Bryce
Ryan Henderson Jr.
Alejandro M. Hernandez
Ric Spencer
Tricia Yoo
Set Decoration:
Merissa Lombardo
Sound Designer:
David Esparza
Sound Effects Editor:
Ryan Collins
Sound Re-Recording Mixer:
Daniel J. Leahy
Steve Pederson
Special Effects Supervisor:
Yves De Bono
Stand In:
Anthony Reynolds
Still Photographer:
Sam Emerson
Scott Garfield
Stunt Coordinator:
Jeff 'JJ' Dashnaw
Stunts:
Mic Rodgers
Joe Bucaro III
Troy Gilbert
Freddie Hice
Tad Griffith
Walter Scott
Buddy Joe Hooker
Oakley Lehman
Elena Sanchez
Nicholas Dashnaw
Danny Cosmo
Ben Scott
Supervising Art Director:
Leslie McDonald
Supervising Sound Editor:
Mandell Winter
Title Designer:
Michael Riley
Unit Production Manager:
Wendy S. Williams
Visual Effects Art Director:
Sean Ryan Jennings
Visual Effects Coordinator:
Stella-Madeline Shalita
Jennifer Wang
Magdalena Strzelczyk
Visual Effects Editor:
Adam Avery
Gian Ganziano
Visual Effects Producer:
Brian Drewes
Scott Shapiro
Benedikt Laubenthal
Visual Effects Supervisor:
Sean Devereaux
John P. Nugent
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.