A work in constant progress (and occasional regress).
Release Date:
September 17, 2015
Original Title:
Black Mass
Alternate Titles:
Black Mass - Das Syndikat
Black Mass: Estrictamente Criminal
Pacto Criminal
Pacto criminal
Чёрная месса
ブラック・スキャンダル:2015
极黑势力
Genres:
Crime | Drama | History
Production Companies:
Cross Creek Pictures
Free State Pictures
Head Gear Films
Infinitum Nihil
Le Grisbi Productions
RatPac Entertainment
Vendian Entertainment
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: MA15+ BE: 18 BR: 16 CA: 14A CH: 16 CZ: 15+ DE: 16 DK: 11 ES: 18 FI: K-16 FR: 16 GB: 15 GR: K18 HU: 18 IE: 15A IT: T LT: N-16 MX: C NL: 16 NO: 15 PL: 18 PT: M/16 RO: 15 RU: 18+ SE: 15 TW: 限制級 US: R
Runtime: 123
The true story of Whitey Bulger, the brother of a state senator and the most infamous violent criminal in the history of South Boston, who became an FBI informant to take down a Mafia family invading his turf.
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24 Frame Playback:
Joseph E. Doyle
ADR Mixer:
Chris Navarro
Thomas J. O'Connell
Additional Editing:
Claire Simpson
Aerial Director of Photography:
David B. Nowell
Armorer:
Robert 'Rock' Galotti
Art Department Assistant:
Riley Fearon
Art Department Coordinator:
Jason Mayoh
Art Direction:
Jeremy Woodward
Assistant Art Director:
Sarah Contant
Assistant Chief Lighting Technician:
Michael Peterson
Assistant Costume Designer:
Brittany Loar
Assistant Editor:
Joe Rosenbloom
Assistant Property Master:
Steve Brennan
Noah Dubreuil
Associate Producer:
Richard Mirisch
Best Boy Grip:
Robert Knowles
Boom Operator:
Joel Reidy
CG Artist:
Alex Falcon
CG Supervisor:
Don Libby
Camera Operator:
Masanobu Takayanagi
Henry Tirl
Carpenter:
Jason Coffey
Casting:
Francine Maisler
Casting Associate:
Melissa Kostenbauder
Matt Bouldry
Chief Lighting Technician:
Morris Flam
Co-Executive Producer:
Michael Bassick
Adam Kassan
Chuck Rock
Compositor:
Julia Correnti
Leighana Ginther
Kevin Samar
Construction Coordinator:
Joseph Kearney
Costume Design:
Kasia Walicka Maimone
Costume Supervisor:
Virginia B. Johnson
Costumer:
Elizabeth Clifford
Beau Desmond
Maili Lafayette
Clinton E. O'Dell
Dana Pacheco
Cesha Ventre
Taryn Walsh
Dialect Coach:
Carla Meyer
Howard Samuelsohn
Digital Compositor:
Alex Hatfield
Digital Conform Editor:
Matthew W. Johnson
Digital Intermediate:
Ewelina Nietupska
Digital Intermediate Producer:
Philippe Majdalani
Erik Rogers
Director:
Scott Cooper
Director of Photography:
Masanobu Takayanagi
Dolly Grip:
Tony Campenni
Thomas Doran
Editor:
David Rosenbloom
Executive Producer:
Brett Granstaff
Gary Granstaff
Brett Ratner
Lauren Selig
Compton Ross
Phil Hunt
Peter Mallouk
James Packer
Ray Mallouk
Steven Mnuchin
Christopher Woodrow
First Assistant Camera:
James W. Apted
Greg Wimer
Donald Burghardt
First Assistant Director:
Michele Ziegler
First Assistant Editor:
Jonny Winograd
First Assistant Sound Editor:
Mark Coffey
Foley Artist:
Goro Koyama
Andy Malcolm
Foley Mixer:
Jack Heeren
Don White
Gaffer:
Morris Flam
Hair Department Head:
Gloria Pasqua Casny
Hairstylist:
Rita Troy
Joanna Raskin
Key Grip:
Frank A. Montesanto
Key Hair Stylist:
Lucia Mace
Key Makeup Artist:
Ben Bornstein
Ken Niederbaumer
Key Rigging Grip:
Woody Bell
Leadman:
Robert Schleinig
Legal Services:
Christos Michaels
Lighting Technician:
Brendan Tierney
Location Manager:
Benjamin C. Dewey
Charles Harrington
Makeup Artist:
Nikki Pleau
Makeup Department Head:
Joel Harlow
Matte Painter:
David Bleich
Mixing Engineer:
Tony Pilkington
Music Editor:
Jim Schultz
Music Programmer:
Dieter Hartmann
Original Music Composer:
Tom Holkenborg
Picture Car Coordinator:
Bobby Anderson
Producer:
Brian Oliver
John Lesher
Tyler Thompson
Scott Cooper
Patrick McCormick
Production Accountant:
Tish Johnson
Production Design:
Stefania Cella
Production Secretary:
Rebecca DiFillippo
Production Supervisor:
Steven Wayne
Prop Maker:
Wilson Gallego
Zachary Zablocki
Property Master:
David Gulick
Prosthetic Supervisor:
Steve Buscaino
Rigging Gaffer:
Scott D. Davis
Rigging Grip:
Derek Contrado
Screenplay:
Jez Butterworth
Mark Mallouk
Script Supervisor:
Tracy Scott
Second Assistant Accountant:
Ani Vanoyan
Second Assistant Camera:
Dean Egan
Zack Shultz
Timothy M. Sweeney
Second Assistant Director:
Xanthus Valan
Second Second Assistant Director:
Timothy Blockburger
Senior Colorist:
Tom Poole
Set Decoration:
Tracey A. Doyle
Set Designer:
Bryan Felty
Christina Todesco
Set Dresser:
Joe Gagnepain
Sound Designer:
Ann Scibelli
Sound Editor:
Ezra Dweck
Sound Effects Editor:
Piero Mura
Sound Mixer:
Tom Williams
Sound Re-Recording Mixer:
Ron Bartlett
Mark Mangini
Chris Jenkins
Special Effects Coordinator:
Judson Bell
Steadicam Operator:
Henry Tirl
Still Photographer:
Claire Folger
Stunt Coordinator:
Chuck Jeffreys
Stunts:
Hannah Scott
Don Hewitt Sr.
Jill Brown
Supervising Music Editor:
Katrina Schiller
Supervising Sound Editor:
Mark Mangini
Byron Wilson
Title Designer:
Kyle Cooper
Ana Criado-Zahonero
Travel Coordinator:
Maria Palazon
Unit Production Manager:
Patrick McCormick
Unit Publicist:
Spooky Stevens
Visual Effects:
Chris LeDoux
Tim LeDoux
Jason Sanford
Mark Stern
Erik Werlin
Visual Effects Coordinator:
Romulo Adriano Jr.
Laura Brocato
Visual Effects Editor:
John Polyson
Visual Effects Producer:
Allison Paul
Visual Effects Supervisor:
Paul Linden
Wigmaker:
Khanh Trance
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.