A work in constant progress (and occasional regress).
Release Date:
July 29, 2005
Original Title:
The Skeleton Key
Alternate Titles:
Iskelet anahtar
Ključ tajni
Kvela karis gasagebi
La Llave del Mal
La llave Maestra
La porte des secrets
Luukerevõti
Nøkkelen
Odklenjena skrivnost
To antikleidi
毒钥
스켈리톤키
Genres:
Drama | Horror | Mystery | Thriller
Production Companies:
Brick Dust Productions LLC
Daniel Bobker Productions
Double Feature Films
MFPV Film
ShadowCatcher Entertainment
Universal Pictures
Production Countries:
Germany | United States of America
Ratings / Certifications:
AR: 13 AU: M BE: KNT/ENA BR: 14 CA: 14A CH: 16|14 CZ: 15 DE: 16 DK: 15 FI: K-16 FR: 12 GB: 15 HK: IIB HU: 16 IE: 15A IS: 16 IT: T KR: 12 LT: N-7 NL: 16 PE: 14 PH: R-13 PL: 12 PT: M/16 SE: 11 SG: PG TR: 16+ TW: R-12 US: PG-13
Runtime: 104
A hospice nurse working at a spooky New Orleans plantation home finds herself entangled in a mystery involving the house's dark past.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Mixer:
Jeff Gomillion
ADR Recordist:
Philip Rogers
ADR Supervisor:
Hugh Waddell
ADR Voice Casting:
Caitlin McKenna
Aerial Director of Photography:
Phil Pastuhov
Art Department Assistant:
Amanda Fernald Jones
Art Department Coordinator:
Stephanie Higgins Frey
Art Direction:
Drew Boughton
Assistant Art Director:
Jann K. Engel
Assistant Camera:
Kia Kiso
Assistant Chief Lighting Technician:
Christopher Prampin
Assistant Editor:
David Bilow
Assistant Location Manager:
Marco Umana
Assistant Production Coordinator:
Barrett J. Leigh
Assistant Property Master:
Selma Kora
Best Boy Electric:
Larry Cottrill
Best Boy Grip:
Alex Cruz
Boom Operator:
Kevin Cerchiai
CG Supervisor:
Karl Herbst
Camera Loader:
Brandon M. Cox
Camera Operator:
Colin Anderson
Camera Production Assistant:
Alex Scott
Carpenter:
Leo Lauricella
Casting:
Ronna Kress
Casting Assistant:
Beth W. Crookham
Casting Associate:
Courtney Bright
Chief Lighting Technician:
Bruce McCleery
Choreographer:
Miranda Garrison
Colorist:
Jon Rocke
Compositing Supervisor:
Edwin Rivera
Construction Coordinator:
Dave DeGaetano
Construction Foreman:
Chuck Stringer
Costume Design:
Louise Frogley
Costume Supervisor:
Joyce Kogut
Costumer:
Valerie T. O'Brien
Craft Service:
Chris Winn
Dialogue Editor:
Laura Harris Atkinson
Digital Color Timer:
Anthony Harris
Digital Colorist:
Mark Sawicki
Digital Compositors:
Sean McPherson
Digital Intermediate Producer:
Bruce Lomet
Director:
Iain Softley
Director of Photography:
Dan Mindel
Dolby Consultant:
Thom 'Coach' Ehle
Dolly Grip:
Larry Sweet
Driver:
Bill C. Dawson
Editor:
Joe Hutshing
Editorial Production Assistant:
Jen Woodhouse
Electrician:
Jimmy Ellis
Executive Producer:
Clayton Townsend
Extras Casting Assistant:
Dawn Dowdle
First Assistant Accountant:
Ted M. Davila
First Assistant Camera:
John T. Connor
First Assistant Director:
Gary Marcus
First Assistant Editor:
Davis Reynolds
Foley:
Craig S. Jaeger
Foley Artist:
James Moriana
Gaffer:
Adam Harrison
Graphic Designer:
Zachary Fannin
Greensman:
Ronald S. Baratie
Grip:
Gordon Ard
Hairstylist:
Kathryn Blondell
I/O Supervisor:
Ryan Beadle
Key Accountant:
Lisa Jean Felski
Key Costumer:
Richard Schoen
Key Grip:
Thomas Gibson
Key Hair Stylist:
Susan Germaine
Key Production Assistant:
Mollie Stallman
Key Rigging Grip:
Rick Rader
Leadman:
Jason Bedig
Brad Bell
Lighting Technician:
Greg Etheredge
Local Casting:
Robin Batherson
Location Assistant:
Martha Bryan
Location Casting:
Craig Fincannon
Location Manager:
M. Gerard Sellers
Location Production Assistant:
Matthew D. Miller
Makeup Artist:
June Brickman
Music Programmer:
Bryan Carrigan
Music Supervisor:
Sara Lord
Negative Cutter:
Gary Burritt
Orchestrator:
Robert Elhai
Original Music Composer:
Edward Shearmur
Painter:
Andrew M. Casbon III
Payroll Accountant:
Andrew Jablonski
Pilot:
Robert 'Bobby Z' Zajonc
Post Production Supervisor:
Tania Blunden
Producer:
Daniel Bobker
Iain Softley
Stacey Sher
Michael Shamberg
Lorenzo P. Lampthwait
Production Accountant:
Gregory D. Hemstreet
Production Assistant:
Michael Betz
Production Coordinator:
Zoila Gomez
Production Design:
John Beard
Production Intern:
William Jackson
Production Manager:
Kimberly Sylvester
Production Secretary:
Annie Jablonski
Production Supervisor:
Gary R. Wordham
Property Master:
Peter C. Clarke
Propmaker:
William Davidson
Publicist:
Patti Hawn
Pyrotechnician:
Brad Manis
Rigging Gaffer:
Martin Bosworth
Rigging Grip:
Mike Nami Jr.
Scoring Mixer:
Chris Fogel
Script Supervisor:
Elizabeth Ludwick-Bax
Sculptor:
Fred Arbegast
Seamstress:
Giselle Spence
Second Assistant Accountant:
Rudy Coblentz Jr.
Second Assistant Camera:
Lisa Lengyel
Second Assistant Director:
Jon Mallard
Second Second Assistant Director:
Tyler Romary
Set Costumer:
Laurel Frushour
Set Decorating Coordinator:
Matt Center
Set Decoration:
Beauchamp Fontaine
Set Designer:
Mick Cukurs
Set Dressing Artist:
Dale E. Anderson
Set Medic:
John Lavis
Set Painter:
Joey Genitempo
Set Production Intern:
Hiro Taniguchi
Sound Designer:
Harry Cohen
Sound Effects Editor:
Christopher Assells
Sound Mixer:
Peter J. Devlin
Special Effects Coordinator:
Bob Stoker
Special Effects Supervisor:
Jason Hamer
Special Effects Technician:
Douglas Calli
Stand In:
Lexi Shoemaker
Standby Painter:
Andrew P. Flores
Steadicam Operator:
Colin Anderson
Still Photographer:
Merrick Morton
Storyboard Artist:
Richard K. Buoen
Stunt Coordinator:
Buddy Joe Hooker
Tom Bahr
Stunts:
Scott Wilder
Kathy Jarvis
Gayle Hooker
Ralph W. Odum
Chad Randall
Liisa Cohen
Annie Ellis
Conrade Gamble
Supervising Music Editor:
Daryl B. Kell
Supervising Sound Editor:
Wylie Stateman
Swing:
Randy Severino
Thanks:
Michelle Guish
Title Designer:
Lori C. Miller
Transportation Captain:
Louis Dinson
Transportation Coordinator:
Ed Arter
Unit Production Manager:
Clayton Townsend
Video Assist Operator:
Greg Mitchell
Visual Effects Coordinator:
Stephanie Pollard
Visual Effects Producer:
Gary Nolin
Visual Effects Supervisor:
Karl Herbst
Dan DeLeeuw
Writer:
Ehren Kruger
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.