The Skeleton Key (2005) [PG-13]

Release Date:
July 29, 2005

Original Title:
The Skeleton Key

Alternate Titles:
Iskelet anahtar
Ključ tajni
Kvela karis gasagebi
La Llave del Mal
La llave Maestra
La porte des secrets
Luukerevõti
Nøkkelen
Odklenjena skrivnost
To antikleidi
毒钥
스켈리톤키

Genres:
Drama | Horror | Mystery | Thriller

Production Companies:
Brick Dust Productions LLC
Daniel Bobker Productions
Double Feature Films
MFPV Film
ShadowCatcher Entertainment
Universal Pictures

Production Countries:
Germany | United States of America

Ratings / Certifications:
AR: 13  AU: M  BE: KNT/ENA   BR: 14  CA: 14A  CH: 16|14  CZ: 15  DE: 16  DK: 15  FI: K-16  FR: 12  GB: 15  HK: IIB  HU: 16  IE: 15A   IS: 16  IT: T  KR: 12  LT: N-7   NL: 16  PE: 14  PH: R-13  PL: 12  PT: M/16  SE: 11  SG: PG  TR: 16+  TW: R-12   US: PG-13 

Runtime: 104

Fearing is believing.

A hospice nurse working at a spooky New Orleans plantation home finds herself entangled in a mystery involving the house's dark past.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

ADR Mixer:
Jeff Gomillion

ADR Recordist:
Philip Rogers

ADR Supervisor:
Hugh Waddell

ADR Voice Casting:
Caitlin McKenna

Aerial Director of Photography:
Phil Pastuhov

Art Department Assistant:
Amanda Fernald Jones

Art Department Coordinator:
Stephanie Higgins Frey

Art Direction:
Drew Boughton

Assistant Art Director:
Jann K. Engel

Assistant Camera:
Kia Kiso

Assistant Chief Lighting Technician:
Christopher Prampin

Assistant Editor:
David Bilow

Assistant Location Manager:
Marco Umana

Assistant Production Coordinator:
Barrett J. Leigh

Assistant Property Master:
Selma Kora

Best Boy Electric:
Larry Cottrill

Best Boy Grip:
Alex Cruz

Boom Operator:
Kevin Cerchiai

CG Supervisor:
Karl Herbst

Camera Loader:
Brandon M. Cox

Camera Operator:
Colin Anderson

Camera Production Assistant:
Alex Scott

Carpenter:
Leo Lauricella

Casting:
Ronna Kress

Casting Assistant:
Beth W. Crookham

Casting Associate:
Courtney Bright

Chief Lighting Technician:
Bruce McCleery

Choreographer:
Miranda Garrison

Colorist:
Jon Rocke

Compositing Supervisor:
Edwin Rivera

Construction Coordinator:
Dave DeGaetano

Construction Foreman:
Chuck Stringer

Costume Design:
Louise Frogley

Costume Supervisor:
Joyce Kogut

Costumer:
Valerie T. O'Brien

Craft Service:
Chris Winn

Dialogue Editor:
Laura Harris Atkinson

Digital Color Timer:
Anthony Harris

Digital Colorist:
Mark Sawicki

Digital Compositors:
Sean McPherson

Digital Intermediate Producer:
Bruce Lomet

Director:
Iain Softley

Director of Photography:
Dan Mindel

Dolby Consultant:
Thom 'Coach' Ehle

Dolly Grip:
Larry Sweet

Driver:
Bill C. Dawson

Editor:
Joe Hutshing

Editorial Production Assistant:
Jen Woodhouse

Electrician:
Jimmy Ellis

Executive Producer:
Clayton Townsend

Extras Casting Assistant:
Dawn Dowdle

First Assistant Accountant:
Ted M. Davila

First Assistant Camera:
John T. Connor

First Assistant Director:
Gary Marcus

First Assistant Editor:
Davis Reynolds

Foley:
Craig S. Jaeger

Foley Artist:
James Moriana

Gaffer:
Adam Harrison

Graphic Designer:
Zachary Fannin

Greensman:
Ronald S. Baratie

Grip:
Gordon Ard

Hairstylist:
Kathryn Blondell

I/O Supervisor:
Ryan Beadle

Key Accountant:
Lisa Jean Felski

Key Costumer:
Richard Schoen

Key Grip:
Thomas Gibson

Key Hair Stylist:
Susan Germaine

Key Production Assistant:
Mollie Stallman

Key Rigging Grip:
Rick Rader

Leadman:
Jason Bedig
Brad Bell

Lighting Technician:
Greg Etheredge

Local Casting:
Robin Batherson

Location Assistant:
Martha Bryan

Location Casting:
Craig Fincannon

Location Manager:
M. Gerard Sellers

Location Production Assistant:
Matthew D. Miller

Makeup Artist:
June Brickman

Music Programmer:
Bryan Carrigan

Music Supervisor:
Sara Lord

Negative Cutter:
Gary Burritt

Orchestrator:
Robert Elhai

Original Music Composer:
Edward Shearmur

Painter:
Andrew M. Casbon III

Payroll Accountant:
Andrew Jablonski

Pilot:
Robert 'Bobby Z' Zajonc

Post Production Supervisor:
Tania Blunden

Producer:
Daniel Bobker
Iain Softley
Stacey Sher
Michael Shamberg
Lorenzo P. Lampthwait

Production Accountant:
Gregory D. Hemstreet

Production Assistant:
Michael Betz

Production Coordinator:
Zoila Gomez

Production Design:
John Beard

Production Intern:
William Jackson

Production Manager:
Kimberly Sylvester

Production Secretary:
Annie Jablonski

Production Supervisor:
Gary R. Wordham

Property Master:
Peter C. Clarke

Propmaker:
William Davidson

Publicist:
Patti Hawn

Pyrotechnician:
Brad Manis

Rigging Gaffer:
Martin Bosworth

Rigging Grip:
Mike Nami Jr.

Scoring Mixer:
Chris Fogel

Script Supervisor:
Elizabeth Ludwick-Bax

Sculptor:
Fred Arbegast

Seamstress:
Giselle Spence

Second Assistant Accountant:
Rudy Coblentz Jr.

Second Assistant Camera:
Lisa Lengyel

Second Assistant Director:
Jon Mallard

Second Second Assistant Director:
Tyler Romary

Set Costumer:
Laurel Frushour

Set Decorating Coordinator:
Matt Center

Set Decoration:
Beauchamp Fontaine

Set Designer:
Mick Cukurs

Set Dressing Artist:
Dale E. Anderson

Set Medic:
John Lavis

Set Painter:
Joey Genitempo

Set Production Intern:
Hiro Taniguchi

Sound Designer:
Harry Cohen

Sound Effects Editor:
Christopher Assells

Sound Mixer:
Peter J. Devlin

Special Effects Coordinator:
Bob Stoker

Special Effects Supervisor:
Jason Hamer

Special Effects Technician:
Douglas Calli

Stand In:
Lexi Shoemaker

Standby Painter:
Andrew P. Flores

Steadicam Operator:
Colin Anderson

Still Photographer:
Merrick Morton

Storyboard Artist:
Richard K. Buoen

Stunt Coordinator:
Buddy Joe Hooker
Tom Bahr

Stunts:
Scott Wilder
Kathy Jarvis
Gayle Hooker
Ralph W. Odum
Chad Randall
Liisa Cohen
Annie Ellis
Conrade Gamble

Supervising Music Editor:
Daryl B. Kell

Supervising Sound Editor:
Wylie Stateman

Swing:
Randy Severino

Thanks:
Michelle Guish

Title Designer:
Lori C. Miller

Transportation Captain:
Louis Dinson

Transportation Coordinator:
Ed Arter

Unit Production Manager:
Clayton Townsend

Video Assist Operator:
Greg Mitchell

Visual Effects Coordinator:
Stephanie Pollard

Visual Effects Producer:
Gary Nolin

Visual Effects Supervisor:
Karl Herbst
Dan DeLeeuw

Writer:
Ehren Kruger

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.