A work in constant progress (and occasional regress).
Release Date:
June 8, 1984
Original Title:
Top Secret!
Alternate Titles:
Szigorúan titkos
Top Secret
Top Secret!
Top Secret! Super Confidencial
Genres:
Comedy
Production Companies:
Kingsmere
Paramount Pictures
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: M DE: 12 ES: A FR: U GB: 15 HU: 12 IE: 15 NL: 6 SE: 11 US: PG
Runtime: 90
Popular and dashing American singer Nick Rivers travels to East Germany to perform in a music festival. When he loses his heart to the gorgeous Hillary Flammond, he finds himself caught up in an underground resistance movement. Rivers joins forces with Agent Cedric and Flammond to attempt the rescue of her father, Dr. Paul, from the Germans, who have captured the scientist in hopes of coercing him into building a new naval mine.
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Additional Photography:
Allen Daviau
Animatronic and Prosthetic Effects:
Sue Oakes
Verner Gresty
Nick Dudman
Art Direction:
Michael Lamont
John Fenner
Assistant Art Director:
Jim Morahan
Assistant Director:
Barry Langley
Kevin Westley
Assistant Editor:
Elizabeth Barnard
Dina Eaton
Associate Producer:
Tom Jacobson
Boom Operator:
Ken Nightingall
Camera Operator:
Freddie Cooper
Carpenter:
John Whitby
Trevor Nicol
Jeff Woodbridge
Casting:
Lucy Boulting
Susan Arnold
Mary Selway
Gretchen Rennell
Choreographer:
Gillian Gregory
Clapper Loader:
John Fletcher
Peter James
Conductor:
Maurice Jarre
Construction Manager:
Michael Redding
Continuity:
Marilyn Clarke
Pamela Davies
Costume Design:
Emma Porteous
Director:
Jim Abrahams
Jerry Zucker
David Zucker
Director of Photography:
Christopher Challis
Draughtsman:
Michael Boone
David Allday
Editor:
Bernard Gribble
Françoise Bonnot
Executive In Charge Of Production:
Eric Rattray
Executive Producer:
Jerry Zucker
David Zucker
Jim Abrahams
First Assistant Camera:
Randall Robinson
First Assistant Editor:
Michael John Bateman
Focus Puller:
Tony Strachan
Steve Claydon
Gaffer:
Joe Finn
Grip:
W.C. 'Chunky' Huse
Hair Supervisor:
Joan Carpenter
Hairdresser:
Betty Glasow
Location Manager:
Allan James
Vic Smith
Makeup Artist:
Kay Freeborn
Makeup Supervisor:
Stuart Freeborn
Music Consultant:
Bones Howe
Bruce Welch
Music Editor:
Robert Hathaway
Richard Stone
Orchestrator:
Kevin Townend
Original Music Composer:
Maurice Jarre
Painter:
Mal Zawadzki
Joe Monks
Producer:
Jon Davison
Hunt Lowry
Production Accountant:
Sidney G. Barnsby
Production Assistant:
Norma Garment
Joy Bayley
Production Design:
Michael Lamont
Peter Lamont
Production Manager:
Donald Toms
Production Runner:
Nick Heckstall-Smith
Property Master:
Brian Payne
Props:
Wally Hill
Scenic Artist:
Ernest Smith
Jacqueline Stears
Scoring Mixer:
Eric Tomlinson
Screenplay:
Jim Abrahams
Jerry Zucker
Martyn Burke
David Zucker
Sculptor:
Peter Voysey
Second Assistant Director:
Mike Higgins
Second Second Assistant Director:
Jerry Daly
Second Unit Director:
Joe Powell
Jack Lowin
Second Unit First Assistant Director:
Gerry Gavigan
Andrew Warren
Set Decoration:
Crispian Sallis
Sound Editor:
Robert Gavin
Ron Davis
Peter Best
Sound Re-Recording Mixer:
Gerry Humphreys
Robin O'Donoghue
Sound Recordist:
Derek Ball
Special Effects Supervisor:
Nick Allder
Special Effects Technician:
John McGoldrick
Joe Fitt
Terry Schubert
Stand In:
Derek Lyons
Standby Property Master:
Mark Hedges
Still Photographer:
Laurie Ridley
Stunt Coordinator:
Joe Powell
Stunts:
Jack Cooper
Mark McBride
Martin Grace
Joe Powell
Colin Skeaping
Valentino Musetti
Frank Henson
Paul Weston
Marc Boyle
Gareth Milne
Elaine Ford
Jim Dowdall
Doug Robinson
Dickey Beer
Terry Cade
Eddie Kidd
Stuart Fell
Clive Curtis
Eddie Powell
Supervising Sound Editor:
David Campling
Third Assistant Director:
Trevor Puckle
Visual Effects Camera:
Martin Body
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.