A work in constant progress (and occasional regress).
Birthplace:
Minneapolis, Minnesota, USA
Born:
March 18, 1933
American record producer and recording engineer who scored a string of hits in the 1960s and 1970s, often of the sunshine pop genre, starting in 1965 with The Turtles cover of Bob Dylan's "It Ain't Me Babe," and continuing with most of the hits of the 5th Dimension and the Association. With the exception of Closing Time, he produced and engineered all of Tom Waits' releases with Asylum Records, some of which are considered among the artist's best recordings. Started a career in 1956 as an apprentice recording engineer at Radio Recorders and advancing to mixing engineer the following year, recording Elvis Presley and Jerry Lee Lewis.
Music Consultant:
1984 Top Secret!
Music Supervisor:
1984 The Adventures of Buckaroo Banzai Across the 8th Dimension
1984 Top Secret!
1985 Back to the Future
1986 Desert Bloom
1994 Serial Mom
1997 Zeus & Roxanne
Producer:
1984 The Adventures of Buckaroo Banzai Across the 8th Dimension
1984 Top Secret!
1985 Back to the Future
1986 Desert Bloom
1994 Serial Mom
1997 Zeus & Roxanne
2018 Elvis: The '68 Comeback Special
Scoring Mixer:
1984 The Adventures of Buckaroo Banzai Across the 8th Dimension
1984 Top Secret!
1985 Back to the Future
1986 Desert Bloom
1994 Serial Mom
1997 Redux Riding Hood
1997 Zeus & Roxanne
2018 Elvis: The '68 Comeback Special
Sound Designer:
1984 The Adventures of Buckaroo Banzai Across the 8th Dimension
1984 Top Secret!
1985 Back to the Future
1986 Desert Bloom
1994 Serial Mom
1997 Redux Riding Hood
1997 Zeus & Roxanne
2018 Elvis: The '68 Comeback Special
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.