A work in constant progress (and occasional regress).
Birthplace:
Bois-Colombes, Hauts-de-Seine, France
Born:
August 17, 1939
Died:
June 9, 2018
Françoise Bonnot (17 August 1939 – 9 June 2018) was a French film editor with more than 40 feature film credits. Bonnot was the daughter of Monique Bonnot, a film editor noted for several films directed by Jean-Pierre Melville. In her first film credit, Françoise Bonnot was the assistant to her mother on Melville's 1959 film, Two Men in Manhattan (1959). She and her mother co-edited the 1962 film, A Monkey in Winter, that was directed by Henri Verneuil. At about this time Bonnot married Verneuil; she edited three more of his films in the 1960s. Bonnot edited Melville's 1969 film, Army of Shadows, when her mother became unavailable. This film is about the French resistance fighters during the Second World War, and was a departure from Melville's more characteristic crime and detective films. Bonnot later remarked that Melville “... had known me since I was eight years old. It was like working with my big brother. He was a character––fascinating, charming, fun and tyrannical.” By 1968, Bonnot had commenced her notable collaboration with director Costa-Gavras that extended over eight films and nearly 30 years. Their first film together was Z (1969); James Berardinelli has written recently that, "Z was the third feature film from Greek-born Costa-Gavras, but it is the movie that captured him to the world's attention, winning a Best Foreign Language Film Oscar. It introduced the director's signature approach of combining overt political messages with edge-of-the-seat tension." After Z, their most widely recognized film together is probably Missing (1982). Their last film together was Mad City (1997). Throughout her life, Bonnot edited the films directed by Julie Taymor, who had been known primarily as a stage director. Their films include Frida (2002) and The Tempest (2010). Bonnot won the Academy Award for Film Editing for Z (1969), and the BAFTA Award for Best Editing for Missing (1982). She was nominated three times for the César Award for Best Editing (for The Simple Past (1977), Hannah K. (1983) and Place Vendôme (1998)). She had been elected to membership in the American Cinema Editors. Bonnot and Henri Verneuil had two children. Their son, Patrick Malakian, is a film director; Bonnot edited his 1994 French-language film Pourquoi maman est dans mon lit?. Bonnot died on 9 June 2018 in Paris, France aged 78. Source: Article "Françoise Bonnot" from Wikipedia in English, licensed under CC-BY-SA.
ADR Mixer:
1982 Missing
Assistant Editor:
1959 Two Men in Manhattan
1982 Missing
Editor:
1959 Two Men in Manhattan
1962 A Monkey in Winter
1963 Any Number Can Win
1967 The 25th Hour
1968 Guns for San Sebastian
1969 Army of Shadows
1969 Z
1970 The Confession
1971 Four Flies on Grey Velvet
1972 State of Siege
1973 Massacre in Rome
1974 Life Size
1975 Le Futur aux trousses
1975 Special Section
1976 Black and White in Color
1976 The Cassandra Crossing
1976 The Tenant
1978 Judith Therpauve
1978 The Last Romantic Lover
1979 Womanlight
1980 I Sent a Letter to My Love
1982 Missing
1983 Hanna K.
1984 Swann in Love
1984 Top Secret!
1985 Year of the Dragon
1987 The Sicilian
1989 Fat Man and Little Boy
1992 1492: Conquest of Paradise
1994 Why Is Mother in My Bed?
1996 A Weekend in the Country
1996 The Apartment
1997 Mad City
1998 Place Vendôme
1999 Titus
2000 Disappearing Acts
2002 Frida
2004 Around the Bend
2007 Across the Universe
2010 A View of Love
2010 The Tempest
2012 El Gusto
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.