A work in constant progress (and occasional regress).
Assistant Director:
1964 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1966 Arabesque
1967 The Magnificent Two
1967 Theatre of Death
1967 Welcome to Japan, Mr. Bond
Associate Producer:
1964 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1966 Arabesque
1967 The Magnificent Two
1967 Theatre of Death
1967 Welcome to Japan, Mr. Bond
1979 The Corn Is Green
1981 Dragonslayer
1983 The Hound of the Baskervilles
Executive In Charge Of Production:
1964 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1966 Arabesque
1967 The Magnificent Two
1967 Theatre of Death
1967 Welcome to Japan, Mr. Bond
1979 The Corn Is Green
1981 Dragonslayer
1983 The Hound of the Baskervilles
1984 Top Secret!
Executive Producer:
1964 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1966 Arabesque
1967 The Magnificent Two
1967 Theatre of Death
1967 Welcome to Japan, Mr. Bond
1979 The Corn Is Green
1981 Dragonslayer
1983 The Hound of the Baskervilles
1984 Top Secret!
1995 First Knight
Producer:
1964 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1966 Arabesque
1967 The Magnificent Two
1967 Theatre of Death
1967 Welcome to Japan, Mr. Bond
1979 The Corn Is Green
1981 Dragonslayer
1983 The Hound of the Baskervilles
1984 Top Secret!
1986 Labyrinth
1995 First Knight
Production Manager:
1964 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1966 Arabesque
1967 Deadlier Than the Male
1967 The Magnificent Two
1967 Theatre of Death
1967 Welcome to Japan, Mr. Bond
1968 Isadora
1970 The Private Life of Sherlock Holmes
1975 One of Our Dinosaurs Is Missing
1975 The Adventure of Sherlock Holmes' Smarter Brother
1979 The Corn Is Green
1981 Dragonslayer
1983 The Hound of the Baskervilles
1984 Top Secret!
1986 Labyrinth
1995 First Knight
Production Supervisor:
1964 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1966 Arabesque
1967 Deadlier Than the Male
1967 The Magnificent Two
1967 Theatre of Death
1967 Welcome to Japan, Mr. Bond
1968 Isadora
1970 The Private Life of Sherlock Holmes
1975 One of Our Dinosaurs Is Missing
1975 The Adventure of Sherlock Holmes' Smarter Brother
1977 A Bridge Too Far
1979 The Corn Is Green
1981 Dragonslayer
1983 The Hound of the Baskervilles
1984 Top Secret!
1986 Labyrinth
1995 First Knight
Second Assistant Director:
1960 Carry On Constable
1964 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1966 Arabesque
1967 Deadlier Than the Male
1967 The Magnificent Two
1967 Theatre of Death
1967 Welcome to Japan, Mr. Bond
1968 Isadora
1970 The Private Life of Sherlock Holmes
1975 One of Our Dinosaurs Is Missing
1975 The Adventure of Sherlock Holmes' Smarter Brother
1977 A Bridge Too Far
1979 The Corn Is Green
1981 Dragonslayer
1983 The Hound of the Baskervilles
1984 Top Secret!
1986 Labyrinth
1995 First Knight
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.