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Colin Skeaping (b. 1944)

Alias:
Colin Skeating
Colin Skeeping

Birthplace:
Colchester, Essex, England, UK

Born:
June 18, 1944

Additional information:

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Film Performances

Click the heading above to show or hide the list.

Film Production

Stunt Coordinator:
1978  The Thirty Nine Steps
1982  The Sender
1985  Return to Oz
1986  Haunted Honeymoon
1987  A Prayer for the Dying
1990  Dark Obsession

Stunt Double:
1978  The Thirty Nine Steps
1980  The Empire Strikes Back
1982  The Sender
1985  Return to Oz
1986  Haunted Honeymoon
1987  A Prayer for the Dying
1990  Dark Obsession

Stunts:
1973  Horror Hospital
1977  Star Wars
1978  The Thirty Nine Steps
1980  Superman II
1980  The Empire Strikes Back
1981  An American Werewolf in London
1982  The Sender
1983  Return of the Jedi
1983  Superman III
1984  Indiana Jones and the Temple of Doom
1984  Top Secret!
1985  Return to Oz
1985  Spies Like Us
1986  Haunted Honeymoon
1987  A Prayer for the Dying
1987  Empire State
1989  Slipstream
1989  The Tall Guy
1990  Dark Obsession
1990  Nightbreed

Click the heading above to show or hide the list.

TV Production

Fight Choreographer:
1986  Bread
1986  Lovejoy
1991  The House of Eliott

Stunt Coordinator:
1985  Howards' Way
1986  Bread
1986  Lovejoy
1989  Campion
1991  The House of Eliott
1993  Peak Practice
1994  Pie in the Sky
1996  Neverwhere

Stunt Driver:
1975  The Sweeney
1979  Tales of the Unexpected
1985  Howards' Way
1986  Bread
1986  Lovejoy
1989  Campion
1991  The House of Eliott
1993  Peak Practice
1994  Pie in the Sky
1996  Neverwhere

Stunts:
1975  The Sweeney
1979  Minder
1979  Tales of the Unexpected
1981  Bergerac
1985  Howards' Way
1986  Bread
1986  Lovejoy
1988  Red Dwarf
1989  Campion
1991  The Darling Buds of May
1991  The House of Eliott
1993  Peak Practice
1994  Pie in the Sky
1996  Neverwhere

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.