A work in constant progress (and occasional regress).
Birthplace:
Plymouth, Devon, England, UK
Assistant Director:
1971 Girl Stroke Boy
1971 Up Pompeii
1972 Follow Me!
1975 The Naked Civil Servant
1978 Superman
1983 The Return of the Soldier
First Assistant Director:
1971 Girl Stroke Boy
1971 Up Pompeii
1972 Follow Me!
1974 Madhouse
1975 The Naked Civil Servant
1978 Superman
1983 The Return of the Soldier
Location Manager:
1971 Girl Stroke Boy
1971 Up Pompeii
1972 Follow Me!
1974 Madhouse
1975 The Naked Civil Servant
1978 Superman
1981 Loophole
1983 Privates on Parade
1983 The Return of the Soldier
1984 Top Secret!
1985 Dance with a Stranger
1989 Magic Moments
1990 Memphis Belle
Production Manager:
1971 Girl Stroke Boy
1971 Up Pompeii
1972 Follow Me!
1974 Madhouse
1975 The Naked Civil Servant
1978 Superman
1981 Loophole
1983 Privates on Parade
1983 The Return of the Soldier
1984 Top Secret!
1985 Dance with a Stranger
1987 Cry Freedom
1989 Magic Moments
1990 Memphis Belle
Unit Manager:
1971 Girl Stroke Boy
1971 Up Pompeii
1972 Follow Me!
1974 Madhouse
1975 The Naked Civil Servant
1978 Superman
1980 Superman II
1981 Loophole
1983 Privates on Parade
1983 The Return of the Soldier
1984 Top Secret!
1985 Dance with a Stranger
1987 Cry Freedom
1989 Magic Moments
1990 Memphis Belle
2006 Superman II: The Richard Donner Cut
Visual Effects Director:
1971 Girl Stroke Boy
1971 Up Pompeii
1972 Follow Me!
1974 Madhouse
1975 The Naked Civil Servant
1978 Superman
1980 Superman II
1981 Loophole
1983 Privates on Parade
1983 The Return of the Soldier
1984 Top Secret!
1985 Dance with a Stranger
1987 Cry Freedom
1989 Magic Moments
1990 Memphis Belle
1991 Benny Hill's World Tour: New York!
2006 Superman II: The Richard Donner Cut
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.