A work in constant progress (and occasional regress).
Birthplace:
Los Angeles, California, USA
Born:
August 19, 1946
Additional Photography:
1995 Hard Justice
Aerial Director of Photography:
1995 Hard Justice
1996 Lawnmower Man 2: Beyond Cyberspace
Assistant Camera:
1974 Dirty O'Neil
1975 Mean Johnny Barrows
1995 Hard Justice
1996 Lawnmower Man 2: Beyond Cyberspace
Camera Operator:
1974 Dirty O'Neil
1975 Mean Johnny Barrows
1985 Gidget's Summer Reunion
1991 Terminator 2: Judgment Day
1993 Nowhere to Run
1995 Hard Justice
1996 Lawnmower Man 2: Beyond Cyberspace
Cinematography:
1974 Dirty O'Neil
1975 Mean Johnny Barrows
1985 Gidget's Summer Reunion
1988 The Racing Experience
1991 Terminator 2: Judgment Day
1993 Nowhere to Run
1995 Hard Justice
1996 Lawnmower Man 2: Beyond Cyberspace
Director of Photography:
1974 Dirty O'Neil
1975 Mean Johnny Barrows
1983 The Final Terror
1985 Gidget's Summer Reunion
1988 The Racing Experience
1991 Terminator 2: Judgment Day
1993 Nowhere to Run
1995 Hard Justice
1996 Lawnmower Man 2: Beyond Cyberspace
First Assistant Camera:
1974 Dirty O'Neil
1975 Mean Johnny Barrows
1976 Welcome to L.A.
1977 Flood!
1982 Personal Best
1983 The Final Terror
1984 Angel
1984 Top Secret!
1985 Gidget's Summer Reunion
1988 The Racing Experience
1991 Terminator 2: Judgment Day
1993 Nowhere to Run
1995 Hard Justice
1996 Lawnmower Man 2: Beyond Cyberspace
Gaffer:
1973 Messiah of Evil
1974 Dirty O'Neil
1975 Mean Johnny Barrows
1976 Welcome to L.A.
1977 Flood!
1982 Personal Best
1983 The Final Terror
1984 Angel
1984 Top Secret!
1985 Gidget's Summer Reunion
1988 The Racing Experience
1991 Terminator 2: Judgment Day
1993 Nowhere to Run
1995 Hard Justice
1996 Lawnmower Man 2: Beyond Cyberspace
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.