A work in constant progress (and occasional regress).
Birthplace:
Los Angeles, California, USA
Born:
April 2, 1942
Joel Cox (born April 2, 1942) is an American film editor. He is best known for collaborating with Clint Eastwood in 33 films. Cox has been working in film since appearing as a baby in Random Harvest (1942). He started in the mailroom at Warner Bros. in 1961. Rudi Fehr, a well-known editor and executive at Warner Bros., made Cox an apprentice editor about 3 years later. As was common in the era, Cox worked as an uncredited assistant for several years. His first credit as an assistant editor was for The Rain People, which was directed by Francis Ford Coppola and edited by Barry Malkin. His first credit as the editor was for Farewell, My Lovely (1975), which was directed by Dick Richards and co-edited by the veteran editor Walter A. Thompson. Cox had just finished working as Thompson's assistant on Rafferty and the Gold Dust Twins (1975), which was also directed by Richards. Cox worked on two more of Richards' films, March or Die (1977—as assistant editor) and Death Valley (1982). Cox has had a notable collaboration with Clint Eastwood that commenced with the 1976 film The Outlaw Josey Wales, for which Cox was Ferris Webster's assistant. Cox and Webster were co-editors on The Gauntlet (1977) and on several more of Eastwood's subsequent films. Starting with Sudden Impact (1983), Cox became Eastwood's principal editor. Cox has been quoted as saying that, over their 30-year partnership, Eastwood has recut only a single scene that Cox put together. Gary D. Roach, who worked as Cox's assistant from the mid-1990s, became Cox's co-editor on Eastwood's films with Letters from Iwo Jima (2006). Cox's long streak editing each of Eastwood's films ended with Sully, which was edited by another of his former assistants, Blu Murray. In addition to his career in the film industry, since 2000 Cox and his family have owned and managed a vineyard and winery near Paso Robles, California. Cox won the 1992 Academy Award for Best Film Editing for Unforgiven. He has been elected as a member of the American Cinema Editors. On November 25, 2008, Clint Eastwood presented Cox the first Ignacy Paderewski Lifetime Achievement Award, which is named in honour of the piano virtuoso who called Paso Robles home, at the first Paso Robles Digital Film Festival. He received a nomination for the 2009 BAFTA Award for Best Editing for Changeling and for the 2015 Academy Award for Best Film Editing for American Sniper. The 2008 Paso Robles Digital Film Festival provides a full filmography of Joel Cox as part of his Lifetime Achievement Award. Description above from the Wikipedia article Joel Cox, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Assistant Editor:
1969 The Rain People
1969 The Wild Bunch
1973 Cleopatra Jones
1974 The Terminal Man
1976 The Outlaw Josey Wales
1979 Escape from Alcatraz
Editor:
1969 The Rain People
1969 The Wild Bunch
1973 Cleopatra Jones
1974 The Terminal Man
1975 Farewell, My Lovely
1976 The Enforcer
1976 The Outlaw Josey Wales
1977 The Gauntlet
1978 Every Which Way but Loose
1979 Escape from Alcatraz
1980 Bronco Billy
1982 Death Valley
1982 Honkytonk Man
1983 Sudden Impact
1984 Tightrope
1985 Pale Rider
1986 Heartbreak Ridge
1986 Ratboy
1988 Bird
1989 Pink Cadillac
1990 The Rookie
1990 White Hunter, Black Heart
1992 Unforgiven
1993 A Perfect World
1995 The Bridges of Madison County
1995 The Stars Fell on Henrietta
1997 Absolute Power
1997 Midnight in the Garden of Good and Evil
1999 True Crime
2000 Space Cowboys
2002 Blood Work
2003 Mystic River
2003 Piano Blues
2004 Million Dollar Baby
2005 Budd Boetticher: A Man Can Do That
2006 Flags of Our Fathers
2006 Letters from Iwo Jima
2008 Changeling
2008 Gran Torino
2009 Invictus
2010 Hereafter
2011 J. Edgar
2012 Trouble with the Curve
2013 Prisoners
2014 American Sniper
2014 Jersey Boys
2017 All Eyez on Me
2017 The Adventurers
2018 Den of Thieves
2018 The Mule
2019 Richard Jewell
2021 Cry Macho
2023 Walden
2024 Juror #2
2025 Without Blood
Music Editor:
1969 The Rain People
1969 The Wild Bunch
1973 Cleopatra Jones
1974 The Terminal Man
1975 Farewell, My Lovely
1976 The Enforcer
1976 The Outlaw Josey Wales
1977 The Gauntlet
1978 Every Which Way but Loose
1979 Escape from Alcatraz
1980 Bronco Billy
1982 Death Valley
1982 Honkytonk Man
1983 Sudden Impact
1984 Tightrope
1985 Pale Rider
1986 Heartbreak Ridge
1986 Ratboy
1988 Bird
1989 Pink Cadillac
1990 The Rookie
1990 White Hunter, Black Heart
1992 Unforgiven
1993 A Perfect World
1995 The Bridges of Madison County
1995 The Stars Fell on Henrietta
1997 Absolute Power
1997 Midnight in the Garden of Good and Evil
1999 True Crime
2000 Space Cowboys
2002 Blood Work
2003 Mystic River
2003 Piano Blues
2004 Million Dollar Baby
2005 Budd Boetticher: A Man Can Do That
2006 Flags of Our Fathers
2006 Letters from Iwo Jima
2007 Grace Is Gone
2008 Changeling
2008 Gran Torino
2009 Invictus
2010 Hereafter
2011 J. Edgar
2012 Trouble with the Curve
2013 Prisoners
2014 American Sniper
2014 Jersey Boys
2017 All Eyez on Me
2017 The Adventurers
2018 Den of Thieves
2018 The Mule
2019 Richard Jewell
2021 Cry Macho
2023 Walden
2024 Juror #2
2025 Without Blood
Editor:
2003 The Blues
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.