A work in constant progress (and occasional regress).
Release Date:
September 21, 2012
Original Title:
Trouble with the Curve
Alternate Titles:
Golpe de efecto
Крученый мяч
曲线难题
Genres:
Drama | Romance
Production Companies:
Malpaso Productions
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
AT: 12 BE: 14 BR: 12 DE: 6 DK: 15 ES: APTA GR: 13 HU: 16 IE: 12 IT: T JP: R18+ KR: 12 MX: B-15 NL: 12 PL: 16 PT: M/12 RU: 16+ US: PG-13
Runtime: 111
Slowed by age and failing eyesight, crack baseball scout Gus Lobel takes his grown daughter along as he checks out the final prospect of his career. Along the way, the two renew their bond, and she catches the eye of a young player-turned-scout.
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Additional Second Assistant Director:
Simeon Keri Jones
Animal Wrangler:
Cherly Baird
April Mackin
Candy Cothern
Art Department Coordinator:
Cindy M. Ichikawa
Assistant Accountant:
Landon Trawny
Steven Olivera
Andrew Paulson
Jennifer Hunt Pedevilla
Assistant Chief Lighting Technician:
John Lacy
Assistant Production Coordinator:
Tony X. Deale
Austin Lapierre
Assistant Property Master:
Eliot Levin
Kevin Shaw
Assistant Sound Editor:
Kevin Murray
William Cawley
Best Boy Grip:
Ben D. Griffith Jr.
Best Boy Lighting Technician:
Steve Sudge
Boom Operator:
Jonathan Fuh
Gail Carroll-Coe
Camera Loader:
Trevor Carroll-Coe
Camera Operator:
Stephen S. Campanelli
Casting:
Eve Streger
Geoffrey Miclat
John McAlary
Chief Lighting Technician:
Ross Dunkerley
Construction Coordinator:
Michael Muscarella
Costume Design:
Deborah Hopper
Costume Supervisor:
Cha Blevins
Costumer:
Heather Sease
Mitchell Ray Kenney
Mitzi Haralson
Branden Marks
Sherrie Peterson
Digital Colorist:
Jill Bogdanowicz
Director:
Robert Lorenz
Director of Photography:
Tom Stern
Dolly Grip:
Greg Brooks
Editor:
Joel Cox
Gary D. Roach
Executive Producer:
Tim Moore
Extras Casting:
Patrick Ingram
First Assistant Camera:
Bill Coe
First Assistant Director:
David M. Bernstein
Foley Artist:
Dan O'Connell
John T. Cucci
Foley Editor:
Christopher Flick
Michael Dressel
Foley Mixer:
James Ashwill
Blake Collins
Richard Duarte
Gaffer:
Ross Dunkerley
Greensman:
Matthew Butler
John Hair
Brandon Pope
Hair Department Head:
Carol A. O'Connell
Patricia DeHaney
Hairstylist:
Dawn Turner
Key Costumer:
Tangi Crawford
Key Grip:
Guy Micheletti
Key Makeup Artist:
Jay Wejebe
Location Manager:
Patrick Mignano
Makeup Artist:
Michelle Vittone
Makeup Department Head:
Luisa Abel
Mix Technician:
Ryan Murphy
Music Editor:
Chris McGeary
On Set Dresser:
Konrad Lewis
Original Music Composer:
Marco Beltrami
Producer:
Clint Eastwood
Robert Lorenz
Michele Weisler
Production Accountant:
Jason S. Gondek
Production Design:
James J. Murakami
Production Secretary:
Kristin Kulyniak-Deale
Property Master:
Mike Sexton
Propmaker:
William Monroe
Rigging Supervisor:
Stephen Crowley
Screenplay:
Randy Brown
Script Supervisor:
Mable Lawson-McCrary
Second Assistant Camera:
Bobby McMahan
Second Assistant Director:
Paula Case
Second Second Assistant Director:
Cody Williams
Set Costumer:
Corey Bronson
Ann Culotta
Set Decoration:
Gary Fettis
Set Dresser:
Tyler Kettenburg
Chuck McCourt
Daniel B. Foster
Patrick Johnson
Lucas Godfrey
Margaret Hungerford
Sound Mixer:
Walt Martin
Special Effects:
Steve Riley
Still Photographer:
Keith Bernstein
Stunt Coordinator:
Lonnie R. Smith Jr.
Stunts:
Robert Brubaker
Alex Duke
Cal Johnson
Anderson Martin
Supervising Art Director:
Patrick M. Sullivan Jr.
Supervising Sound Editor:
Alan Robert Murray
Bub Asman
Unit Production Manager:
Tim Moore
Visual Effects Producer:
Darin McCormick-Millett
Visual Effects Supervisor:
Michael Owens
Phillip Feiner
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.