A work in constant progress (and occasional regress).
Release Date:
June 12, 2017
Original Title:
All Eyez on Me
Alternate Titles:
All Eyes On Me
All Eyez On Me: L'histoire de Tupac Shakur
All Eyez on Me 2 (2017)
올 아이즈 온 미
Genres:
Drama | History | Music
Production Companies:
Codeblack Films
Lionsgate
Morgan Creek Entertainment
Summit Entertainment
The Program Pictures
Voltage Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ BR: 16 DE: 12 DK: 15 GB: 15 IE: 16 JP: R15+ NL: 12 PT: M/16 RU: 18+ US: R
Runtime: 139
All Eyez on Me chronicles the life and legacy of Tupac Shakur, including his rise to superstardom as a hip-hop artist, actor, poet and activist, as well as his imprisonment and prolific, controversial time at Death Row Records. Against insurmountable odds, Tupac rose to become a cultural icon whose career and persona both continue to grow long after his passing.
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Art Department Coordinator:
Shauna Williams
Art Direction:
John Richardson
Assistant Art Director:
Shawn D. Bronson
Assistant Costume Designer:
Jennifer Leigh-Scott
Casting:
Winsome Sinclair
Mary Vernieu
Michelle Wade Byrd
Andrea Craven
Casting Associate:
Lavonna Cupid
Construction Coordinator:
Wally Mikowlski
Costume Design:
Francine Jamison-Tanchuck
Costume Supervisor:
Tom Bronson
K. Drew Fuller
Director:
Benny Boom
Director of Photography:
Peter Menzies Jr.
Editor:
Joel Cox
Hair Department Head:
Taylor Knight
Key Costumer:
Heather Sease
Earl Tanchuck
Key Hair Stylist:
Vincent Gideon
Charles Gregory Ross
Key Makeup Artist:
Patrice Coleman
Mi Young
Makeup Department Head:
Carol Rasheed
Music:
John Paesano
Producer:
L.T. Hutton
James G. Robinson
David Robinson
Production Design:
Derek R. Hill
Property Master:
Ian Roylance
Researcher:
Deborah Ricketts
Screenplay:
Jeremy Haft
Eddie Gonzalez
Steven Bagatourian
Second Assistant "C" Camera:
Kyler Dennis
Set Costumer:
Korii Young
Set Decoration:
Merissa Lombardo
Tailor:
Carl Ulysses Bowen
Tattooist:
Dennis Dago Ceelo
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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