A work in constant progress (and occasional regress).
Release Date:
March 19, 1999
Original Title:
True Crime
Alternate Titles:
Crime Verdadeiro
Crímenes verdaderos
Ein wahres Verbrechen - True Crime
Ejecución inminente
Fino a prova contraria
Jugé coupable
Prawdziwa zbrodnia
Genres:
Crime | Drama | Mystery | Thriller
Production Companies:
Malpaso Productions
The Zanuck Company
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
BE: 18 CH: 12 DE: 12 DK: 15 FI: K-16 FR: 12 GB: 15 GR: 16 IE: 15 NL: 12 NO: 15 PL: 18 PT: M/12 SE: 15 US: R
Runtime: 127
Boozer, skirt chaser, careless father. You could create your own list of reporter Steve Everett's faults but there's no time. A San Quentin Death Row prisoner is slated to die at midnight – a man Everett has suddenly realized is innocent.
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ADR Editor:
Denise Horta
Stephen Janisz
Additional Camera:
Michael Santy
Maurice Freeman
Stewart Barbee
Art Direction:
Jack G. Taylor Jr.
Boom Operator:
Flash Deros
Cableman:
Mitchell B. Boyce
Casting:
Phyllis Huffman
Casting Associate:
Olivia Harris
Chief Lighting Technician:
Kevin A. Thompson
Construction Coordinator:
Clarence Lynn Price
Costume Supervisor:
Deborah Hopper
Dialogue Editor:
Karen G. Wilson
Lucy Coldsnow-Smith
James Matheny
Director:
Clint Eastwood
Director of Photography:
Jack N. Green
Dolly Grip:
Charles W. Wayt
Editor:
Joel Cox
Executive Producer:
Tom Rooker
Foley:
Victoria Martin
Foley Editor:
Matthew Harrison
Scott D. Jackson
David Horton Jr.
Key Costumer:
Lynda Foote
Key Grip:
Charles Saldaña III
Key Hair Stylist:
Carol A. O'Connell
Patricia DeHaney
Key Makeup Artist:
Tania McComas
Location Manager:
Kokayi Ampah
Makeup Artist:
James Lee McCoy
Music Editor:
Donald Harris
Negative Cutter:
Mo Henry
Novel:
Andrew Klavan
Original Music Composer:
Lennie Niehaus
Pilot:
Craig Hosking
Producer:
Richard D. Zanuck
Clint Eastwood
Lili Fini Zanuck
Production Design:
Henry Bumstead
Property Master:
Michael Sexton
Screenplay:
Larry Gross
Paul Brickman
Stephen Schiff
Script Supervisor:
Kerry Lyn McKissick
Set Costumer:
Sybil Gray
Ann Culotta
Set Decoration:
Richard C. Goddard
Set Designer:
Joseph G. Pacelli Jr.
Sound Effects Editor:
Jason King
David Horton Sr.
Mike Dobie
Donald Flick
Doug Jackson
Adam Johnston
Gary Krivacek
Sound Re-Recording Mixer:
David E. Campbell
John T. Reitz
Gregg Rudloff
Special Effects Coordinator:
John Frazier
Steadicam Operator:
Stephen S. Campanelli
Still Photographer:
Sam Emerson
Stunt Coordinator:
Buddy Van Horn
Stunt Driver:
Debbie Evans
Andy Gill
Stunts:
LaFaye Baker
Steve Kelso
Jack Gill
Larry Holt
John Robotham
Supervising ADR Editor:
Juno J. Ellis
Supervising Dialogue Editor:
Karen Spangenberg
Supervising Sound Editor:
Bub Asman
Alan Robert Murray
Unit Production Manager:
Art Levinson
Unit Publicist:
Marco Barla
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.