A work in constant progress (and occasional regress).
Release Date:
June 19, 1974
Original Title:
The Terminal Man
Alternate Titles:
Aivoryöstö
Az átprogramozott ember
Czlowiek-Terminal
Der Killer im Kopf
El hombre terminal
Homicides incontrôlés
L'uomo terminale
O Homem Terminal
O dolofonos me ta dyo prosopa
Genres:
Horror | Science Fiction | Thriller
Production Companies:
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
US: PG
Runtime: 107
As the result of a head injury, brilliant computer scientist Harry Benson begins to experience violent seizures. In an attempt to control the seizures, Benson undergoes a new surgical procedure in which a microcomputer is inserted into his brain. The procedure is not entirely successful.
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Art Direction:
Fred Harpman
Assistant Camera:
Al Baerthlin
Assistant Editor:
Joel Cox
Jeremy Hume
Assistant Property Master:
Willie Wiles
Associate Producer:
Michael Dryhurst
Boom Operator:
Raul A. Bruce
Charles Randall
Camera Operator:
Albert Bettcher
Casting:
Nessa Hyams
Construction Coordinator:
Harold Broner
Costume Design:
Donald Brooks
Vittorio Nino Novarese
Craft Service:
Glenn Dunn
Director:
Mike Hodges
Director of Photography:
Richard H. Kline
Driver:
Ron Riner
Editor:
Robert L. Wolfe
Extras Casting:
Jim Martell
First Assistant Camera:
Ronald Vidor
First Assistant Director:
Dick Moder
Gaffer:
Wilbur Kinnett
Hairstylist:
Sherry Wilson
Key Grip:
Kenneth Adams
Leadman:
Herb Rindenow
Location Manager:
R. Anthony Brown
Makeup Artist:
Leo Lotito Jr.
Fred Williams
Musician:
Glenn Gould
Novel:
Michael Crichton
Producer:
Mike Hodges
Production Manager:
Bruce Fowler Jr.
Production Secretary:
Kay Hoff
Dorothy Naja
Property Master:
Marty Wunderlich
Publicist:
Vernon White
Scoring Mixer:
Dan Wallin
Screenplay:
Mike Hodges
Script Supervisor:
Margaret Tary
Second Assistant Camera:
Edward Morey III
Second Assistant Director:
Robert Dijoux
Leonard S. Smith Jr.
Set Decoration:
Marvin March
Sound:
William Randall Jr.
Sound Editor:
Nicholas Stevenson
Sound Mixer:
Hugh Strain
Special Effects:
Douglas Pettibone
Still Photographer:
Mel Traxel
Stunts:
Loren Janes
Technical Advisor:
William Koselka
Wardrobe Master:
Charles E. James
Tye Osward
Edna Taylor
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.