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The Mule (2018) [R]

Release Date:
December 14, 2018

Original Title:
The Mule

Alternate Titles:
Correio de Droga
La mule
Mula
Mulai
運び屋：2018

Genres:
Crime | Drama

Production Companies:
Bron Studios
Creative Wealth Media Finance
Imperative Entertainment
Malpaso Productions
Warner Bros. Pictures

Production Countries:
Canada | United States of America

Ratings / Certifications:
AU: M  BE: 18  BR: 16  CH: 12  CZ: 18+  DE: 12  DK: 11  ES: 12  FI: K-12|K-16  FR: U  GB: 15  GR: Κ-15  HK: IIB  HU: 16  IE: 15A  IL: 14  IT: T  KR: 15  LT: N-16  MX: C  NL: 12  NO: 12  PL: 16  PT: M/14  RO: 18  RU: 18+  SE: 11  SG: M18  SK: 15  TW: 15+  US: R 

Runtime: 116

Nobody Runs Forever

Overview from TheMovieDB

Earl Stone, a man in his eighties, is broke, alone, and facing foreclosure of his business when he is offered a job that simply requires him to drive. Easy enough, but, unbeknownst to Earl, he's just signed on as a drug courier for a Mexican cartel. He does so well that his cargo increases exponentially, and Earl hit the radar of hard-charging DEA agent Colin Bates.

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Trailer

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Performers

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Production

24 Frame Playback:
Terry Fitzpatrick

2D Supervisor:
Amit Kumar

Aerial Camera:
Owen Patry

Aerial Camera Technician:
Eric Dvorsky

Aerial Director of Photography:
Hans Bjerno

Ager/Dyer:
Jack Taggart

Art Department Coordinator:
Lindsay Good

Art Direction:
Rory Bruen
Julien Pougnier

Assistant Chief Lighting Technician:
David Elwell

Assistant Costume Designer:
Michael Crow

Associate Producer:
Holly Hagy

CG Artist:
Richard Alonso

CG Supervisor:
Liz Radley

Casting:
Tara Feldstein Bennett
Chase Paris

Casting Director:
Geoffrey Miclat

Co-Producer:
Jillian Apfelbaum
David M. Bernstein

Compositor:
Ryan Allen
Abhishek Shaw

Costume Design:
Deborah Hopper

Costume Supervisor:
Mitchell Ray Kenney

Costumer:
Dinah Lightsey

Digital Compositor:
Kelsey Elias
Shizan Faisal
Mrinal Ranjan

Digital Effects Supervisor:
Jason Bowers

Digital Imaging Technician:
Michael Kellogg

Director:
Clint Eastwood

Director of Photography:
Yves Bélanger

Editor:
Joel Cox

Executive Producer:
Todd Hoffman
Aaron L. Gilbert
Ruben Fleischer
David Bernad

First Assistant "A" Camera:
James W. Apted

First Assistant "B" Camera:
Matthew McGinn

Gaffer:
James B. Crawford

Grip:
Kyle Leftridge

Lighting Technician:
Tim Chang
Brandon Crawford

Original Concept:
Sam Dolnick

Original Music Composer:
Arturo Sandoval

Producer:
Clint Eastwood
Dan Friedkin
Jessica Meier
Tim Moore
Kristina Rivera
Bradley Thomas

Production Design:
Kevin Ishioka

Rigging Gaffer:
Tyler Childs

Rigging Grip:
Matt Shearer

Screenplay:
Nick Schenk

Script Supervisor:
Ana Maria Quintana

Set Costumer:
Matthew Jerome
Vicente Parada
Kim Trujillo

Set Decoration:
Ronald R. Reiss

Sound Effects Editor:
Goeun Lee
Darren Maynard
John Joseph Thomas
Christian Wenger

Sound Mixer:
Steven A. Morrow

Sound Re-Recording Mixer:
John T. Reitz
Dean A. Zupancic

Still Photographer:
Claire Folger

Stunt Coordinator:
Doug Coleman

Stunt Double:
Allen Robinson

Stunt Driver:
Thom Williams
Warren Jones
Jenny Jerman
Alexander Hashioka Oatfield
Scott Dale
Eliza Coleman
Trent Brya

Stunts:
Derek Russo
Charlie Parrish
Aaron Matthews
C.C. Ice
Bobby Hernandez
Dean Grimes
Cristin Azure

Supervising Sound Editor:
Alan Robert Murray

Tailor:
Kathy Oberlin

Utility Stunts:
Scott Dale

Visual Effects Coordinator:
Graham Tailleur

Visual Effects Producer:
Adam Ohl

Visual Effects Supervisor:
Rick Sander

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.