A work in constant progress (and occasional regress).
Alias:
Ізабель Юппер
Isabelle Ann Huppert
Isabelle Ann Madeleine Huppert
Isabelle Anne Huppert
Isabelle Anne Madeleine Huppert
Isabelle Madeleine Huppert
伊莎贝尔•于佩尔
이자벨 위페르
Birthplace:
Parc Montsouris, Paris, France
Born:
March 16, 1953
Isabelle Anne Madeleine Huppert (born 16 March 1953) is a French actress. Described as "one of the best actresses in the world", she is known for her portrayals of cold and disdainful characters devoid of morality. Nominated for a record sixteen César Awards, she has won two. Among other accolades, she has received six Lumières Award nominations, more than any other person, and won four. In 2020, The New York Times ranked her second on its list of the greatest actors of the 21st century. Huppert's first César nomination was for the 1975 film Aloïse. In 1978, she won the BAFTA Award for Most Promising Newcomer for The Lacemaker. She went on to win two Best Actress awards at the Cannes Film Festival, for Violette Nozière (1978) and The Piano Teacher (2001), as well as two Volpi Cups for Best Actress at the Venice Film Festival, for Story of Women (1988) and La Cérémonie. Her other films in France include Loulou (1980), La Séparation (1994), 8 Women (2002), Gabrielle (2005), Amour (2012), and Things to Come (2016). Among international film's most prolific actresses, Huppert has worked in Italy, Russia, Central Europe, and in Asia. Her English-language films include: Heaven's Gate (1980), The Bedroom Window (1987), I Heart Huckabees (2004), The Disappearance of Eleanor Rigby (2013), Louder Than Bombs (2015), Greta (2018), and Frankie (2019). In 2016, Huppert garnered international acclaim for her performance in Elle, which earned her a Golden Globe Award, an Independent Spirit Award and a nomination for the Academy Award for Best Actress. She also won Best Actress awards from the National Society of Film Critics, New York Film Critics Circle and the Los Angeles Film Critics Association, for both Elle and Things to Come. Also a prolific stage actress, Huppert is the most nominated actress for the Molière Award, with seven nominations. She made her London stage debut in the title role of the play Mary Stuart in 1996, and her New York stage debut in a 2005 production of 4.48 Psychosis. She returned to the New York stage in 2009 to perform in Heiner Müller's Quartett, and in 2014 to star in a Sydney Theatre Company production of The Maids. In 2019, Huppert starred in Florian Zeller's The Mother at the Atlantic Theater Company in New York. Description above from the Wikipedia article Isabelle Huppert, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Associate Producer:
1995 The Flood
Director:
1995 The Flood
???? Untitled remake of Leaving the Lumière Factories
Thanks:
1995 The Flood
2020 Esther's Choice
2021 The Emma Bovary Trial
???? Untitled remake of Leaving the Lumière Factories
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.