A work in constant progress (and occasional regress).
Release Date:
February 28, 2019
Original Title:
Greta
Alternate Titles:
Greta: Ďábelská past
La viuda
Madame Psycho
The Widow
В объятиях лжи
В объятиях лжи (2019)
그레타
Genres:
Drama | Horror | Mystery | Thriller
Production Companies:
Fís Éireann/Screen Ireland
Lawrence Bender Productions
Metropolitan Films International
Showbox
Sidney Kimmel Entertainment
Starlight Culture Entertainment Group
Production Countries:
Hong Kong | Ireland | South Korea | United States of America
Ratings / Certifications:
BR: 14 DE: 16 DK: 15 ES: 12 FI: K-16 FR: 12 GB: 15 GR: K15 IE: 15A JP: G KR: 15 LU: 16 NL: 16 PT: M/14 RU: 18+ SG: NC16 US: R
Runtime: 98
A young woman returns a lonely widow’s lost purse, leading to an unlikely relationship between the two — until the young woman discovers the widow might not be all that she seems.
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"A" Camera Operator:
Alastair Rae
ADR Editor:
Fionn Higgins
Art Direction:
Fiona Gavin
Jason Clarke
Assistant Art Director:
Gillian Junker
Assistant Costume Designer:
Suzanne Keogh
Assistant Makeup Artist:
Elaine Finnan
Assistant Production Coordinator:
Jade Travers
Best Boy Electric:
Micheal O'Mogáin
Boom Operator:
Sean O'Toole
Casting:
Jina Jay
Casting Associate:
Olivia Brittain
Co-Executive Producer:
Hong Chen
Zhe Zhou
Yan Xu
Co-Producer:
Mark O'Connor
Dylan Tarason
Judy Ahn
Construction Coordinator:
Nicky MacManus
Costume Design:
Joan Bergin
Dialogue Editor:
Fionn Higgins
Digital Imaging Technician:
Sean Leonard
Director:
Neil Jordan
Director of Photography:
Seamus McGarvey
Editor:
Nick Emerson
Electrician:
'Kis Gromek' László Molnár
Executive Producer:
Lei Luo
Mei Han
Ronan Flynn
Catherine Tiernan
Richard D. Lewis
Brian Kornreich
Neil Jordan
Bruce Toll
Hwang Sun-il
Kim Do-su
First Assistant "A" Camera:
Cormac O'Maille
First Assistant "B" Camera:
Brian Dungan
First Assistant Director:
Harry Boyd
Foley Artist:
Caoimhe Doyle
Foley Editor:
Megan Kiernan
Foley Mixer:
Jean McGrath
Gaffer:
James McGuire
Graphic Designer:
Pilar Valencia
Grip:
Jimmy Gillen
Jason Ruffley
Hair Department Head:
Lorraine Glynn
Key Grip:
Philip Murphy
Location Manager:
Niall Martin
Makeup Artist:
Stephanie Kavanagh
Thi-Loan Nguyen
Makeup Department Head:
Lani Barry
Lynn Johnson
Online Editor:
Robbie O'Farrell
Orchestrator:
Cathleen Flynn
Larry Rench
Original Music Composer:
Javier Navarrete
Post Production Supervisor:
Tricia Perrott
Producer:
James Flynn
Sidney Kimmel
Lawrence Bender
John Penotti
Karen Richards
Production Coordinator:
Aoife Cassidy
Production Design:
Anna Rackard
Production Manager:
Geraldine Daly
Rigging Gaffer:
Garret Baldwin
Scenic Artist:
Darren Kearney
Screenplay:
Ray Wright
Neil Jordan
Script Supervisor:
Morag Cameron
Second Assistant "A" Camera:
Louise McEllin
Second Assistant "B" Camera:
John McCarthy
Second Assistant Director:
Michael Queen
Set Decoration:
John Neligan
Sound Designer:
Stefan Henrix
Sound Editor:
Lambert Windges
Sound Mixer:
Ray Cross
Sound Re-Recording Mixer:
Gabriel Gutiérrez
Ken Galvin
Fionn Higgins
Standby Art Director:
Naomi Burke
Still Photographer:
Jonathan Hession
Story:
Ray Wright
Stunt Driver:
Neimah Djourabchi
Stunts:
Jordan Coombes
James Cosgrave
Cam Fergus
Supervising Sound Editor:
Stefan Henrix
Third Assistant Director:
Jonathan Quinlan
Title Designer:
Annie Atkins
Transportation Captain:
Brendan King
Visual Effects Coordinator:
Bryan Walman
Visual Effects Producer:
Jessica Beirne
Visual Effects Supervisor:
Tom Turnbull
Zoltán Benyó
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.