False Confessions (2017) [N/A]

Featuring:
Isabelle Huppert, Louis Garrel, Bulle Ogier

Written by:
Luc Bondy
Marivaux
Geoffrey Layton

Directed by:
Luc Bondy, Marie-Louise Bischofberger


Release Date:
April 13, 2017

Original Title:
Les Fausses confidences

Alternate Titles:
爱情陷阱

Genres:
Comedy | Drama | TV Movie

Ratings / Certifications:
 N/A

Runtime: 85

Dorante, an impoverished young man, is taken on as a secretary by Araminte, a rich widow with whom he is secretly in love. The valet Dubois does all he can to get Araminte to fall in love with Dorante. Following his staging of Marivaux’s comedy at the Odéon theater, Luc Bondy turns the whole theater building into a film studio, placing his actors in the foyer, under the stage, in the kitchens, using the most unusual and unexpected spots to invent a new dynamic between theater and film.

Luc Bondy's final feature film as director draws talent from both stage and screen to bring Pierre de Marivaux's 1737 play into 21st century Paris. Isabelle Huppert commands the screen as Araminte, the wealthy widow who unwittingl...

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Rankings and Honors

False Confessions (2017) on IMDb
Internet Movie Database 5.1/10
Metacritic 41/100

ADR Mixer:
Simon Apostolou

Costume Design:
Moidele Bickel

Dialogue Editor:
Nicolas Lefebvre

Director:
Luc Bondy

Director of Photography:
Luciano Tovoli

Hairstylist:
Cécile Larue
Rémy Pilot
Frédéric Souquet

Key Makeup Artist:
Agathe Angeli
Sylvie Cailler

Makeup Artist:
Thi-Loan Nguyen

Music:
Bruno Coulais

Producer:
Pierre-Olivier Bardet

Production Design:
Aurore Vullierme

Screenplay:
Luc Bondy

Sound:
François Waledisch

Sound Editor:
Jean-Noël Yven

Sound Mixer:
Christian Cartier

Theatre Play:
Marivaux

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.