A work in constant progress (and occasional regress).
Release Date:
April 13, 2017
Original Title:
Les Fausses confidences
Alternate Titles:
爱情陷阱
Genres:
Comedy | Drama | TV Movie
Ratings / Certifications:
N/A
Runtime: 85
Dorante, an impoverished young man, is taken on as a secretary by Araminte, a rich widow with whom he is secretly in love. The valet Dubois does all he can to get Araminte to fall in love with Dorante. Following his staging of Marivaux’s comedy at the Odéon theater, Luc Bondy turns the whole theater building into a film studio, placing his actors in the foyer, under the stage, in the kitchens, using the most unusual and unexpected spots to invent a new dynamic between theater and film.
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ADR Mixer:
Simon Apostolou
Costume Design:
Moidele Bickel
Dialogue Editor:
Nicolas Lefebvre
Director:
Luc Bondy
Director of Photography:
Luciano Tovoli
Hairstylist:
Cécile Larue
Rémy Pilot
Frédéric Souquet
Key Makeup Artist:
Agathe Angeli
Sylvie Cailler
Makeup Artist:
Thi-Loan Nguyen
Original Music Composer:
Bruno Coulais
Producer:
Pierre-Olivier Bardet
Production Design:
Aurore Vullierme
Screenplay:
Luc Bondy
Sound:
François Waledisch
Sound Editor:
Jean-Noël Yven
Sound Mixer:
Christian Cartier
Theatre Play:
Marivaux
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.