A work in constant progress (and occasional regress).
Release Date:
August 5, 1994
Original Title:
Amateur
Genres:
Comedy | Crime | Drama | Thriller
Production Companies:
American Playhouse
True Fiction Pictures
UGC
Zenith Entertainment
Production Countries:
France | United Kingdom | United States of America
Ratings / Certifications:
N/A
Runtime: 105
A man wakes up in an alley, bleeding and with no memory of who he is. He stumbles into a coffee shop and is befriended by a charitable ex-nun who is failing in her attempts to write marketable pornography.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Additional Still Photographer:
Leonard Freed
Art Department Coordinator:
Joyce Pierpoline
Art Department Production Assistant:
Rob Cosentino
Art Direction:
Ginger Tougas
Assistant Costume Designer:
Kathryn Nixon
Assistant Editor:
Susan Littenberg
Assistant Location Manager:
Andrew Saxe
Assistant Production Coordinator:
Paul C. Arianas
Best Boy Electric:
Richard Breen
Best Boy Grip:
Eric M. Klein
Boom Operator:
Paul Koronkiewicz
Jeanne Gilliland
Casting:
Billy Hopkins
Suzanne Smith Crowley
Casting Assistant:
Kerry Barden
Construction Coordinator:
Linda Harvey
Costume Design:
Alexandra Welker
Dialect Coach:
Lilene Mansell
Director:
Hal Hartley
Director of Photography:
Michael Spiller
Dolly Grip:
Paul Nickason
Editor:
Steve Hamilton
Electrician:
Joe Stubblefield
Linda Phillips
Executive Producer:
Scott Meek
Jerome Brownstein
Yves Marmion
Lindsay Law
First Assistant Camera:
Storn Peterson
First Assistant Director:
Gregory Jacobs
First Assistant Editor:
Alex Albanese
Foley Artist:
Marko Costanzo
Gaffer:
Frank Stubblefield
Key Grip:
Paul Candrilli
Key Makeup Artist:
Marjorie Durand
Legal Services:
Roger Kass
Location Assistant:
Jocelyn Jansons
Location Manager:
Eddy Collyns
Makeup Artist:
Judy Chin
Music:
Jeffrey Taylor
Hal Hartley
Producer:
Ted Hope
Hal Hartley
Production Assistant:
Greg White
Erik L. Barnes
Production Coordinator:
Victoria McGarry
Production Design:
Steve Rosenzweig
Production Manager:
Christopher Goode
Property Master:
David Doernberg
Props:
Sarah Lavery
Scenic Artist:
Susan Blume
Second Assistant Camera:
Bart Blaise
Danya Reich
Second Assistant Director:
Allen Kupetsky
Set Decoration:
Amy Tapper
Jennifer Baime
Set Propsman:
Constance Van Flandern
Sound Editor:
Steve Silkensen
Susan Littenberg
Sound Mixer:
Jeff Pullman
Sound Re-Recording Mixer:
Reilly Steele
Special Effects:
Drew Jiritano
Ron Petruccione
Still Photographer:
Richard Ludwig
Stunt Coordinator:
Phil Neilson
Stunts:
Ron Petruccione
Third Assistant Director:
Robert C. Albertell
Title Designer:
Randall Balsmeyer
Transportation Captain:
Brian Maxwell
Unit Publicist:
Fliss Coombs
Wardrobe Supervisor:
Marina Marit
Weapons Master:
Rick Washburn
Writer:
Hal Hartley
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.