A work in constant progress (and occasional regress).
Release Date:
September 10, 2004
Original Title:
I ♥ Huckabees
Alternate Titles:
Extrañas coincidencias
Huckabees: A Vida é uma Comédia
I Heart Huckabees
I Love Huckabees
J'adore Huckabees
Os Psico-Detectives
To noima tis zois kai pos na to hasete
Genres:
Comedy | Romance
Production Companies:
Fox Searchlight Pictures
Kanzeon
N1 European Film Produktions
Qwerty Films
Scott Rudin Productions
Production Countries:
Germany | United Kingdom | United States of America
Ratings / Certifications:
AU: M CA: 14A CH: 12 DE: 12 FI: K-16 FR: U|TP GB: 15 NL: 6 US: R
Runtime: 106
A husband-and-wife team play detective, but not in the traditional sense. Instead, the happy duo helps others solve their existential issues, the kind that keep you up at night, wondering what it all means.
"B" Camera Operator:
Amy Vincent
ADR Editor:
Jay Keiser
Julie Feiner
ADR Mixer:
Greg Steele
Michael Miller
ADR Recordist:
Chris Fitzgerald
Courtney Bishop
Additional Editing:
Mark Bourgeois
Pamela March
Additional Hairstylist:
Laurel Van Dyke
Art Department Coordinator:
Katherine Wilson
Art Department Production Assistant:
Cale Wilbanks
Art Direction:
Seth Reed
Assistant Location Manager:
Peter Martorano
Guy Morrison
Assistant Property Master:
Amelia Drake
Karen Bruck
Jeanne Kukor
Noel McCarthy
Best Boy Electrician:
Eric Sandlin
Best Boy Grip:
Paul Wilkowsky
Boom Operator:
Albert Aquino
Camera Intern:
Kyle Jewell
Camera Operator:
Lou Weinert
Casting:
Mary Vernieu
Casting Assistant:
Venus Kanani
Casting Associate:
Shalimar Reodica
Chef:
Jaime Trujillo
Choreographer:
Michael Rooney
Clearances Coordinator:
Ashley Kravitz
Co-Producer:
Dara Weintraub
Color Timer:
Mato
Colorist:
Hilar Murray
Compositing Artist:
Derek Ledbetter
Steven Fagerquist
David Feinner
Christopher Grandel
Construction Coordinator:
Chris Forster
Construction Foreman:
Anders Rundblad
Costume Design:
Mark Bridges
Costume Supervisor:
Paul H. Lopez
Costumer:
Lisa A. Doyle
Nancy Collini
Sabine Huber
Craft Service:
Nick Mestrundrea
Terry Lee Painovich
Data Management Technician:
Fred Jimenez
Dialect Coach:
Carla Meyer
Dialogue Editor:
Laura Harris Atkinson
Chris Hogan
Tim Kimmel
Director:
David O. Russell
Director of Photography:
Peter Deming
Dolly Grip:
Timothy Collins
Editor:
Robert K. Lambert
Electrician:
Ken Sylvester
Michael Jenkins
Paul Postal
Executive In Charge Of Production:
Mark Wolfe
Executive Producer:
Michael Kuhn
Extras Casting:
Sande Alessi
First Assistant "A" Camera:
Scott Andrew Ressler
First Assistant "B" Camera:
David Eubank
First Assistant Accountant:
Robert Lane
First Assistant Director:
Mary Ellen Woods
Foley Artist:
James Bailey
Foley Recordist:
Michael McNerney
Gaffer:
Michael LaViolette
Graphic Designer:
William Eliscu
Greensman:
Porfirio Silva
Jess Anscott
Grip:
Richard Kuhn
Doug Dole
Mark Vollmer
Dennis M. Kuneff
Eugene B. Kerry
Cliff Sperry
Hair Department Head:
Gail Rowell-Ryan
Key Costumer:
Holly Davis
Key Grip:
Philip Sloan
Key Hair Stylist:
Marlene D. Williams
Key Makeup Artist:
Felicia Linsky
Key Set Production Assistant:
Alex Leimone
Lead Painter:
Eric Reichardt
Leadman:
Grant Samson
Loader:
Paul Tilden
Michelle Baker
Location Manager:
Jim Maceo
Location Scout:
Quentin Halliday
Michael Brewer
Tyler Elliott
Makeup Artist:
Stephanie A. Fowler
Felicia Linsky
Makeup Department Head:
Debbie Zoller
Mix Technician:
Mark Harris
Music Consultant:
Christine Bergren
Music Editor:
Jonathan Karp
Negative Cutter:
Mo Henry
On Set Dresser:
Christian Kastner
Original Music Composer:
Jon Brion
Painter:
Paulette Fox
Payroll Accountant:
Cindy Nevins
Post Production Consulting:
Steve Harrow
Post Production Supervisor:
Tim Pedegana
Producer:
Gregory Goodman
David O. Russell
Scott Rudin
Production Accountant:
R. Bradley Davis
Production Coordinator:
Michael Hubert
Manny Sida
Production Design:
K.K. Barrett
Production Executive:
Malcolm Ritchie
Jill Tandy
Production Secretary:
Dmitri Vigneswaren
Suzanne Lehfeldt
Production Supervisor:
Kimberly Rach
Property Master:
Sean Mannion
Propmaker:
Gregory Paul Austin
Phil Laymon
Scott Head
Prosthetics:
Howard Berger
Script Supervisor:
Karen Golden
Second Assistant "A" Camera:
Lisa K. Ferguson
Second Assistant Accountant:
Kim Stretch
Second Assistant Director:
Sally Sue Beisel
Second Second Assistant Director:
Jodi Lowry
Security Coordinator:
Eddie Vellanoweth Jr
Set Decoration:
Gene Serdena
Set Designer:
Lynn Christopher
Set Medic:
Antonio Evans
Set Production Assistant:
Fallon Johnson
Cory Hall
Nicholas Fitzgerald
Paulie Stenerson
Chamonix Bosch
Sound Assistant:
Paul Flinchbaugh
Sound Designer:
Tim Walston
Michael Kamper
Sound Re-Recording Mixer:
Adam Jenkins
Rick Ash
Sound Recordist:
Edward Tise
Special Effects:
Jeff Bresin
Dale Ettema
Special Effects Coordinator:
Martin Bresin
Steadicam Operator:
Bob Gorelick
Chris Squires
Still Photographer:
Claudette Barius
Stunt Coordinator:
Ben Hernandez Bray
Stunt Double:
Sean Graham
Stunts:
Ann Chatterton
Manny Perry
Danny Downey
Ray Siegle
Ben Hernandez Bray
Joey Box
Supervising Sound Editor:
Kelly Oxford
Swing:
Michael Glynn
Mike Boudreau
James A. Fleming
Bobby Pollard
Tailor:
Michael Tereschuk
Title Designer:
Charles McDonald
Transportation Captain:
Keith D. Fisher
Transportation Coordinator:
Aaron Skalka
Unit Production Manager:
Dara Weintraub
Unit Publicist:
Paulette Dauber
Visual Effects Producer:
Scott Puckett
Visual Effects Supervisor:
Russell Barrett
Wardrobe Assistant:
Sherry Walsh
Writer:
David O. Russell
Jeff Baena
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.