A work in constant progress (and occasional regress).
Alias:
Dan Allan Carlin
Dan Carlin
Dan Carlin Jr.
Daniel A. Carlin
Daniel Allen Carlin
Daniel Carlin
Daniel Carlin Jr.
Conductor:
1992 The Last of the Mohicans
Music Editor:
1978 Days of Heaven
1981 Caveman
1981 Separate Ways
1981 The Bunker
1983 Breathless
1983 In Defense of Kids
1985 Latino
1986 Violets are Blue
1987 The Secret of My Success
1988 Coming to America
1992 The Last of the Mohicans
Music Producer:
1978 Days of Heaven
1981 Caveman
1981 Separate Ways
1981 The Bunker
1982 The Escape Artist
1983 Breathless
1983 In Defense of Kids
1983 The Black Stallion Returns
1985 Latino
1986 Violets are Blue
1987 The Secret of My Success
1988 Coming to America
1992 The Last of the Mohicans
Music Supervisor:
1978 Days of Heaven
1981 Caveman
1981 Separate Ways
1981 The Bunker
1982 The Escape Artist
1983 Breathless
1983 In Defense of Kids
1983 The Black Stallion Returns
1985 Latino
1986 Violets are Blue
1987 The Secret of My Success
1988 Coming to America
1992 The Last of the Mohicans
1998 Jane Austen's Mafia!
2002 Crossroads
Sound Recordist:
1978 Days of Heaven
1981 Caveman
1981 Separate Ways
1981 The Bunker
1982 The Escape Artist
1983 Breathless
1983 In Defense of Kids
1983 The Black Stallion Returns
1985 Latino
1986 Violets are Blue
1987 The Secret of My Success
1988 Coming to America
1992 The Last of the Mohicans
1998 Jane Austen's Mafia!
2002 Crossroads
2002 From Puppets to Pixels: Digital Characters in 'Episode II'
Supervising Music Editor:
1978 Days of Heaven
1981 Caveman
1981 Separate Ways
1981 The Bunker
1982 The Escape Artist
1983 Breathless
1983 In Defense of Kids
1983 The Black Stallion Returns
1984 Conan the Destroyer
1985 Latino
1985 The Mean Season
1986 Violets are Blue
1987 The Secret of My Success
1988 Coming to America
1989 Turner & Hooch
1990 A Show of Force
1992 The Last of the Mohicans
1998 Jane Austen's Mafia!
2002 Crossroads
2002 From Puppets to Pixels: Digital Characters in 'Episode II'
2002 Like Mike
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.