A work in constant progress (and occasional regress).
Release Date:
May 1, 1981
Original Title:
Separate Ways
Alternate Titles:
Valentine
Genres:
Drama
Production Companies:
Crown International Pictures
Hickmar Productions
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 92
A wife unhappy in her marriage begins an affair with an art student, unaware that her husband, a race driver, is also having an affair.
Accountant:
Hughie Hughes
Art Direction:
Chuck Seaton
Assistant Art Director:
Kristin Palmer
Assistant Editor:
Randy Jon Morgan
Kathy Virkler
Assistant Location Manager:
Charles Skouras III
Associate Producer:
Bill Kawata
Best Boy Electric:
Steven R. Mathis
Best Boy Grip:
David Michels
Camera Operator:
Raymond Stella
Casting Director:
Caro Jones
Choreographer:
Jennifer Stace
Costumer:
Pat Tonnema
Director:
Howard Avedis
Director of Photography:
Dean Cundey
Editor:
John Wright
Electrician:
Stephen Crawford
Matia Karrell
Executive Producer:
Marlene Schmidt
First Assistant Camera:
Clyde E. Bryan
First Assistant Director:
David Osterhout
Gaffer:
Mark Shane Davis
Hairstylist:
Dino Ganziano
Key Grip:
Dylan Shephard
Location Manager:
John Sorich
Makeup Artist:
Pamela Peitzman
Gigi Williams
Music Editor:
Daniel Allan Carlin
Negative Cutter:
Jack Hooper
Original Music Composer:
John Cacavas
Producer:
Howard Avedis
Production Manager:
Reid Freeman
Screenplay:
Leah Appet
Script Supervisor:
Coby Turner
Second Assistant Camera:
Krishna Rao
Second Assistant Director:
Tom Rolapp
Caren Singer
Sound Mixer:
Art Names
Still Photographer:
Kim Gottlieb
Story:
Howard Avedis
Marlene Schmidt
Leah Appet
Stunt Coordinator:
Gene Hartline
Stunts:
Chris Howell
Gary Littlejohn
Bobby Ferro
Vickie Creach
Rick Seaman
Blair Burrows
Supervising Sound Editor:
Michael Hilkene
Transportation Captain:
Ed Bumbaco
Unit Manager:
Daryl Kass
Wardrobe Assistant:
Marie Cantin
Wardrobe Designer:
Stephen Loomis
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.