A work in constant progress (and occasional regress).
Release Date:
June 29, 1984
Original Title:
Conan the Destroyer
Alternate Titles:
Conan - Der Zerstörer
Conan 2
Conan 2 - Förgöraren
Conan El Destructor
Conan The Barbarian 2 - The Destroyer
Conan, a barbár 2. - A pusztító
Conan, el defensor
Conan, el destructor
Kingu obu desutoroiyâ: Konan Part 2
Konan 2: Ruynivnyk
Konan Razrushitel'
Konan razrushitelya
Konan uništitelj
Kónan o Exolothreftís
Ničitel Conan
Genres:
Action | Adventure | Fantasy
Production Companies:
The De Laurentiis Company
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 12 CZ: 15 DE: 16 ES: 16 FR: 16 GB: 15 IE: 15 IT: T NL: 12 US: PG
Runtime: 103
Conan is commissioned by the evil queen Taramis to safely escort a teen princess and her powerful bodyguard to a far away castle to retrieve the magic Horn of Dagoth. Unknown to Conan, the queen plans to sacrifice the princess when she returns and inherit her kingdom after the bodyguard kills Conan. The queen's plans fail to take into consideration Conan's strength and cunning and the abilities of his sidekicks: the eccentric wizard Akiro, the warrior woman Zula, and the inept Malak. Together the hero and his allies must defeat both mortal and supernatural foes in this voyage to sword-and-sorcery land.
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Ager/Dyer:
Mary Etta Lang
Apprentice Sound Editor:
Shelley Brown
Art Direction:
Kevin Phipps
José María Alarcón
Assistant Accountant:
Eduardo De La Grana
Assistant Editor:
Mark Eggenweiler
Assistant Sound Editor:
Jeff Jones
Best Boy Electric:
John Matthews
Camera Operator:
Neil Binney
Casting:
Johanna Ray
Casting Assistant:
Nina Axelrod
Characters:
Robert E. Howard
Clapper Loader:
David Tondeur
Conceptual Design:
William Stout
Conductor:
Basil Poledouris
Costume Design:
John Bloomfield
Creature Design:
Carlo Rambaldi
Director:
Richard Fleischer
Director of Photography:
Jack Cardiff
Draughtsman:
Giles Masters
Steve Cooper
Driver:
Arturo Curiel
Editor:
Frank J. Urioste
Electrician:
Roy Furness
Executive Producer:
Stephen F. Kesten
Dino De Laurentiis
Focus Puller:
Roger McDonald
Gaffer:
Frank Heeney
Key Grip:
Apache
Key Hair Stylist:
Mirella De Rossi
Location Manager:
Juan Clemente Prosper
Makeup Artist:
Luigi Rocchetti
Music Consultant:
Gilbert Marouani
Musician:
Angelo Giovagnoli
Negative Cutter:
Donah Bassett
Orchestrator:
Greig McRitchie
Original Music Composer:
Basil Poledouris
Painter:
Sante Barelli
Presenter:
Dino De Laurentiis
Producer:
Raffaella De Laurentiis
Edward R. Pressman
Dino De Laurentiis
Production Assistant:
Mason Cardiff
Production Design:
Pier Luigi Basile
Production Illustrator:
Tanya Lowe
Production Office Assistant:
Craig Campobasso
Production Secretary:
Debbie Peterson
Production Supervisor:
Anuar Badin
Property Master:
Graham Sumner
Screenplay:
Stanley Mann
Script Supervisor:
Pamela Carlton
Sculptor:
Andrew Holder
Set Decoration Buyer:
Moises Pineda
Set Dresser:
Giorgio Desideri
Sound Editor:
Ray Alba
Sound Re-Recording Mixer:
Wayne Artman
Sound mixer:
Manuel Topete
Special Effects Supervisor:
John K. Stirber
Special Effects Technician:
Antonio Balandín
Standby Painter:
Ron Downing
Still Photographer:
George Whitear
Story:
Gerry Conway
Roy Thomas
Storyboard Artist:
Maurice Zuberano
Stunt Coordinator:
Vic Armstrong
Stunts:
Román Ariznavarreta
Supervising Music Editor:
Daniel Allan Carlin
Supervising Sound Editor:
Milton C. Burrow
Technical Advisor:
L. Sprague De Camp
Unit Production Manager:
Stephen F. Kesten
Unit Publicist:
Anne Strick
Visual Effects Coordinator:
Charles L. Finance
Wardrobe Supervisor:
Thomas Casterline
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.