A work in constant progress (and occasional regress).
Release Date:
March 25, 1983
Original Title:
The Black Stallion Returns
Genres:
Adventure | Family
Production Companies:
American Zoetrope
Production Countries:
United States of America
Ratings / Certifications:
AU: G DE: 6 FR: TP US: PG
Runtime: 103
"Black" is a stunning fire-and-silk stallion celebrated the world over. But to his young American owner, Alec Ramsay, he's much more. So, when the amazing animal is stolen, Alec will stop at nothing to get him back. Alec finally unravels the mystery of Black's theft...only to discover that he must overcome even greater odds to reclaim his beloved horse.
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Additional Photography:
Caleb Deschanel
Apprentice Sound Editor:
John Morris
Bob Kuhn
Art Direction:
Aurelio Crugnola
Assistant Camera:
Massimo Riccioli
Sandro Rubbo
Franco Sterpa
Maurizio Zampagni
Assistant Costume Designer:
Larbi Yacoubi
Francesca Zavarone
Assistant Director:
Michael Haley
Gianni Arduini
Doug Claybourne
Ahmed Hatimi
Assistant Editor:
C.J. Appel
Daniel Candib
Assistant Makeup Artist:
Antonio Maltempo
Latifa Souihi Maadani
Assistant Set Dresser:
Angelo Santucci
Assistant Sound Editor:
Tom Bellfort
Dane A. Davis
David Dresher
Jack Lowry
Associate Producer:
Christine Berardo
Camera Operator:
Massimo Di Venanzo
Michele Picciaredda
Camera Production Assistant:
Charles Minsky
Camera Truck:
Ken Phelps
Ray Tostado
Carpenter:
Romano Bellucci
Carlo Bessi
Umberto Magostini
Vincenzo Marucci
Casting:
Gianni Arduini
Jane Jenkins
Bonnie Timmermann
Color Assistant:
Robert Raring
Construction Coordinator:
Luigi Quintili
Costume Design:
Danda Ortona
Director:
Robert Dalva
Director of Photography:
Carlo Di Palma
David Myers
Haskell Wexler
Draughtsman:
Maria Teresa Barbasso
Giulia Chiara Crugnola
Editor:
David Holden
Paul Hirsch
Editorial Production Assistant:
Emanuela Lucidi
Michael Magill
Tim Sternberg
Giorgio Venturoli
Jeff Watts
Electrician:
Abdellatif El Ansary
Franco Caporale
Claudio Frollano
Giorgio Palermi
Elio Torres
Executive Assistant:
John Solomon
Executive Producer:
Francis Ford Coppola
First Assistant Editor:
Teresa Book
Foley Artist:
Dennie Thorpe
Gaffer:
Sante Federici
Elmiro Rubeo
Generator Operator:
Ettore Zampagni
Grip:
Najib Ben Fares
Franco Caporale
Osvaldo Caruso
Luciano Giuseppone
Ettore Migalizzi
Key Grip:
Vladimiro Salvatori
Location Manager:
Mehiz Athmane
Laura Fattori
Paola Surdi
Mohamed Tazi
Location Sound Recordist:
Nathan Boxer
Makeup Artist:
Paul LeBlanc
Mixing Engineer:
Gregg Landaker
Steve Maslow
Music Editor:
Richard Stone
Music Producer:
Daniel Allan Carlin
Negative Cutter:
Donah Bassett
Novel:
Walter Farley
Original Music Composer:
Georges Delerue
Painter:
Ivano Todeschi
Producer:
Doug Claybourne
Fred Roos
Tom Sternberg
Production Accountant:
Giovanna Di Michele
Jane Kearny
Maureen Newman
Cynthia Wood
Production Assistant:
Abdelhafid Balafrej
Arden Bucklin
Roman Coppola
Ahmed Darif
Hassan Selkane
Matteo von Normann
Production Manager:
Alessandro von Norman
Production Secretary:
Dawne Allstrom
Verena Baldeo
Violetta Coata
Prop Designer:
Bruno Vandilli
Propmaker:
Raffaele Vincenti
Screenplay:
Richard Kletter
Jerome Kass
Script Supervisor:
Serena Canevari
Seamstress:
Mirella Pedetti
Second Assistant Director Trainee:
Ren Navez
Set Decoration:
Franco Fumagalli
Sound Assistant:
Scott Chandler
Deborah Hoffmann
Sound Editor:
C.J. Appel
Arden Bucklin
Tom Bullock
Donald Flick
Diana Pellegrini
Leslie Shatz
Gary Weimberg
Ricky Wiese
Sound Effects:
Will Harvey
Doug Hemphill
Sound Mixer:
Bill Varney
Sound Recordist:
Mario Bramonti
Roman Coppola
Gary Weir
Special Effects:
Delio Catini
Aldo Gasparri
Still Photographer:
Francesco Bellomo
Stunt Coordinator:
Sergio Mioni
Trainee Production Coordinator:
Rex Peterson
Corky Randall
Unit Production Manager:
Franco Ballati
Lynn Kamern
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.