A work in constant progress (and occasional regress).
Release Date:
July 28, 1989
Original Title:
Turner & Hooch
Alternate Titles:
Scott & Huutsch
Scott und Huutsch - Eine Dogge zum Knutschen
Turner and Hooch
Turner et Hooch
Turner og hund
Uma Dupla Quase Perfeita
Тёрнер и Хуч
Genres:
Action | Comedy | Crime | Family | Thriller
Production Companies:
Silver Screen Partners III
Touchstone Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: PG DE: 12 GB: PG HU: 16 IE: PG JP: PG12 NL: 6 PT: M/12 US: PG
Runtime: 97
Detective Scott Turner has three days left in the local police department before he moves to a bigger city to get some 'real' cases—not just misdemeanors. When Amos Reed is murdered, Scott sets himself on the case, but the closest thing to a witness to the murder is Reed's dog, Hooch, which Scott has to take care of—to avoid Hooch being 'put to sleep'.
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Art Direction:
Sig Tingloff
Casting:
Mike Fenton
Judith Bouley
Judy Taylor
Karen Hendel
Lynda Gordon
Chief Lighting Technician:
Jono Kouzouyan
Co-Producer:
Michele Ader
Director:
Roger Spottiswoode
Director of Photography:
Adam Greenberg
Editor:
Mark Conte
Garth Craven
Lois Freeman-Fox
Paul Seydor
Executive Producer:
Daniel Petrie Jr.
Extras Casting:
Carl Joy
First Assistant Camera:
Vance Piper
Foley Mixer:
Dean Drabin
Music Editor:
Craig Pettigrew
Original Music Composer:
Charles Gross
Producer:
Raymond Wagner
Production Design:
John DeCuir Jr.
Property Master:
James A. Rathbun
Screenplay:
Dennis Shryack
Michael Blodgett
Daniel Petrie Jr.
Jim Cash
Jack Epps Jr.
Set Decoration:
Cloudia Rebar
Story:
Dennis Shryack
Michael Blodgett
Stunt Coordinator:
Conrad E. Palmisano
Stunt Double:
Brian J. Williams
Stunts:
Greg Walker
Clint Rowe
Tom Morga
Paul M. Lane
Dick Hancock
Jack Gill
Erik Cord
Bruce Paul Barbour
Supervising Music Editor:
Daniel Allan Carlin
Supervising Sound Editor:
Lon Bender
Neal Burger
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.