A work in constant progress (and occasional regress).
Release Date:
June 29, 1988
Original Title:
Coming to America
Alternate Titles:
El príncipe de Zamunda
El príncipe de Zamunda: buscando a la mujer ideal
Hoshi no Ôji Nyûyôku e iku
O prigkipas tis Zamounta
O prigkipas tis Zamunda
O pringipas tis Zamunda
Prints Zamundast
Um Príncipe em Nova York
王子录妃记
王子选妃记
Genres:
Comedy | Romance
Production Companies:
Eddie Murphy Productions
Paramount Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: L DE: 12 DK: 7 ES: APTA FI: S FR: U GB: 15 GR: 12 HU: 18 IE: 15 IT: T NO: 12 PL: 18 RO: AP RU: 6+ SE: 7 US: R
Runtime: 117
An African prince decides it’s time for him to find a princess... and his mission leads him and his most loyal friend to Queens, New York. In disguise as an impoverished immigrant, the pampered prince quickly finds himself a new job, new friends, new digs, new enemies and lots of trouble.
Additional Second Assistant Director:
Charles Brescia
Art Direction:
Christopher Nowak
Richard B. Lewis
Assistant Art Director:
Carole Lee Cole
Assistant Camera:
Madelyn Most
Assistant Chief Lighting Technician:
Ed Cooper
Assistant Costume Designer:
Kelly Kimball
Assistant Editor:
John Haggar
Assistant Hairstylist:
William Howard
Assistant Makeup Artist:
Marie Carter
Assistant Property Master:
Stan Cockerell
Assistant Sound Editor:
Spike Allison Hooper
Associate Producer:
David Sosna
Boom Operator:
Louis Sabat
Carpenter:
Marc Fambro
Casting:
Jackie Burch
Casting Assistant:
Ferne Cassel
Chief Lighting Technician:
John W. DeBlau
Choreographer:
Paula Abdul
Color Timer:
Bob Noland
Construction Coordinator:
Jerry Fitzpatrick
Construction Foreman:
William Apperson
Costume Design:
Deborah Nadoolman Landis
Costume Supervisor:
Francine Jamison-Tanchuck
Craft Service:
Eddie Jones
Director:
John Landis
Director of Photography:
Sol Negrin
Woody Omens
Dolly Grip:
Jon Falkengren
Driver:
Patrick Hogan
Editor:
George Folsey Jr.
Malcolm Campbell
Electrician:
Richie Ford
Executive Producer:
Mark Lipsky
Leslie Belzberg
Eddie Murphy
Extras Casting Assistant:
Rae Lockett
First Assistant Camera:
Ken Fisher
First Assistant Director:
David Sosna
First Company Grip:
Dennis Gamiello
Foley Mixer:
Dean Drabin
Generator Operator:
Joseph Banks
Greensman:
Philip C. Hurst
Grip:
Bruce Atwater
Location Assistant:
Chris Schutsky
Location Manager:
Charles Miller
Makeup Artist:
Rolf John Keppler
Rick Baker
Makeup Effects:
Rick Baker
Music Editor:
Daniel Allan Carlin
Original Music Composer:
Nile Rodgers
Producer:
George Folsey Jr.
Robert D. Wachs
Production Accountant:
Janet L. Wattles
Production Assistant:
Martha Appel
Production Coordinator:
Terry Ladin
Production Design:
Richard Macdonald
Production Secretary:
Ginny Warner
Property Master:
Gregg H. Bilson
Rigging Grip:
Michael T. James
Scenic Artist:
Edward Garzero
Screenplay:
David Sheffield
Barry W. Blaustein
Second Assistant Camera:
Joseph Cosko Jr.
Second Assistant Director:
Richard Patrick
Second Company Grip:
Brian Fitzsimons
Second Second Assistant Director:
Tomaz Remec
Set Decoration:
Dan von Blomberg
Cheryal Kearney
Set Designer:
R. Gilbert Clayton
Set Dressing Artist:
Gerald DeTitta
Set Medic:
Greg Knapp
Sound Editor:
Mike Dobie
Sound Mixer:
William B. Kaplan
Sound Recordist:
Frank Graziadei
Special Effects Supervisor:
Danny Cangemi
Still Photographer:
Bruce McBroom
Story:
Eddie Murphy
Story Editor:
Brian Stewart
Stunt Coordinator:
John Sherrod
Stunt Double:
Carlton Holder
Stunts:
Lindell Blake
Supervising ADR Editor:
James Beshears
Supervising Sound Editor:
Paul Timothy Carden
Swing:
Richard Evans
Transportation Coordinator:
Cary Kelley
Unit Production Manager:
Michael Tadross
Unit Publicist:
Saul Kahan
Utility Stunts:
John Ashby
Wardrobe Supervisor:
Bill Christians
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.