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Keith Elliott (b. 1960)

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Alias:
Keith Elliot

Birthplace:
Hamilton, Ontario, Canada

Born:
March 15, 1960

Additional information:

The Search Form


Film Production

Additional Sound Re-Recording Mixer:
2020  Stateless

Additional Sound Re-Recordist:
2001  Get Over It
2020  Stateless

Foley Mixer:
1999  The Suburbans
2001  Get Over It
2020  Stateless

Foley Recordist:
1997  Cube
1999  The Suburbans
2001  Get Over It
2020  Stateless

Sound Mix Technician:
1997  Cube
1999  The Suburbans
2001  Get Over It
2004  Funky Monkey
2020  Stateless

Sound Mixer:
1997  Cube
1999  The Suburbans
2001  Get Over It
2004  Funky Monkey
2020  Stateless
2022  The Sadies Stop and Start

Sound Re-Recording Mixer:
1988  The Kiss
1989  Babar: The Movie
1996  Bogus
1996  Kids in the Hall: Brain Candy
1997  Cube
1997  The Sweet Hereafter
1998  Children of the Corn V: Fields of Terror
1998  The Big Hit
1999  From Dusk Till Dawn 2: Texas Blood Money
1999  Sunshine
1999  The Suburbans
2000  American Psycho
2000  The Law of Enclosures
2001  Get Over It
2002  Borderline
2002  Cube 2: Hypercube
2003  Barely Legal
2004  Cube Zero
2004  Funky Monkey
2004  Riding the Bullet
2005  Assault on Precinct 13
2006  Saw III
2006  The Black Dahlia
2007  Redacted
2007  Saw IV
2008  Bangkok Dangerous
2008  Saw V
2008  The Burrowers
2008  The Deal
2009  Saw VI
2010  Saw 3D
2011  Faces in the Crowd
2011  Night of the Demons
2012  A Dark Truth
2012  The Grey
2013  13 Eerie
2013  I'll Follow You Down
2013  The Last Exorcism Part II
2014  The Nut Job
2014  We Were Wolves
2014  Wolves
2015  The Hexecutioners
2015  The People Garden
2015  The Sublet
2016  Gridlocked
2016  Happily Ever After
2016  The Other Half
2017  Jigsaw
2017  She Came Knocking
2017  XX
2019  Rabid
2019  She Never Died
2019  White Lie
2020  Stateless
2020  The Rest of Us
2021  Castle in the Ground
2021  Saint-Narcisse
2021  Spiral: From the Book of Saw
2022  The Colour of Ink
2022  The Sadies Stop and Start
2023  Saw X

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.