A work in constant progress (and occasional regress).
Release Date:
October 14, 1988
Original Title:
The Kiss
Alternate Titles:
Le Baiser
O Beijo Mortal
Το Φιλί που Σκοτώνει
Genres:
Drama | Fantasy | Horror | Thriller
Production Companies:
TriStar Pictures
Trilogy Entertainment Group
Production Countries:
Canada | United States of America
Ratings / Certifications:
GB: 18 US: R
Runtime: 101
After the death of her mother, a teenage girl is faced with bizarre supernatural occurrences when her mother's estranged sister arrives and begins to infiltrate her and her father's lives.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
Penny Hozy
Additional Camera:
Serge Ladouceur
Georges Archambault
Art Department Coordinator:
Lise Pharand
Art Direction:
Suzanna Smith
Assistant Costume Designer:
Sylvie Clément
Assistant Editor:
Matthew Ennis
Assistant Sound Editor:
Thor Henrikson
Bruno DeGazio
Alison Fisher
Best Boy Electric:
Jacques Gauthier
Best Boy Grip:
Robert Auclair
Boom Operator:
Eric Zimmer
Camera Operator:
Bert Tougas
Camera Trainee:
Pierre Jodoin
Carpenter:
Raymond Brouillard
Casting:
Rosina Bucci
Pennie DuPont
Construction Manager:
Guy Plourde
Costume Design:
Renée April
Craft Service:
Susan Bradford
Suzan Morin
Dialogue Editor:
Alison Grace
Neil Grieve
Director:
Pen Densham
Director of Photography:
François Protat
Editor:
Stan Cole
Executive Producer:
Richard Barton Lewis
First Assistant Camera:
Jean-Marc Casavant
Luc Lussier
First Assistant Director:
Henry J. Bronchtein
First Assistant Editor:
Peter Riley
Mark Lemmon
First Assistant Hairstylist:
Deanna Mathewson
First Assistant Makeup Artist:
Nicole Lapierre
Foley Artist:
Andy Malcolm
Foley Recordist:
Jack Heeren
Gaffer:
Gilles Mayer
Generator Operator:
Yves Ouimet
Yves Paquette
Grip:
Jan-Mark Lapointe
Michel St. Pierre
Daniel Prévost
Hairstylist:
Benjamin Robin
Key Grip:
John Daoust
Line Producer:
Wendy Grean
Location Manager:
Michel Chauvin
Makeup Department Head:
Louise Mignault
Music Editor:
John Elizalde
Peter Riley
Orchestrator:
Bradford Ellis
Original Music Composer:
J. Peter Robinson
Producer:
Pen Densham
John Watson
Production Accountant:
Réjane Boudreau
Production Coordinator:
Lynn Mallay
Production Design:
Roy Forge Smith
Production Manager:
Wendy Grean
Production Secretary:
Leslie Grierson
Property Master:
Jean Kazemirchuk
Scenic Artist:
Tristan Tondino
Script Supervisor:
Marie Théberge
Suzanne Chiasson
Second Assistant Camera:
Eric Moynier
Second Assistant Director:
Pierre Houle
Second Unit Director:
Steve M. Davison
Second Unit Director of Photography:
Jean-Charles Tremblay
Set Decoration:
Gilles Aird
Set Dresser:
Claude Jacques
Réal Proulx
Suzanne Labrecque
Philippe Chevalier
Sound Editor:
Alan Geldart
Michael O'Farrell
Peter Thillaye
Sound Re-Recording Mixer:
Austin Grimaldi
Keith Elliott
Dino Pigat
Sound Recordist:
Don Cohen
Special Effects Supervisor:
Louis Craig
Steadicam Operator:
Julian Chojnacki
Still Photographer:
Attila Dory
Jonathan Wenk
Stunt Coordinator:
Steve M. Davison
Stunts:
Brenda Adams
Pat Romano
Alison Reid
Hisham Zayed
Peter Cox
Leslie Munro
Dawn Stofer-Rupp
Jennifer McKeown
Jérôme Tiberghien
Christine MacMahon
Marc Désourdy
Michael Scherer
Stéphane Lefebvre
John Walsh
David McKeown
Third Assistant Director:
Ricky Friedman
Transportation Coordinator:
Jim Disensi
Underwater Camera:
Georges Archambault
Unit Manager:
Michel Chauvin
Wardrobe Assistant:
Mario Davignon
Wardrobe Master:
Pierre Perrault
Writer:
Tom Ropelewski
Stephen Volk
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.