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The Kiss (1988) [R]

Release Date:
October 14, 1988

Original Title:
The Kiss

Alternate Titles:
Le Baiser
O Beijo Mortal
Το Φιλί που Σκοτώνει

Genres:
Drama | Fantasy | Horror | Thriller

Production Companies:
TriStar Pictures
Trilogy Entertainment Group

Production Countries:
Canada | United States of America

Ratings / Certifications:
GB: 18  US: R 

Runtime: 101

Don't do it with your eyes closed.

Overview from TheMovieDB

After the death of her mother, a teenage girl is faced with bizarre supernatural occurrences when her mother's estranged sister arrives and begins to infiltrate her and her father's lives.

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Additional information:

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Trailer

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Performers

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Production

ADR Editor:
Penny Hozy

Additional Camera:
Georges Archambault
Serge Ladouceur

Art Department Coordinator:
Lise Pharand

Art Direction:
Suzanna Smith

Assistant Costume Designer:
Sylvie Clément

Assistant Editor:
Matthew Ennis

Assistant Sound Editor:
Thor Henrikson
Alison Fisher
Bruno DeGazio

Best Boy Electric:
Jacques Gauthier

Best Boy Grip:
Robert Auclair

Boom Operator:
Eric Zimmer

Camera Operator:
Bert Tougas

Camera Trainee:
Pierre Jodoin

Carpenter:
Raymond Brouillard

Casting:
Rosina Bucci
Pennie DuPont

Construction Manager:
Guy Plourde

Costume Design:
Renée April

Craft Service:
Susan Bradford
Suzan Morin

Dialogue Editor:
Alison Grace
Neil Grieve

Director:
Pen Densham

Director of Photography:
François Protat

Editor:
Stan Cole

Executive Producer:
Richard Barton Lewis

First Assistant Camera:
Luc Lussier
Jean-Marc Casavant

First Assistant Director:
Henry J. Bronchtein

First Assistant Editor:
Peter Riley
Mark Lemmon

First Assistant Hairstylist:
Deanna Mathewson

First Assistant Makeup Artist:
Nicole Lapierre

Foley Artist:
Andy Malcolm

Foley Recordist:
Jack Heeren

Gaffer:
Gilles Mayer

Generator Operator:
Yves Ouimet
Yves Paquette

Grip:
Daniel Prévost
Michel St. Pierre
Jan-Mark Lapointe

Hairstylist:
Benjamin Robin

Key Grip:
John Daoust

Line Producer:
Wendy Grean

Location Manager:
Michel Chauvin

Makeup Department Head:
Louise Mignault

Music Editor:
John Elizalde
Peter Riley

Orchestrator:
Bradford Ellis

Original Music Composer:
J. Peter Robinson

Producer:
Pen Densham
John Watson

Production Accountant:
Réjane Boudreau

Production Coordinator:
Lynn Mallay

Production Design:
Roy Forge Smith

Production Manager:
Wendy Grean

Production Secretary:
Leslie Grierson

Property Master:
Jean Kazemirchuk

Scenic Artist:
Tristan Tondino

Script Supervisor:
Suzanne Chiasson
Marie Théberge

Second Assistant Camera:
Eric Moynier

Second Assistant Director:
Pierre Houle

Second Unit Director:
Steve M. Davison

Second Unit Director of Photography:
Jean-Charles Tremblay

Set Decoration:
Gilles Aird

Set Dresser:
Claude Jacques
Philippe Chevalier
Suzanne Labrecque
Réal Proulx

Sound Editor:
Peter Thillaye
Alan Geldart
Michael O'Farrell

Sound Re-Recording Mixer:
Austin Grimaldi
Keith Elliott
Dino Pigat

Sound Recordist:
Don Cohen

Special Effects Supervisor:
Louis Craig

Steadicam Operator:
Julian Chojnacki

Still Photographer:
Attila Dory
Jonathan Wenk

Stunt Coordinator:
Steve M. Davison

Stunts:
Brenda Adams
Pat Romano
Alison Reid
Jérôme Tiberghien
Marc Désourdy
David McKeown
Stéphane Lefebvre
Jennifer McKeown
John Walsh
Michael Scherer
Peter Cox
Leslie Munro
Hisham Zayed
Christine MacMahon
Dawn Stofer-Rupp

Third Assistant Director:
Ricky Friedman

Transportation Coordinator:
Jim Disensi

Underwater Camera:
Georges Archambault

Unit Manager:
Michel Chauvin

Wardrobe Assistant:
Mario Davignon

Wardrobe Master:
Pierre Perrault

Writer:
Tom Ropelewski
Stephen Volk

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.