A work in constant progress (and occasional regress).
Release Date:
January 26, 2012
Original Title:
The Grey
Alternate Titles:
A Perseguição 2012
El líder
Peur grise
The Grey - Vivi e muori in questo giorno
الرمادي
Genres:
Action | Adventure | Drama | Thriller
Production Companies:
1984 Private Defense Contractors
Chambara Pictures
Inferno Distribution
LD Entertainment
Open Road Films
Scott Free Productions
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AR: 16 AU: MA15+ BE: 16 BR: 14 CA: 14A CZ: 12 DE: 16 DK: 15 ES: 12 FI: K-16 FR: 12 GB: 15 GR: Κ-18 HK: IIB IE: 15A IN: A IT: VM14 JP: PG12 KR: 15 MX: C NL: 16|12 NO: 15 NZ: R16 PH: R-13 PT: M/16 RU: 16+ SE: 15 SG: M18 US: R
Runtime: 117
Following a grueling five-week shift at an Alaskan oil refinery, workers led by sharpshooter John Ottway are flying home for a much-needed vacation. But a brutal storm causes their plane to crash in the frozen wilderness, and only eight men, including Ottway, survive. As they trek southward toward civilization and safety, Ottway and his companions must battle mortal injuries, the icy elements, and a pack of hungry wolves.
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ADR Editor:
Alison Fisher
ADR Mixer:
Greg Steele
ADR Recordist:
Greg Zimmerman
Ric Schnupp
Additional Sound Re-Recording Mixer:
Andy Koyama
Craig Henighan
Animation Director:
Stephane Stoll
Animatronic and Prosthetic Effects:
Howard Berger
Greg Nicotero
Art Department Coordinator:
Carie Wallis
Art Direction:
Ross Dempster
Associate Producer:
Leah Carnahan
Lynn Givens
CG Supervisor:
Christian Garcia
Sebastien Proulx
Camera Operator:
Masanobu Takayanagi
Dean Heselden
Casting:
John Papsidera
Co-Producer:
Douglas Saylor Jr.
Construction Coordinator:
Charles Leitrants
Costume Design:
Courtney Daniel
Dialogue Editor:
Alastair Gray
Digital Intermediate:
Dave Muscat
Director:
Joe Carnahan
Director of Photography:
Masanobu Takayanagi
Editor:
Roger Barton
Jason Hellmann
Executive Producer:
Spencer Silna
Ross T. Fanger
Jim Seibel
Adi Shankar
Jennifer Monroe
Bill Johnson
Tony Scott
First Assistant Director:
James Bitonti
First Assistant Editor:
Brett Schlaman
Foley Artist:
Steve Baine
Foley Recordist:
Peter Persaud
Hair Department Head:
Roy Sidick
Noriko Watanabe
Makeup Department Head:
Gitte Axen
Noriko Watanabe
Music Editor:
Kirsty Whalley
Joseph Bonn
Original Music Composer:
Marc Streitenfeld
Producer:
Jules Daly
Mickey Liddell
Ridley Scott
Joe Carnahan
Production Design:
John Willett
Property Master:
Graham Coutts
Screenplay:
Ian Mackenzie Jeffers
Joe Carnahan
Script Supervisor:
Susan Lambie
Second Assistant Director:
Dan Mansfield
Second Unit Director:
Ben Hernandez Bray
Set Decoration:
Peter Lando
Set Designer:
Nancy Anna Brown
Short Story:
Ian Mackenzie Jeffers
Sound Designer:
Bob Kellough
Warren Hendriks
Sound Effects Editor:
Steve Munro
Mark Shnuriwsky
Sound Mixer:
Michael T. Williamson
Sound Re-Recording Mixer:
Keith Elliott
Mark Zsifkovits
Special Effects Coordinator:
James Paradis
Special Effects Key Makeup Artist:
Greg Nicotero
Howard Berger
Still Photographer:
Kimberly French
Stunt Coordinator:
Ben Hernandez Bray
Scott J. Ateah
Stunt Double:
Adrian Hein
Leif Havdale
Jon Kralt
Mike Carpenter
Mark Vanselow
Stunts:
Larissa Stadnichuk
Shawn Beaton
Byron Brisco
Dario Delacio
Charles Jarman
Hugo Steele
Larry Lam
Kit Mallet
Kory Grim
Dave Hospes
Clay Virtue
Lani Gelera
Lloyd Adams
Vince Murdocco
Todd Scott
Kaaren de Zilva
Dan Rizzuto
Chad Bellamy
Efosa Otuomagie
Lars Grant
Marshall Virtue
Doug Chapman
Supervising Dialogue Editor:
Wayne Griffin
Supervising Sound Editor:
Mark Gingras
David Evans
Unit Production Manager:
Brian Leslie Parker
Ross T. Fanger
Visual Effects Editor:
Gian Ganziano
Visual Effects Producer:
Kristen Branan
Sophie Leclerc
Julie Cardinal
Visual Effects Supervisor:
Gunnar Hansen
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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