A work in constant progress (and occasional regress).
Release Date:
October 22, 2010
Original Title:
Saw 3D
Alternate Titles:
Décadence 3D: Le chapitre final
Décadence 3D: Le dernier chapitre
Décadence 7: Le Dernier Chapitre
Décadence: Le dernier chapitre
Fűrész 3D
Ha'masor 7
Jogos Mortais VII: O Final
Juegos Macabros 7
Lưỡi Cưa 3D
Lưỡi Cưa VII
Piła 3D
Piła 7
Pjūklas 3D
Pjūklas 7
Pjūklas 7. Pabaiga
Pjūklas 7: Paskutinis skyrius
Saw - Vollendung
Saw 7
Saw 7 - Vollendung
Saw 7: Saw 3D
Saw 7: The Final Chapter
Saw : Chapitre final
Saw VII
Saw VII - Vollendung
Saw VII 3D
Saw VII Capitulo Final
Saw VII: The Final Chapter
Saw: The Final Chapter
Пила 3D
Пила 7
اره سهبعدی
اره ۷
اره ۷: بخش آخر
恐懼鬥室3D之終極審判
恐懼鬥室7 終極審判
电锯惊魂7
电锯惊魂VII
Genres:
Crime | Horror
Production Companies:
Lionsgate
Mandate Pictures
Serendipity Productions
Twisted Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: R 18+ BE: 18 BR: 18 CA: 14A CH: 18 CZ: 18+ DE: 18 DK: 15 EE: K-16 ES: 18 FI: K-18 FR: 16 GB: 18 HU: 18 IE: 18 JP: R15+ KR: 18 LT: N-18 LV: N16 MX: C NL: 16 NO: 18 PH: R-13 PL: 18 PT: M/18 RO: 18 RU: 18+ SE: 15 TR: 18+ US: R
Runtime: 90
As a deadly battle rages over Jigsaw's brutal legacy, a group of Jigsaw survivors gathers to seek the support of self-help guru and fellow survivor Bobby Dagen, a man whose own dark secrets unleash a new wave of terror.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
3D Animator:
Ariel Joson
3D Artist:
Beryl Wu
Phil Dakin
Doug Law
Zachary Lowe
ADR Editor:
Dale Lennon
Art Direction:
Peter Grundy
Assistant Costume Designer:
Mia Sturup
Best Boy Electrician:
Doug Reid
Kevin Craine
Boom Operator:
Pat Cassin
Moshe Saadon
Gordon Chacra
Camera Operator:
Michael Fylyshtan
Characters:
James Wan
Leigh Whannell
Construction Coordinator:
Rob Valeriote
Costume Design:
Alex Kavanagh
Dialogue Editor:
Jill Purdy
Digital Intermediate:
Motassem Younes
Peter Armstrong
Lee Hughes
Director:
Kevin Greutert
Director of Photography:
Brian Gedge
Dolly Grip:
Patrick King
Editor:
Andrew Coutts
Electrician:
Craig Bulmer
Marek Krawczyk
Neil Saito
Steve Langer
Tim Lovell
Desiree Lidon
Paul Sheehan
Executive Producer:
Peter Block
James Wan
Stacey Testro
Daniel J. Heffner
Leigh Whannell
Jason Constantine
First Assistant Director:
David McLeod
Steve Webb
David McAree
First Assistant Editor:
Robert Doyle
Foley:
Steve Baine
Gaffer:
Herb Reischl Jr.
Robert McRae
Norman O'Halloran
Key Grip:
Monty Montgomerie
Key Hair Stylist:
Stephanie Ingram
Key Makeup Artist:
Colin Penman
Music Editor:
Erich Preston
Original Music Composer:
Charlie Clouser
Producer:
Mark Burg
Oren Koules
Gregg Hoffman
Production Design:
Anthony Ianni
Production Manager:
Kym Crepin
Property Master:
James R. Murray
Prosthetic Makeup Artist:
François Dagenais
Rigging Grip:
Edward Lipscombe
Malcolm Nefsky
Hugh Brule
Screenplay:
Marcus Dunstan
Patrick Melton
Script Supervisor:
Elizabeth Tremblay
Patricia Joyes
Margaret Tanod
Second Unit Director of Photography:
Anton Van Rooyen
Set Decoration:
Liesl Deslauriers
Sound Effects Editor:
Katie Halliday
Richard Harkness
Sound Re-Recording Mixer:
Mark Zsifkovits
Andrew Tay
Keith Elliott
Special Effects Supervisor:
Rob Sanderson
Steadicam Operator:
Mark Hroch
Still Photographer:
Brooke Palmer
Stunt Coordinator:
Shelley Cook
Stunt Double:
Krista Bell
Angelica Lisk-Hann
Stunt Driver:
Danny Lima
Stunts:
E. Nova Zatzman
Supervising Sound Editor:
John Douglas Smith
Mark Gingras
Visual Effects Coordinator:
James Thomson
Visual Effects Producer:
Tavia Charlton
Marc Whaley
Peter Denomme
Visual Effects Supervisor:
Jon Campfens
Tom Turnbull
Wendy Whaley
Visual Effects Technical Director:
Don Asido
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.