A work in constant progress (and occasional regress).
Release Date:
July 11, 1998
Original Title:
Cube
Alternate Titles:
Cube (1997)
Cube 1
Cube: 1
Mê Cung Lập Phương
Sześcian
The CUBE
ลูกบาศก์มรณะ
キューブ
异次元杀阵
心慌方
Genres:
Mystery | Science Fiction | Thriller
Production Companies:
Cube Libre
The Feature Film Project
Production Countries:
Canada
Ratings / Certifications:
AU: M CA: PG CZ: 15+ DE: 16 ES: 16 FR: 12 GB: 15 IE: 15 MX: C NL: 16 PL: 16 PT: M/16 RU: 16+ US: R
Runtime: 90
A group of strangers find themselves trapped in a maze-like prison. It soon becomes clear that each of them possesses the peculiar skills necessary to escape, if they don't wind up dead first.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
John Laing
ADR Recordist:
Greg Shim
Additional Still Photographer:
Sophie Giraud
Art Department Assistant:
Mark Newman
Peter Atto
Mario D'Amaral
Jane Kim
Jamie Williamson
Sue Motahedin
Art Direction:
Diana Magnus
Assistant Art Director:
Greg Sigurdson
Andrew Rucklidge
Anastasia Masaro
Assistant Dialogue Editor:
Colin Woods
Patricia Quintanilla
Associate Editor:
Wiebke von Carolsfeld
Boom Operator:
Jeff Orr
Dana Kearns
Brian Myatt
Jeff Wachsmann
Camera Operator:
Derek Rogers
Scott Smith
Camera Trainee:
Paul Gentleman
Juliet Wintrobe
Casting Consultant:
Deirdre Bowen
Color Timer:
Frank Leone
Costume Design:
Wendy May Moore
Costume Mistress:
Tamara Rigby-Funke
Dialogue Editor:
Sue Conley
Digital Effects Producer:
Lisa Bechard
Stephen Segal
Director:
Vincenzo Natali
Director of Photography:
Derek Rogers
Editor:
John Sanders
Electrician:
Scott Craven
Stephani Buchman
Edmond Kopp
Jim Young
Executive Producer:
Colin Brunton
First Assistant Camera:
Mark McLean
Andy Jekabsons
Patrick McGowan
First Assistant Director:
Patrick Tidy
First Assistant Editor:
Rob MacKinnon
Geoff Tunnard
Foley Artist:
Virginia Storey
John Sievert
Michelle Schubert
Foley Recordist:
Walter-Joseph Grabowski
Darcy Kite
Keith Elliott
Gaffer:
Jeremy Hudspith
Grip:
Todd Moore
Craig Semenuk
Brian Myatt
Paul Howden
Barb Sniderman
Sandor Ajzenstat
Brad Hopkins
Don Irvine
Mark Ryan
Jeff Orr
Hair Designer:
Louise Mackintosh
Hairstylist:
Patty White
Susann Greenwood
Head Carpenter:
Brian Fowler
Key Grip:
Kevin Richter
Makeup Artist:
Patty White
Susann Greenwood
Makeup Designer:
Louise Mackintosh
On Set Props:
Dana Kearns
Evelyn Mitsou
Original Music Composer:
Mark Korven
Post Production Supervisor:
William Phillips
Production Accountant:
Nick Seary
Production Assistant:
Liz Wolfe
Production Coordinator:
Deborah Kiss
Production Design:
Jasna Stefanovic
Production Manager:
Norah Wakula
Production Secretary:
Linda Darras
Property Master:
Gene Alexander
Scenic Artist:
Stephen Willetts
Bob Ceh
Cheryl Ladrillo
Susan Tanton
Screenplay:
André Bijelic
Vincenzo Natali
Graeme Manson
Script Supervisor:
Lisa Burling
Patricia Joyes
Second Assistant Camera:
Matthew Brookes
Kevin P. O'Rourke
Daniel Chiasson
Second Assistant Director:
Deborah Kiss
Second Unit Director:
Oscar Fenoglio
Second Unit Director of Photography:
Scott Smith
Second Unit First Assistant Director:
Sarah Jarvis
Sound Effects Editor:
Jill Purdy
Craig Henighan
Stephen Barden
Sound Mix Technician:
Mark Zsifkovits
Brad Thornton
Sound Re-Recording Mixer:
Peter Kelly
Darcy Kite
Todd Warren
Sound Recordist:
Steve McNamee
Still Photographer:
Michael Gibson
Story Editor:
Hugh Graham
Stunt Coordinator:
John Stoneham Jr.
Stunt Double:
Rebecca Stoneham
Regan Moore
Stunts:
Bryan J. Thomas
Unit Publicist:
Rob Kingston
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.