A work in constant progress (and occasional regress).
Release Date:
October 15, 2004
Original Title:
Riding the Bullet
Alternate Titles:
Boleia Arriscada
Jazda na kuli
Proangelos thanatou
Stephen King's Riding the Bullet
Viaje a Las Tinieblas De Stephen King
Genres:
Drama | Horror | Thriller
Production Companies:
Apollo Productions
Motion Picture Corporation of America
Production Countries:
Canada
Ratings / Certifications:
AU: MA 15+ US: R
Runtime: 98
In 1969, while studying at the University of Maine, artist Alan Parker becomes obsessed with death. Believing he is losing his girlfriend, he tries to commit suicide on his birthday but his friends manage to stop him. He receives news that his mother has had a stroke and decides to hitchhike to visit her at the hospital.
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"A" Camera Operator:
Ryan McMaster
"B" Camera Operator:
Robert Creese
Robert C. New
Art Direction:
Kristina Lyne
Assistant Editor:
Bill Young
Assistant Foley Artist:
Gina Gyles
Assistant Hairstylist:
Diane Holme
Assistant Makeup Artist:
Sarah Graham
Assistant Set Decoration:
Mark McGann
Associate Producer:
Neal Ramer
Chad Marting
Boom Operator:
Ron Martin
Co-Producer:
Julia Verdin
Bill Kravitz
Costume Designer:
Stephanie Nolin
Dialogue Editor:
Barry Gilmore
Director:
Mick Garris
Director of Photography:
Robert C. New
Editor:
Marshall Harvey
Executive Producer:
Frank Hübner
Jan Fantl
Jörg Westerkamp
Jeff Ivers
First Assistant "B" Camera:
Richard Schmon
First Assistant Camera:
Einar Sigurdson
First Assistant Production Coordinator:
Tracy Smith-Kolisnyk
Foley Artist:
Steve Baine
Foley Recordist:
Peter Persaud
Key Hair Stylist:
Ian C. Ballard
Key Makeup Artist:
Rebeccah Delchambre
Makeup & Hair:
Wally Jansen
Music Supervisor:
Arlene Fishbach
On Set Dresser:
Todd Keller
Original Music Composer:
Nicholas Pike
Post Production Coordinator:
Louise Runge
Post Production Supervisor:
John Portnoy
Producer:
Vicki Sotheran
Greg Malcolm
Brad Krevoy
Mick Garris
Joel T. Smith
David Lancaster
Production Coordinator:
Andrea Bastin
Production Design:
Andrew Deskin
Production Executive:
Reuben Liber
Production Supervisor:
Kai Schürmann
Script Supervisor:
Lara Fox
Second Assistant Camera:
Richard Win
Second Assistant Production Coordinator:
Morgan Tincher
Set Decoration:
Ian Nothnagel
Set Dresser:
Carole Alexander
Judi Stackaruk
Set Supervisor:
Derek J. Baskerville
Short Story:
Stephen King
Sound Effects Editor:
Roderick Deogrades
Sound Mixer:
Sebastian Salm
Sound Re-Recording Mixer:
Peter Kelly
Keith Elliott
Christian Carruthers
Special Effects Makeup Artist:
Greg Nicotero
Howard Berger
Steadicam Operator:
Brian Rose
Cliff Hokanson
Still Photographer:
Jack Rowand
Stunt Coordinator:
Scott J. Ateah
Stunts:
Kevin J. Andruschak
Ryan Judd
Brett Armstrong
Brad Kelly
Dale Kipling
Jon Kralt
Ryan Ennis
Rick Pearce
Owen Walstrom
Barb Bartos
Jim Broyden
Mike Godenir
Supervising Sound Editor:
Garrett Kerr
Truck Costumer:
Nancy Na
Nancy Hare
Visual Effects Compositor:
Deane Boeka
Nicki Kreitzman
Christopher Decristo
Visual Effects Coordinator:
Wendy Ruiz
Visual Effects Producer:
Brenda Levert
Visual Effects Supervisor:
Paul Cox
Craig Weiss
Writer:
Mick Garris
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.