Crimson Tide (1995) [R]

Release Date:
May 12, 1995

Original Title:
Crimson Tide

Alternate Titles:
Denizde İsyan
Grimizna plima
Karmazynowy Przypływ
Krvava plima
Marea roja
Marée rouge
Punane oht
Raudonasis potvynis
Rött hav
USS Alabama
Valul ucigas
Škrlatna plima
红色风暴
크림슨 타이드

Genres:
Action | Drama | Thriller | War

Production Companies:
Don Simpson/Jerry Bruckheimer Films
Hollywood Pictures

Production Countries:
United States of America

Ratings / Certifications:
AU: M  CZ: 12+  DE: 12  DK: 15  FI: K-16  FR: 12  GB: 15  GR: 13  HU: 12  IE: 12  IT: T  JP: G  KR: 15  NL: 12  PL: 16  PT: M/12  RO: 18  SE: 15  US: R 

Runtime: 116

Danger runs deep.

After the Cold War, a breakaway Russian republic with nuclear warheads becomes a possible worldwide threat. U.S. submarine Capt. Frank Ramsey signs on a relatively green but highly recommended Lt. Cmdr. Ron Hunter to the USS Alabama, which may be the only ship able to stop a possible Armageddon. When Ramsey insists that the Alabama must act aggressively, Hunter, fearing they will start rather than stop a disaster, leads a potential mutiny to stop him.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

"B" Camera Operator:
Chris Haarhoff

24 Frame Playback:
Monte Swann

ADR Editor:
Denise Horta

ADR Mixer:
Bob Baron
Charleen Richards-Steeves

ADR Voice Casting:
Barbara Harris

Additional Hairstylist:
Kenneth Walker

Additional Music:
Christopher Ward

Additional Photography:
Dan Mindel

Additional Sound Re-Recording Mixer:
Greg P. Russell

Aerial Camera:
Kurt E. Soderling

Aerial Director of Photography:
Kurt E. Soderling

Animal Wrangler:
Paul Calabria

Animation:
Darin Hollings

Art Direction:
Dianne Wager
James J. Murakami
Donald B. Woodruff

Assistant Art Director:
Daniel Maltese

Assistant Camera:
Duane Mieliwocki

Assistant Chief Lighting Technician:
Al DeMayo

Assistant Editor:
Andrea Bottigliero
Paul Silver

Assistant Location Manager:
Mark B. Johnson

Assistant Production Coordinator:
Jennifer Good

Assistant Property Master:
Rick Chavez
Randy Gunter

Assistant Sound Editor:
Marva Fucci
Paul O'Bryan
Maggie Ostroff
Christopher C. Schiavo
Greg Thompson

Assistant Sound Engineer:
Bruno Roussel
Gregg Silk

Associate Editor:
David Dresher

Associate Producer:
James W. Skotchdopole

Best Boy Grip:
Thomas Gibson

Boom Operator:
Earl Sampson

CG Animator:
Rob Dressel

Cableman:
Peggy Names

Camera Loader:
Shai Greenberg

Camera Operator:
Martin Schaer
Michael St. Hilaire

Casting:
Victoria Thomas

Casting Associate:
Matthew Barry
Jeanne McCarthy

Chief Lighting Technician:
Claudio Miranda

Color Timer:
Bob Putynkowski

Compositing Lead:
Marlo Pabon

Compositing Supervisor:
Blaine Kennison

Conductor:
Nick Glennie-Smith
Harry Gregson-Williams

Construction Coordinator:
Dennis DeWaay

Construction Foreman:
Steven E. Fegley

Costume Design:
George L. Little

Costume Supervisor:
Ellis Cohen

Costumer:
James 'Mike' Balker
Michael Chavez
Anthony J. Lipin

Craft Service:
Ernest H. Lauterio

Digital Compositor:
Brian Adams

Digital Effects Supervisor:
Dan DeLeeuw

Digital Producer:
Angie Russell

Director:
Tony Scott

Director of Photography:
Dariusz Wolski

Dolly Grip:
Larry Sweet

Driver:
Chris Haynes

Editor:
Chris Lebenzon

Effects Supervisor:
Scott Beattie

Electrician:
Michael S. Adler
John S. Beyers
George M. Chappell
Alan Colbert
John Cucura
Carl A. Vidnic

Executive Producer:
Bill Unger
Lucas Foster
Mike Moder

Executive Visual Effects Producer:
Keith Shartle

Extras Casting:
David Anthony
Kenneth Chamitoff

First Assistant "C" Camera:
Heather Page

First Assistant Accountant:
Linden Johnson

First Assistant Camera:
Dennis J. Laine
Gregory J. Schmidt

First Assistant Director:
James W. Skotchdopole

First Assistant Editor:
Rick Howe

Foley Artist:
Kevin Bartnof
Catherine Rowe

Foley Editor:
Fred Burke
Matthew Harrison
Jim Likowski
Victoria Martin

Foley Mixer:
Eric Gotthelf

Gaffer:
David Bartholomew

Grip:
Hilary Klym
Brian Liberman
Mark Meyers
Christopher Reynolds
Thomas J. Ruffner
Brian Rosso

Hairstylist:
Ron Scott

Key Grip:
J. Michael Popovich
Emmanuel Vouniozos

Leadman:
Edward G. Fitzgerald

Lighting Camera:
Jan Richter-Friis

Location Manager:
Craig Pointes

Location Scout:
Dow Griffith

Makeup Artist:
Ellen Wong
Edna Sheen

Modeling:
Matsune Suzuki
Ray Cavalluzzi
Tony Moffett
James D. McGeachy
Mark Weatherbe
Corey Hels

Music Editor:
Bob Badami
Will Kaplan

Musician:
Luis Jardim
Tommy Johnson
Malcolm McNab
Sebastian Toettcher
John Van Houten

Negative Cutter:
Mary Beth Smith

Orchestrator:
Bruce Fowler
Nick Glennie-Smith
Ladd McIntosh
Yvonne Suzette Moriarty

Original Music Composer:
Hans Zimmer

Playback Coordinator:
John Agalsoff Jr.

Post Production Supervisor:
Miguel Ángel Poveda

Producer:
Don Simpson
Jerry Bruckheimer

Production Accountant:
Jan Garner

Production Assistant:
Vanessa Bendetti

Production Coordinator:
Crys Forsyth-Smith
Tracy L. Kettler

Production Design:
Michael White

Production Illustrator:
Sean Hargreaves

Property Master:
Michael Papac

Prosthetic Designer:
Michael Mills

Rigging Gaffer:
George M. Chappell
Gihan 'Sandy' Seneviratne

Rigging Grip:
Ted Lewis

Scoring Mixer:
Jay Rifkin

Screenplay:
Michael Schiffer

Script Supervisor:
P.R. Tooke

Second Assistant Accountant:
Linda C. Azevedo

Second Assistant Camera:
John J. Ellingwood
Jeff Vine

Second Assistant Director:
John Wildermuth

Second Second Assistant Director:
Angela C. Tortu

Set Decoration:
Mickey S. Michaels

Set Designer:
Richard Lawrence
Nick Navarro
Randall D. Wilkins

Sound Editor:
Midge Costin
Frank Howard
F. Hudson Miller
R.J. Palmer
Kim Secrist
Gary Wright
Nicholas James

Sound Effects Editor:
Kevin Clark

Sound Mixer:
William B. Kaplan

Sound Re-Recording Mixer:
Gregory H. Watkins
Rick Kline
Kevin O'Connell

Sound Recordist:
Matt Araki
John Brilhante
Suhail Kafity
Dan Sharp

Special Effects:
Darrell Pritchett
John E. Gray

Special Effects Coordinator:
Al Di Sarro

Special Effects Manager:
Joe D. Ramsey

Special Effects Technician:
Gustavo R. Ferreyra
Mike Sasgen

Special Sound Effects:
John P. Fasal

Standby Painter:
John Hinkle

Steadicam Operator:
Dan Kneece
Chris Haarhoff

Still Photographer:
Linda R. Chen
Richard Foreman Jr.

Story:
Michael Schiffer
Richard P. Henrick

Stunt Coordinator:
Steve Picerni

Stunts:
Chuck Picerni Jr.
Conn Horgan
Don C. McGovern
Pete Antico
Tom Bruggemann
Darren A. Caperna
Carl Mergenthaler
Jimmy Nickerson
Alan Oliney
Bob Arnold
Big Daddy Wayne
Gary Price
Johnny Martin

Supervising ADR Editor:
Juno J. Ellis

Supervising Sound Editor:
George Watters II

Swing:
Robert Camron
Pat LaTona
Gene Molnar

Technical Advisor:
Skip Beard

Title Designer:
Robert Dawson

Transportation Captain:
Eddie A. Canett

Transportation Coordinator:
Michael Antunez

Underwater Camera:
Tom Boyd

Underwater Director of Photography:
Jim Dickson

Unit Production Manager:
Michael Fottrell

Unit Publicist:
Gabriela Gutentag

Utility Sound:
Michael McCormack

VFX Artist:
Michael S. Harbour
Michael J. Travers

VFX Editor:
Thomas R. Bryant

Visual Effects:
Tim Sassoon

Visual Effects Compositor:
John Murrah

Visual Effects Producer:
Cecil Kramer
Dennis Hoffman

Visual Effects Supervisor:
Hoyt Yeatman

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.