A work in constant progress (and occasional regress).
Release Date:
May 12, 1995
Original Title:
Crimson Tide
Alternate Titles:
Denizde İsyan
Grimizna plima
Karmazynowy Przypływ
Krvava plima
Marea roja
Marée rouge
Punane oht
Raudonasis potvynis
Rött hav
USS Alabama
Valul ucigas
Škrlatna plima
红色风暴
크림슨 타이드
Genres:
Action | Drama | Thriller | War
Production Companies:
Don Simpson/Jerry Bruckheimer Films
Hollywood Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M CZ: 12+ DE: 12 DK: 15 FI: K-16 FR: 12 GB: 15 GR: 13 HU: 12 IE: 12 IT: T JP: G KR: 15 NL: 12 PL: 16 PT: M/12 RO: 18 SE: 15 US: R
Runtime: 116
After the Cold War, a breakaway Russian republic with nuclear warheads becomes a possible worldwide threat. U.S. submarine Capt. Frank Ramsey signs on a relatively green but highly recommended Lt. Cmdr. Ron Hunter to the USS Alabama, which may be the only ship able to stop a possible Armageddon. When Ramsey insists that the Alabama must act aggressively, Hunter, fearing they will start rather than stop a disaster, leads a potential mutiny to stop him.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"B" Camera Operator:
Chris Haarhoff
24 Frame Playback:
Monte Swann
ADR Editor:
Denise Horta
ADR Mixer:
Bob Baron
Charleen Richards-Steeves
ADR Voice Casting:
Barbara Harris
Additional Hairstylist:
Kenneth Walker
Additional Music:
Christopher Ward
Additional Photography:
Dan Mindel
Additional Sound Re-Recording Mixer:
Greg P. Russell
Aerial Camera:
Kurt E. Soderling
Aerial Director of Photography:
Kurt E. Soderling
Animal Wrangler:
Paul Calabria
Animation:
Darin Hollings
Art Direction:
Dianne Wager
James J. Murakami
Donald B. Woodruff
Assistant Art Director:
Daniel Maltese
Assistant Camera:
Duane Mieliwocki
Assistant Chief Lighting Technician:
Al DeMayo
Assistant Editor:
Andrea Bottigliero
Paul Silver
Assistant Location Manager:
Mark B. Johnson
Assistant Production Coordinator:
Jennifer Good
Assistant Property Master:
Rick Chavez
Randy Gunter
Assistant Sound Editor:
Marva Fucci
Paul O'Bryan
Maggie Ostroff
Christopher C. Schiavo
Greg Thompson
Assistant Sound Engineer:
Bruno Roussel
Gregg Silk
Associate Editor:
David Dresher
Associate Producer:
James W. Skotchdopole
Best Boy Grip:
Thomas Gibson
Boom Operator:
Earl Sampson
CG Animator:
Rob Dressel
Cableman:
Peggy Names
Camera Loader:
Shai Greenberg
Camera Operator:
Martin Schaer
Michael St. Hilaire
Casting:
Victoria Thomas
Casting Associate:
Matthew Barry
Jeanne McCarthy
Chief Lighting Technician:
Claudio Miranda
Color Timer:
Bob Putynkowski
Compositing Lead:
Marlo Pabon
Compositing Supervisor:
Blaine Kennison
Conductor:
Nick Glennie-Smith
Harry Gregson-Williams
Construction Coordinator:
Dennis DeWaay
Construction Foreman:
Steven E. Fegley
Costume Design:
George L. Little
Costume Supervisor:
Ellis Cohen
Costumer:
James 'Mike' Balker
Michael Chavez
Anthony J. Lipin
Craft Service:
Ernest H. Lauterio
Digital Compositor:
Brian Adams
Digital Effects Supervisor:
Dan DeLeeuw
Digital Producer:
Angie Russell
Director:
Tony Scott
Director of Photography:
Dariusz Wolski
Dolly Grip:
Larry Sweet
Driver:
Chris Haynes
Editor:
Chris Lebenzon
Effects Supervisor:
Scott Beattie
Electrician:
Michael S. Adler
John S. Beyers
George M. Chappell
Alan Colbert
John Cucura
Carl A. Vidnic
Executive Producer:
Bill Unger
Lucas Foster
Mike Moder
Executive Visual Effects Producer:
Keith Shartle
Extras Casting:
David Anthony
Kenneth Chamitoff
First Assistant "C" Camera:
Heather Page
First Assistant Accountant:
Linden Johnson
First Assistant Camera:
Dennis J. Laine
Gregory J. Schmidt
First Assistant Director:
James W. Skotchdopole
First Assistant Editor:
Rick Howe
Foley Artist:
Kevin Bartnof
Catherine Rowe
Foley Editor:
Fred Burke
Matthew Harrison
Jim Likowski
Victoria Martin
Foley Mixer:
Eric Gotthelf
Gaffer:
David Bartholomew
Grip:
Hilary Klym
Brian Liberman
Mark Meyers
Christopher Reynolds
Thomas J. Ruffner
Brian Rosso
Hairstylist:
Ron Scott
Key Grip:
J. Michael Popovich
Emmanuel Vouniozos
Leadman:
Edward G. Fitzgerald
Lighting Camera:
Jan Richter-Friis
Location Manager:
Craig Pointes
Location Scout:
Dow Griffith
Makeup Artist:
Ellen Wong
Edna Sheen
Modeling:
Matsune Suzuki
Ray Cavalluzzi
Tony Moffett
James D. McGeachy
Mark Weatherbe
Corey Hels
Music Editor:
Bob Badami
Will Kaplan
Musician:
Luis Jardim
Tommy Johnson
Malcolm McNab
Sebastian Toettcher
John Van Houten
Negative Cutter:
Mary Beth Smith
Orchestrator:
Bruce Fowler
Nick Glennie-Smith
Ladd McIntosh
Yvonne Suzette Moriarty
Original Music Composer:
Hans Zimmer
Playback Coordinator:
John Agalsoff Jr.
Post Production Supervisor:
Miguel Ángel Poveda
Producer:
Don Simpson
Jerry Bruckheimer
Production Accountant:
Jan Garner
Production Assistant:
Vanessa Bendetti
Production Coordinator:
Crys Forsyth-Smith
Tracy L. Kettler
Production Design:
Michael White
Production Illustrator:
Sean Hargreaves
Property Master:
Michael Papac
Prosthetic Designer:
Michael Mills
Rigging Gaffer:
George M. Chappell
Gihan 'Sandy' Seneviratne
Rigging Grip:
Ted Lewis
Scoring Mixer:
Jay Rifkin
Screenplay:
Michael Schiffer
Script Supervisor:
P.R. Tooke
Second Assistant Accountant:
Linda C. Azevedo
Second Assistant Camera:
John J. Ellingwood
Jeff Vine
Second Assistant Director:
John Wildermuth
Second Second Assistant Director:
Angela C. Tortu
Set Decoration:
Mickey S. Michaels
Set Designer:
Richard Lawrence
Nick Navarro
Randall D. Wilkins
Sound Editor:
Midge Costin
Frank Howard
F. Hudson Miller
R.J. Palmer
Kim Secrist
Gary Wright
Nicholas James
Sound Effects Editor:
Kevin Clark
Sound Mixer:
William B. Kaplan
Sound Re-Recording Mixer:
Gregory H. Watkins
Rick Kline
Kevin O'Connell
Sound Recordist:
Matt Araki
John Brilhante
Suhail Kafity
Dan Sharp
Special Effects:
Darrell Pritchett
John E. Gray
Special Effects Coordinator:
Al Di Sarro
Special Effects Manager:
Joe D. Ramsey
Special Effects Technician:
Gustavo R. Ferreyra
Mike Sasgen
Special Sound Effects:
John P. Fasal
Standby Painter:
John Hinkle
Steadicam Operator:
Dan Kneece
Chris Haarhoff
Still Photographer:
Linda R. Chen
Richard Foreman Jr.
Story:
Michael Schiffer
Richard P. Henrick
Stunt Coordinator:
Steve Picerni
Stunts:
Chuck Picerni Jr.
Conn Horgan
Don C. McGovern
Pete Antico
Tom Bruggemann
Darren A. Caperna
Carl Mergenthaler
Jimmy Nickerson
Alan Oliney
Bob Arnold
Big Daddy Wayne
Gary Price
Johnny Martin
Supervising ADR Editor:
Juno J. Ellis
Supervising Sound Editor:
George Watters II
Swing:
Robert Camron
Pat LaTona
Gene Molnar
Technical Advisor:
Skip Beard
Title Designer:
Robert Dawson
Transportation Captain:
Eddie A. Canett
Transportation Coordinator:
Michael Antunez
Underwater Camera:
Tom Boyd
Underwater Director of Photography:
Jim Dickson
Unit Production Manager:
Michael Fottrell
Unit Publicist:
Gabriela Gutentag
Utility Sound:
Michael McCormack
VFX Artist:
Michael S. Harbour
Michael J. Travers
VFX Editor:
Thomas R. Bryant
Visual Effects:
Tim Sassoon
Visual Effects Compositor:
John Murrah
Visual Effects Producer:
Cecil Kramer
Dennis Hoffman
Visual Effects Supervisor:
Hoyt Yeatman
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.