A work in constant progress (and occasional regress).
Alias:
Christopher Lebenzon
Birthplace:
Redwood City, California, USA
Born:
October 29, 1953
Christopher John "Chris" Lebenzon (born October 29, 1960) is an American film editor with more than 36 film credits dating from 1976. The films he has edited have grossed over 9 billion dollars worldwide. Lebenzon was born in Redwood City, California. He has been nominated for the Academy Award for Film Editing for the films Top Gun (1986) and Crimson Tide (1995). He is a member of the American Cinema Editors (A.C.E) and has been nominated six times having won The Eddie Award for his work on Sweeney Todd: The Demon Barber of Fleet Street (2007) and Alice in Wonderland (2010). He is noted particularly for working with directors Michael Bay, Tony Scott and has worked with Tim Burton for over 25 years
Additional Editing:
2022 Top Gun: Maverick
Editor:
1976 God Told Me To
1977 The Private Files of J. Edgar Hoover
1981 Wolfen
1984 A Breed Apart
1985 Weird Science
1986 Top Gun
1987 Beverly Hills Cop II
1987 Weeds
1988 Midnight Run
1990 Days of Thunder
1990 Revenge
1991 Hudson Hawk
1992 Batman Returns
1993 Josh and S.A.M.
1994 Ed Wood
1995 Crimson Tide
1996 Mars Attacks!
1997 Con Air
1998 Armageddon
1998 Enemy of the State
1999 Sleepy Hollow
2000 Gone in Sixty Seconds
2001 Pearl Harbor
2001 Planet of the Apes
2002 xXx
2003 Big Fish
2003 Radio
2005 Charlie and the Chocolate Factory
2005 Corpse Bride
2005 Man of the House
2006 Déjà Vu
2006 Eragon
2007 Sweeney Todd: The Demon Barber of Fleet Street
2009 The Taking of Pelham 1 2 3
2010 Alice in Wonderland
2010 Unstoppable
2012 Dark Shadows
2012 Frankenweenie
2014 Maleficent
2015 The Last Witch Hunter
2016 Miss Peregrine's Home for Peculiar Children
2017 Geostorm
2019 Dumbo
2020 Dolittle
2022 Disenchanted
2022 Top Gun: Maverick
2022 Uncharted
2023 Ghosted
Executive Producer:
1976 God Told Me To
1977 The Private Files of J. Edgar Hoover
1981 Wolfen
1984 A Breed Apart
1985 Weird Science
1986 Top Gun
1987 Beverly Hills Cop II
1987 Weeds
1988 Midnight Run
1990 Days of Thunder
1990 Revenge
1991 Hudson Hawk
1992 Batman Returns
1993 Josh and S.A.M.
1994 Ed Wood
1995 Crimson Tide
1996 Mars Attacks!
1997 Con Air
1998 Armageddon
1998 Enemy of the State
1999 Sleepy Hollow
2000 Gone in Sixty Seconds
2001 Pearl Harbor
2001 Planet of the Apes
2002 xXx
2003 Big Fish
2003 Radio
2005 Charlie and the Chocolate Factory
2005 Corpse Bride
2005 Man of the House
2006 Déjà Vu
2006 Eragon
2007 Sweeney Todd: The Demon Barber of Fleet Street
2009 The Taking of Pelham 1 2 3
2010 Alice in Wonderland
2010 Unstoppable
2012 Dark Shadows
2012 Frankenweenie
2014 Maleficent
2015 The Last Witch Hunter
2016 Miss Peregrine's Home for Peculiar Children
2017 Geostorm
2019 Dumbo
2020 Dolittle
2022 Disenchanted
2022 Top Gun: Maverick
2022 Uncharted
2023 Ghosted
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.