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Dan DeLeeuw

Biography from TheMovieDB

Dan DeLeeuw is a visual effects supervisor and second unit director best known for his works on Marvel Cinematic Universe films.  Description above from the Wikipedia article Dan DeLeeuw, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Additional information:

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Film Performances

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Film Production

Digital Effects Supervisor:
1995  Crimson Tide
1995  Dracula: Dead and Loving It
1996  The Rock
1998  Armageddon
1998  Deep Rising
1999  Bicentennial Man

Second Unit Director:
1995  Crimson Tide
1995  Dracula: Dead and Loving It
1996  The Rock
1998  Armageddon
1998  Deep Rising
1999  Bicentennial Man
2021  Eternals
2023  Ant-Man and the Wasp: Quantumania

Thanks:
1995  Crimson Tide
1995  Dracula: Dead and Loving It
1996  The Rock
1998  Armageddon
1998  Deep Rising
1999  Bicentennial Man
2004  Garfield: Bringing the Cat to Life
2021  Eternals
2023  Ant-Man and the Wasp: Quantumania

Visual Effects Supervisor:
1995  Crimson Tide
1995  Dracula: Dead and Loving It
1996  The Rock
1998  Armageddon
1998  Deep Rising
1999  Bicentennial Man
2000  102 Dalmatians
2002  Reign of Fire
2004  Garfield
2004  Garfield: Bringing the Cat to Life
2005  Elektra
2005  Serenity
2005  The Skeleton Key
2006  Night at the Museum
2009  Night at the Museum: Battle of the Smithsonian
2011  Jack and Jill
2012  That's My Boy
2013  Iron Man 3
2014  Captain America: The Winter Soldier
2016  Captain America: Civil War
2018  Avengers: Infinity War
2019  Avengers: Endgame
2021  Eternals
2023  Ant-Man and the Wasp: Quantumania

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TV Production

Director:
2021  Loki

Visual Effects Supervisor:
2021  Loki

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.