A work in constant progress (and occasional regress).
Alias:
Daniel Mindel
Birthplace:
Johannesburg, South Africa
Born:
May 27, 1958
Ivor Daniel Mindel, ASC, BSC, SASC (born 27 May 1958) is a South African-American cinematographer best known for his work on blockbuster action films like Enemy of the State, Mission: Impossible III, Star Trek, Star Trek Into Darkness, Star Wars: The Force Awakens, and Star Wars: The Rise of Skywalker, working with directors like Tony Scott and J. J. Abrams.
Additional Photography:
1995 Crimson Tide
2002 The Bourne Identity
Assistant Camera:
1983 The Hunger
1995 Crimson Tide
2002 The Bourne Identity
Director of Photography:
1983 The Hunger
1995 Crimson Tide
1998 Enemy of the State
2000 Sand
2000 Shanghai Noon
2001 Spy Game
2002 The Bourne Identity
2003 Stuck on You
2004 Tooth Fairy
2005 Domino
2005 The Skeleton Key
2006 Mission: Impossible III
2007 Cutlass
2009 Star Trek
2012 John Carter
2012 Savages
2013 Star Trek Into Darkness
2014 The Amazing Spider-Man 2
2015 Star Wars: The Force Awakens
2016 Zoolander 2
2018 Pacific Rim: Uprising
2018 The Cloverfield Paradox
2019 Star Wars: The Rise of Skywalker
2024 Red One
2024 Twisters
Second Unit Director of Photography:
1983 The Hunger
1995 Crimson Tide
1997 G.I. Jane
1998 Enemy of the State
2000 Sand
2000 Shanghai Noon
2001 Spy Game
2002 The Bourne Identity
2003 Stuck on You
2004 Tooth Fairy
2005 Domino
2005 The Skeleton Key
2006 Mission: Impossible III
2007 Cutlass
2009 Star Trek
2012 John Carter
2012 Savages
2013 Star Trek Into Darkness
2014 The Amazing Spider-Man 2
2015 Star Wars: The Force Awakens
2016 Zoolander 2
2018 Pacific Rim: Uprising
2018 The Cloverfield Paradox
2019 Star Wars: The Rise of Skywalker
2024 Red One
2024 Twisters
Cinematography:
1992 Red Shoe Diaries
Director of Photography:
1992 Red Shoe Diaries
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.