Claudio Miranda (b. 1965)

Birthplace:
Valparaíso, Chile

Born:
January 1, 1965

Claudio Miranda, ASC is a Chilean cinematographer. Miranda was born in Santiago to a Chilean father and a Danish mother. When he was a year old, he and his family emigrated to the United States. He is best known for his work on Ang Lee's film Life of Pi (2012), for which he won the Academy Award for Best Cinematography, and for David Fincher's film The Curious Case of Benjamin Button (2008), which was the first film shot entirely digitally to be nominated for the Academy Award for Best Cinematography and the American Society of Cinematographers Award. He is also known for his collaborations with American director Joseph Kosinski. He is the second Chilean person to win an Academy Award.

Additional information:

The Search Form


Camera Operator:
2012  Life of Pi

Chief Lighting Technician:
1995  Crimson Tide
1998  Enemy of the State
2012  Life of Pi

Director of Photography:
1995  Crimson Tide
1998  Enemy of the State
2004  Mute
2005  A Thousand Roads
2006  Failure to Launch
2008  The Curious Case of Benjamin Button
2010  TRON: Legacy
2012  Life of Pi
2013  Oblivion
2014  Help
2015  Tomorrowland
2017  Only the Brave
2017  The Dig
2022  7 Deaths of Maria Callas
2022  Spiderhead
2022  Top Gun: Maverick
2023  NYAD
2025  F1

Gaffer:
1994  The Crow
1995  Crimson Tide
1995  Se7en
1998  Enemy of the State
1999  Fight Club
2004  Mute
2005  A Thousand Roads
2006  Failure to Launch
2008  The Curious Case of Benjamin Button
2010  TRON: Legacy
2012  Life of Pi
2013  Oblivion
2014  Help
2015  Tomorrowland
2017  Only the Brave
2017  The Dig
2022  7 Deaths of Maria Callas
2022  Spiderhead
2022  Top Gun: Maverick
2023  NYAD
2025  F1

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.