A work in constant progress (and occasional regress).
Birthplace:
Valparaíso, Chile
Born:
January 1, 1965
Claudio Miranda, ASC (Spanish pronunciation:[ˈklawðjo miˈɾanda]) is a Chilean cinematographer. He is best known for his collaborations with American director Joseph Kosinski and his work on the Ang Lee-directed film (2012), for which he won the Academy Award for Best Cinematography, making him the second Chilean person to win an Academy Award. He was also nominated for the David Fincher-directed film The Curious Case of Benjamin Button (2008). He became the first film shot entirely digitally to be nominated for the category and the American Society of Cinematographers Award. Description above from the Wikipedia article Claudio Miranda, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Camera Operator:
2012 Life of Pi
Chief Lighting Technician:
1995 Crimson Tide
1998 Enemy of the State
2012 Life of Pi
Director of Photography:
1995 Crimson Tide
1998 Enemy of the State
2004 Mute
2005 A Thousand Roads
2006 Failure to Launch
2008 The Curious Case of Benjamin Button
2010 TRON: Legacy
2012 Life of Pi
2013 Oblivion
2014 Help
2015 Tomorrowland
2017 Only the Brave
2017 The Dig
2022 7 Deaths of Maria Callas
2022 Spiderhead
2022 Top Gun: Maverick
2023 NYAD
2025 F1
Gaffer:
1994 The Crow
1995 Crimson Tide
1995 Se7en
1998 Enemy of the State
1999 Fight Club
2004 Mute
2005 A Thousand Roads
2006 Failure to Launch
2008 The Curious Case of Benjamin Button
2010 TRON: Legacy
2012 Life of Pi
2013 Oblivion
2014 Help
2015 Tomorrowland
2017 Only the Brave
2017 The Dig
2022 7 Deaths of Maria Callas
2022 Spiderhead
2022 Top Gun: Maverick
2023 NYAD
2025 F1
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.