A work in constant progress (and occasional regress).
Release Date:
May 16, 1986
Original Title:
Top Gun
Alternate Titles:
Top Gun
Top Gun. Ídolos del aire
Top Gun: Ases Indomáveis
Top Gun: Pasión y Gloria
Τοπ Γκαν
Найкращий стрілець
Топ Ган
Թոփ Գան
טופ גאן 1
توب غان
トップガン
トップガン:1986
壮志凌云
捍衛戰士
탑 건
탑건
Genres:
Action | Drama
Production Companies:
Don Simpson/Jerry Bruckheimer Films
Paramount Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: PG BR: 12|L CA: PG DE: 12 DK: 11|15 ES: 12 FI: K-12 FR: TP|12 GB: 15 HU: 12 IE: 15 IT: T JP: G KR: 15 NL: 6 NZ: PG PL: 16 PT: M/12 SE: 11|15 TW: 輔12 US: PG
Runtime: 110
For Lieutenant Pete 'Maverick' Mitchell and his friend and co-pilot Nick 'Goose' Bradshaw, being accepted into an elite training school for fighter pilots is a dream come true. But a tragedy, as well as personal demons, will threaten Pete's dreams of becoming an ace pilot.
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2005 #94 |
100 Years: 100 MOVIE QUOTES
100 Greatest Movie Quotes Of All Time “I feel the need -- the need for speed!” |
ADR Editor:
Juno J. Ellis
Aerial Camera:
C.J. Heatley
Don Thompson
Dan Koblash
Nick Alavardo
George Howe
Larry Blanford
David B. Nowell
Jack Cooperman
William E. Kelley Jr.
Gary Tolbert
Aerial Coordinator:
Lloyd Abel
Robert Willard
Animation:
Samuel Comstock
Stuart Cudlitz
Wes Takahashi
Animation Supervisor:
William Groshelle
Assistant Accountant:
Ron Stack
Gayle Peabody
Assistant Camera:
John Gazdik
Assistant Chief Lighting Technician:
Dan Delgado
Assistant Editor:
Claudia Finkle
Mark Elson
Richard Childs
Stacey A. Foiles
Assistant Grip:
James Campana
Assistant Sound Editor:
Daniel F. Finnerty
Stephen Stalheim
Martin Nicholson
Associate Producer:
Warren Skaaren
Boom Operator:
Earl Sampson
Cableman:
David Kelson
Camera Operator:
John J. Connor
Casting:
Margery Simkin
Casting Assistant:
Jeff Greenberg
Casting Associate:
Lisa Clarkson
Chief Lighting Technician:
Ward Russell
Color Timer:
Bruce Pearson
Construction Coordinator:
Stacey S. McIntosh
Costume Supervisor:
Bobbie Read
James W. Tyson
Costumer:
John Napolitano
Wingate Jones, Jr.
Director:
Tony Scott
Director of Photography:
Jeffrey L. Kimball
Rick Fichter
Dolly Grip:
Robert Duggan
Editor:
Billy Weber
Chris Lebenzon
Executive Producer:
Bill Badalato
Executive Producer's Assistant:
Patti Carr
First Assistant Camera:
Gregory J. Schmidt
Ken Nishino
First Assistant Director:
Dan Kolsrud
First Company Grip:
Thomas Prophet Jr.
Foley Artist:
Edward Steidele
Sarah Monat
Foley Editor:
Joseph A. Ippolito
Pamela Bentkowski
Grip:
Jan M. Heyneker
Hairstylist:
KG Ramsey
In Memory Of:
Art Scholl
Key Grip:
Peter Thomas
Leadman:
Richard A. Villalobos
Lighting Technician:
Jeff Stanman
Michael W. Blymyer
Makeup Artist:
Scott H. Eddo
Rick Sharp
Music:
Tom Whitlock
Music Consultant:
Michael Dilbeck
Rob Berman
Music Editor:
Bob Badami
Original Music Composer:
Harold Faltermeyer
Original Story:
Ehud Yonay
Other:
Catalaine Knell
Michael Galpin
Robert Willard
Richard T. Stevens
Thomas Sobieck
Dave Baranek
Thomas R. Harmon
Terrence McGuire
Peter Caulk
Dennis Dilucente
William Spence
James Winnefeld
David Knoll
Mike Moskowitz
Gregory Dishart
Ricky Hammonds
James Ray
Ray Seckinger
John Cushing
Michael Blue
Michael Straight
Clay Lacy
Producer:
Don Simpson
Jerry Bruckheimer
Producer's Assistant:
Scott Metcalfe
Barbara Weintraub
David J. Robertson
Matthew Snyder
Bill Badalato
Production Accountant:
Julianna Arenson
Diana J. Austin
Production Coordinator:
Sally Syberg
Christine Whitney
Production Design:
John DeCuir Jr.
Production Manager:
Whitney Green
Production Secretary:
Sally Syberg
Property Master:
Mark Wade
Pyrotechnician:
Ted Moehnke
Peter Stolz
Script Supervisor:
June Samson
Second Assistant Camera:
William Coss
D. Michael Wheeler
Second Assistant Director:
Sharon Mann
Patrick Cosgrove
Second Company Grip:
Jim Duggan
Set Decoration:
Robert R. Benton
Set Designer:
Craig Edgar
Songs:
Kenny Loggins
Sound Editor:
David E. Stone
Virginia Cook-McGowan
Julia Evershade
Frank Howard
Marshall Winn
Teri E. Dorman
Sound Engineer:
Robert Winder
Sound Mixer:
William B. Kaplan
Sound Re-Recording Mixer:
Rick Kline
Donald O. Mitchell
Kevin O'Connell
Sound Recordist:
James Cavarretta
Robert Nichols II
Mike Haney
Special Effects:
Steven C. Foster
Peter Cairo
Robert G. Willard
Special Effects Assistant:
Barbara Gerard
Special Effects Coordinator:
Allen Hall
Special Effects Supervisor:
Gary Gutierrez
Special Sound Effects:
John P. Fasal
Standby Painter:
Jonathan O'Connell
Steadicam Operator:
Joseph F. Valentine
Still Photographer:
Ralph Nelson Jr.
Stunt Coordinator:
R.A. Rondell
Stunts:
Randy Peters
Gary Epper
Steve Holladay
Donna Keegan
R.A. Rondell
Supervising ADR Editor:
Andrew Patterson
Supervising Sound Editor:
Cecelia Hall
George Watters II
Technical Advisor:
Pete Pettigrew
Thanks:
Dennis Broska
Chuck Lewis
Lloyd Abel
JG Kenneth Smith
Tracy Skeels
Ben Schneider
Scott Altman
Rick Moe
T.J. Cassidy
James L. Holloway III
John Henry Semcken
John F. Lehman, Jr.
J.A. Garrow
Title Designer:
Dan Curry
Transportation Captain:
Dan Marrow
Al Orazi
Transportation Coordinator:
Randy Peters
Underwater Camera:
Jack Cooperman
Unit Production Manager:
Bill Badalato
Unit Publicist:
Marsha Robertson
Writer:
Jim Cash
Jack Epps Jr.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.