A work in constant progress (and occasional regress).
Release Date:
February 11, 1982
Original Title:
One from the Heart
Alternate Titles:
Corazonada
Coup de coeur
Do Fundo do Coração
Ehad M'Ha-Lev
Einer mit Herz
Golpe al corazón
Mia mera, enas erotas
O Fundo do Coração
One from the Heart: Reprise
Prosto spod serca
Suoraan sydämestä
Szívbéli
Un sogno lungo un giorno
Yürekten Biri
Älskling jag hatar dig
От всего сердца
Genres:
Drama | Romance
Production Companies:
American Zoetrope
Production Countries:
United States of America
Ratings / Certifications:
ES: 12 GB: 12 IT: T JP: R18+ US: R|NR
Runtime: 98
The five-year romance of a window dresser and her boyfriend breaks up, as each of them finds a more interesting partner.
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Additional Camera:
Roger Montgomery
Additional Music:
Bob Alcivar
Additional Photography:
Scott Squires
Hoyt Yeatman
Fred Iguchi
Tom Hollister
Robert Waddell
Additional Visual Effects:
Wally Gentleman
Ray Fielding
Don Weed
Art Direction:
Angelo P. Graham
Assistant Art Director:
James J. Murakami
Assistant Camera:
John R. Leonetti
Jamie Anderson
Mark Freund
Thomas Klines
Keith Lundy
Mario Zavala
Assistant Editor:
Deborah Roberts
Kaja Fehr
Carrie Ellison
Assistant Property Master:
Richard Young
Associate Editor:
Mona Skager
Best Boy Electric:
Daryl Smith
Best Boy Grip:
Phillip R. Sarabia
Camera Department Manager:
Mitch Dubin
Camera Operator:
Thomas E. Ackerman
Enrico Umetelli
Casting:
Jennifer Shull
Choreographer:
Kenny Ortega
Co-Producer:
Armyan Bernstein
Color Timer:
Ernesto Novelli
Otto Paolini
Conceptual Illustrator:
Alex Tavoularis
Construction Buyer:
John J. Rutchland Jr.
Costume Design:
Ruth Morley
Costumer:
April Ferry
Dean Skipworth
Director:
Francis Ford Coppola
Director of Photography:
Vittorio Storaro
Ronald Víctor García
Editor:
Randy Roberts
Rudi Fehr
Anne Goursaud
Executive Producer:
Bernard Gersten
Extras Casting:
Susan Landau Finch
Elisabeth Leustig
Film Processor:
Bill Hansard
First Assistant Director:
Arne Schmidt
First Assistant Editor:
Chris Lebenzon
Gaffer:
James O. Blair
Graphic Designer:
Dennis Gassner
Hairstylist:
Barbara Lorenz
Key Grip:
Robert Moore
Alfredo Marchetti
Leadman:
Donald Krafft
George Flaherty
Makeup Artist:
Jene Fielder
Jeff Angell
Matte Painter:
Rocco Gioffre
Music Editor:
Gene L. Gillette
Music Producer:
Bones Howe
Orchestrator:
Bob Alcivar
Original Music Composer:
Tom Waits
Other:
Jeff Hamlin
Roger Dietz
Presenter:
Francis Ford Coppola
Producer:
Gray Frederickson
Fred Roos
Production Assistant:
Teri Fettis-D'Ovidio
Daniel R. Suhart
Production Coordinator:
Estelle Changas
Production Design:
Dean Tavoularis
Production Illustrator:
David Jonas
Joe Griffith
Production Manager:
Ralph S. Singleton
Donald Heitzer
Property Master:
Tom Shaw Jr.
Publicist:
Max Bercutt
Anne Schwebel
Screenplay:
Armyan Bernstein
Francis Ford Coppola
Script Supervisor:
Joanie Blum
Second Assistant Director:
Kenneth D. Collins
Daniel Attias
Set Decoration:
Gary Fettis
Leslie McCarthy-Frankenheimer
Songs:
Tom Waits
Sound Designer:
Richard Beggs
Sound Editor:
Richard Burrow
Teresa Eckton
Vivien Hillgrove
Sound Re-Recording Mixer:
Richard Beggs
Scott Thomas
James Austin
Sound Recordist:
James E. Webb
Chris McLaughlin
Jim Stuebe
Special Effects Coordinator:
Joe Lombardi
Special Effects Supervisor:
Robert Swarthe
Steadicam Operator:
Garrett Brown
Still Photographer:
Peter Sorel
Morgan Renard
Story:
Armyan Bernstein
Stunt Coordinator:
Conrad E. Palmisano
Supervising Sound Editor:
Leslie Shatz
Thanks:
Mickey Hart
Bobby Vega
Transportation Coordinator:
Tim Roslan
Visual Effects Camera:
Robert Eberlein
Visual Effects Editor:
Kathryn Campbell
Visual Effects Supervisor:
Greg Jein
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.