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Disenchanted (2022) [PG]

Release Date:
November 18, 2022

Original Title:
Disenchanted

Alternate Titles:
Desencantada: Vuelve Giselle
Encantada 2
Enchanted 2 - Disenchanted
Il était une fois 2
Lumottu 2
افسون نشده
بی‌جادو
خالی از افسون
มหัศจรรย์รักข้ามภพ 2
魔法にかけられて２
魔法奇緣2：再見魔法
魔法奇缘2：解除魔法
마법에 걸린 사랑 2

Genres:
Comedy | Family | Fantasy

Production Companies:
Josephson Entertainment
Right Coast
Walt Disney Pictures

Production Countries:
United States of America

Ratings / Certifications:
AU: PG  BR: L  CA: PG  CH: 6  CZ: 9+  DE: 6  DK: 7  ES: 12  FR: U  IE: PG  KR: ALL  NL: 6  PL: 12  PT: M/6  RO: 12  SG: PG  US: PG 

Runtime: 119

Happily never after.

Overview from TheMovieDB

Disillusioned with life in the city, feeling out of place in suburbia, and frustrated that her happily ever after hasn’t been so easy to find, Giselle turns to the magic of Andalasia for help. Accidentally transforming the entire town into a real-life fairy tale and placing her family’s future happiness in jeopardy, she must race against time to reverse the spell and determine what happily ever after truly means to her and her family.

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Performers

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Production

3D Artist:
Reetu Aggarwal

Animation Supervisor:
Chris Parks
Christopher Potter
Jance Rubinchik

Art Direction:
Robert Barrett
Aisling O'Callaghan
Til Frohlich

CG Supervisor:
Fernando Tortosa
Julian Burt
Casi Blume

Casting:
Cindy Tolan
Louise Kiely

Characters:
Bill Kelly

Choreographer:
Adam Shankman

Co-Producer:
Lori Korngiebel

Costume Design:
Joan Bergin

Director:
Adam Shankman

Director of Photography:
Simon Duggan

Editor:
Chris Lebenzon
Emma E. Hickox

Executive Producer:
Jo Burn
Adam Shankman
Sunil Perkash

Graphic Designer:
Aoife Quinn

Hair Designer:
Orla Carrol

Hairstylist:
Orla Carrol
Aoife Maher
Zuelika Delaney
Belinda Roche
Patricia DeHaney

Key Hair Stylist:
Bernie Dooley

Key Makeup Artist:
Aisling Nairn

Lyricist:
Stephen Schwartz

Makeup Artist:
Emma Moffat
Sharon Doyle
Sonia Dolan
Evelyne Noraz
Trish Flood
Ciara Scannell
Aisling Nairn

Makeup Designer:
Sharon Doyle

Music Editor:
Lisa Jaime
Sally Boldt

Music Producer:
Matthew Sullivan

Music Supervisor:
Matthew Sullivan

Original Music Composer:
Alan Menken

Producer:
Amy Adams
Barry Sonnenfeld
Barry Josephson

Production Coordinator:
Ciara Duffy

Production Design:
Dan Hennah

Production Supervisor:
Cara Loftus

Screenplay:
Brigitte Hales

Second Unit Director:
Hannah Quinn

Set Costumer:
Nicola Flynn

Set Decoration:
Jenny Oman

Songs:
Alan Menken

Sound Effects Editor:
Nancy MacLeod

Special Effects Supervisor:
Kevin Byrne

Standby Art Director:
Aoife Murray

Story:
Richard LaGravenese
J. David Stem
David N. Weiss

Stunt Coordinator:
Ben Cooke

Supervising Art Director:
Gary McGinty
Shane McEnroe

Supervising Sound Editor:
Mildred Iatrou
Doug Jackson

Unit Production Manager:
Niamh Gale
Jo Burn

VFX Editor:
Claudia Huerta

VFX Supervisor:
Sébastien Raets

Visual Effects Coordinator:
Michelle Pinargote
G. Allen Stewart
Brooke Fricke
Aminah Gbadamosi

Visual Effects Producer:
Jason Sanford
Molly Pabian
Lisa Purisima
Brett Nichols
Tammy Sutton
Katharine Meadows

Visual Effects Production Manager:
Melvyn Nicholls

Visual Effects Supervisor:
Nicholas Daniels
Edson Williams
Laura Hill
Brad Minnich

Vocals:
Holly Sedillos

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.