A work in constant progress (and occasional regress).
Alias:
Bob Simonds
로버트 사이먼즈
Birthplace:
Phoenix, Arizona, USA
Born:
January 1, 1964
Robert Simonds is a prominent American financier and one of the most prolific film producers in Hollywood. He has produced, executive produced, or financed over 125 star-driven films with collaborators like Adam Sandler, Steve Martin, and Dave Chappelle. His films have generated over $11 billion in worldwide revenue. Simonds graduated summa cum laude from Yale University in 1985. He is reported to have a net worth of $800 million.
Executive Producer:
1995 Problem Child 3
1999 Big Daddy
2000 Little Nicky
2004 Taxi
2006 The Shaggy Dog
2015 Hardcore Henry
2015 Secret in Their Eyes
2016 Bad Moms
2016 Free State of Jones
2016 The Boy
2016 The Edge of Seventeen
2017 A Bad Moms Christmas
2017 Molly's Game
2017 The Foreigner
2017 The Space Between Us
2018 Adrift
2018 Den of Thieves
2018 Mile 22
2018 Peppermint
2018 Second Act
2018 The Happytime Murders
2019 Countdown
2019 Hustlers
2019 Poms
2019 The Upside
2019 UglyDolls
2020 Brahms: The Boy II
2020 Greenland
2020 The Gentlemen
2021 Copshop
2021 I Care a Lot
2021 National Champions
2021 Queenpins
2022 Devotion
2022 Memory
2023 Operation Fortune: Ruse de Guerre
2023 The Marsh King's Daughter
???? Bad Dads
???? Fast and Loose
Producer:
1990 Problem Child
1991 Problem Child 2
1991 Shout
1994 Airheads
1995 Billy Madison
1995 Problem Child 3
1996 Bulletproof
1996 Happy Gilmore
1997 Leave It to Beaver
1997 That Darn Cat
1998 Dirty Work
1998 Half Baked
1998 The Waterboy
1998 The Wedding Singer
1999 Big Daddy
2000 Little Nicky
2001 Corky Romano
2001 Joe Dirt
2001 See Spot Run
2002 Frank McKlusky, C.I.
2003 Cheaper by the Dozen
2003 Just Married
2004 Taxi
2005 Herbie Fully Loaded
2005 Rebound
2005 Yours, Mine & Ours
2006 The Pink Panther
2006 The Shaggy Dog
2007 License to Wed
2009 The Pink Panther 2
2010 Furry Vengeance
2010 The Spy Next Door
2012 This Means War
2015 Hardcore Henry
2015 Secret in Their Eyes
2016 Bad Moms
2016 Free State of Jones
2016 The Boy
2016 The Edge of Seventeen
2017 A Bad Moms Christmas
2017 Molly's Game
2017 The Foreigner
2017 The Space Between Us
2018 Adrift
2018 Den of Thieves
2018 Mile 22
2018 Peppermint
2018 Second Act
2018 The Happytime Murders
2019 21 Bridges
2019 Countdown
2019 Hustlers
2019 Poms
2019 The Upside
2019 UglyDolls
2020 Brahms: The Boy II
2020 Greenland
2020 My Spy
2020 The Gentlemen
2021 Copshop
2021 I Care a Lot
2021 National Champions
2021 Queenpins
2022 Devotion
2022 Memory
2023 Operation Fortune: Ruse de Guerre
2023 The Marsh King's Daughter
2024 My Spy The Eternal City
???? Bad Dads
???? Fast and Loose
???? Happy Gilmore 2
Consulting Producer:
2024 The Gentlemen
Executive Producer:
2024 Lovers and Liars
2024 Orlando Bloom: To the Edge
2024 The Gentlemen
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.