A work in constant progress (and occasional regress).
Release Date:
July 29, 2020
Original Title:
Greenland
Alternate Titles:
El día del fin del mundo
Greenland
Grenland – Posljednje utočište
Гренландия
Ґренландія
นาทีระทึก..วันสิ้นโลก
Genres:
Action | Science Fiction | Thriller
Production Companies:
Anton
G-BASE
Riverstone Pictures
STXfilms
Thunder Road
Truenorth Productions
Production Countries:
Iceland | United Kingdom | United States of America
Ratings / Certifications:
AU: M BR: 14 CH: 16 DE: 12 DK: 15 ES: 12 FI: K-16 FR: U|10 GB: 15 GR: Κ-12 HK: IIA HU: 16 IE: 15 IT: T JP: R18+ KR: 12 LT: N-13 NL: 12 NO: 15 NZ: 13 PL: 16 PT: M/14 RU: 16+ SE: 15 SK: 12 TH: น 13+ TW: 保護級 US: PG-13
Runtime: 120
John Garrity, his estranged wife and their young son embark on a perilous journey to find sanctuary as a planet-killing comet hurtles toward Earth. Amid terrifying accounts of cities getting levelled, the Garritys experience the best and worst in humanity. As the countdown to the global apocalypse approaches zero, their incredible trek culminates in a desperate and last-minute flight to a possible safe haven.
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"A" Camera Operator:
Dana Gonzales
"B" Camera Operator:
Dave Isern
Additional Editing:
Rowan Maher
Additional Second Assistant Director:
Elecia Avila
Art Direction:
Eric R. Johnson
Best Boy Grip:
Shawn Knight
Casting:
Mary Vernieu
Michelle Wade Byrd
Co-Producer:
K.C. Hodenfield
Costume Designer:
Kelli Jones
Digital Colorist:
Michael Hatzer
Digital Imaging Technician:
Ólafur Björn Gunnarsson
Adrian Jebef
Kyle Spicer
Director:
Ric Roman Waugh
Director of Photography:
Michael Kelem
Óttar Guðnason
Dana Gonzales
Dolly Grip:
David Iverson
Drone Pilot:
Christopher J. Schuster
Alexandre Ermel
Editor:
Gabriel Fleming
Electrician:
Justin Dennis
Chris Paulina
Justin Elder
Executive Producer:
John Zois
Jonathan Fuhrman
Deepak Nayar
Adam Fogelson
Danielle Robinson
Brendon Boyea
John Friedberg
Robert Simonds
Nik Bower
Francois Callens
Carsten H.W. Lorenz
First Assistant "A" Camera:
Andy Hoehn
First Assistant "B" Camera:
Michael Dzialowski
First Assistant "C" Camera:
Michael Klimchak
First Assistant Camera:
Eiríkur Júlíusson
First Assistant Director:
Christopher S. Bryson
K.C. Hodenfield
Graphic Designer:
Paige Adair
Grip:
Johnny Stubbs
Zach Arrington
David Connan
Randy Vega
Eddie G. Gutierrez
Hair Department Head:
Brynn Berg
Hairstylist:
Kerry Mendenhall
Katrina Suhre
Lynda Armstrong
Charles Grico
Key Grip:
Raul Vasquez
Lighting Technician:
Jared Greenstein
Location Assistant:
Katie Starke
Antwan Tucker
Location Manager:
Kyle Hinshaw
Location Production Assistant:
Taylor McPherson
Makeup Artist:
Caroline Monge
Brie Puneky
Michelle Sfarzo
Makeup Department Head:
Sarah Mays
Music Supervisor:
Laura Katz
Original Music Composer:
David Buckley
Producer:
Alan Siegel
Gerard Butler
Basil Iwanyk
Sebastien Raybaud
Production Design:
Clay A. Griffith
Production Manager:
Asta Hronn Stefansdottir
Property Master:
Curtis Akin
Rigging Grip:
Arnold Dennis
R.J. Kirkland
Justin Harper
Second Assistant "A" Camera:
Paul E. Woods
Second Assistant "B" Camera:
Caitlin Rodiek
Second Assistant Director:
Michael Saunders
Second Second Assistant Director:
Adam Morgan
Set Decoration:
Frank Galline
Set Designer:
Ricky Aguirre
Sound Designer:
Victor Ray Ennis
Special Effects Makeup Artist:
Jonah Levy
Stunt Coordinator:
Brad Martin
Stunt Double:
Felipe Savahge
Stunts:
Shauna Galligan
Jennifer Badger
Paul E. Short
Mike Wilson
Sophia M. Crawford
Charlie Picerni
Holly Dowell
Loyd Bateman
Katie Eischen
Jared S. Eddo
Alessandro Folchitto
Theo Kypri
Jane Oshita
Carl Anthony Nespoli
Dailyn Matthews
Nancy Young
Marcus Young
Dean Grimes
Leah Hudspeth
Stacey Carino
Eric Linden
Marcelle Coletti
Laurence Chavez
Ele Bardha
Chris Brewster
Alvin Chon
Christopher 'Critter' Antonucci
Wally Crowder
Supervising Art Director:
Caty Maxey
Unit Production Manager:
Chandra M. Alexander
Kenneth Yu
Carsten H.W. Lorenz
Visual Effects Supervisor:
Marc Massicotte
Writer:
Chris Sparling
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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