A work in constant progress (and occasional regress).
Release Date:
November 23, 2005
Original Title:
Yours, Mine & Ours
Alternate Titles:
Deine, meine und unsere
Míos, tuyos y nuestros
Todos ao Monte
Tvoje, moje a naše
Yours Mine and Ours
Yours, Mine and Ours
Yours.Mine.and.Ours
Τα Δικά σου, τα Δικά μου και τα Δικά μας
Genres:
Comedy | Family | Romance
Production Companies:
Columbia Pictures
Metro-Goldwyn-Mayer
Nickelodeon Movies
Paramount Pictures
Robert Simonds Productions
Production Countries:
United States of America
Ratings / Certifications:
AT: AA AU: PG FR: TP HU: 12 IE: PG NL: AL PT: M/6 US: PG
Runtime: 90
Admiral Frank Beardsley returns to New London to run the Coast Guard Academy, his last stop before a probable promotion to head the Guard. A widower with eight children, he runs a loving but tight ship, with charts and salutes. The kids long for a permanent home. Helen North is a free spirit, a designer whose ten children live in loving chaos, with occasional group hugs. Helen and Frank, high school sweethearts, reconnect at a reunion, and it's love at first re-sighting. They marry on the spot. Then the problems start as two sets of kids, the free spirits and the disciplined preppies, must live together. The warring factions agree to work together to end the marriage.
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Art Direction:
James Nedza
Costume Design:
Marie-Sylvie Deveau
Director:
Raja Gosnell
Director of Photography:
Theo van de Sande
Editor:
Stephen A. Rotter
Bruce Green
Lighting Technician:
John McGonegle
Original Music Composer:
Christophe Beck
Producer:
Michael G. Nathanson
Robert Simonds
Production Design:
Linda DeScenna
Screenplay:
Ron Burch
David Kidd
Set Decoration:
Ric McElvin
Kelly Berry
Stunt Coordinator:
Ernie F. Orsatti
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.