A work in constant progress (and occasional regress).
Release Date:
February 19, 2021
Original Title:
I Care a Lot
Alternate Titles:
Afēriste
Descuida, yo te cuido
Eu Me Importo
Fontos vagy nekem
I Care a Lot.
Man labai rūpi
Tudo pelo vosso bem
Аферистка
Много ми је стало
أنا أهتم كثيرا
خیلی مراقبت میکنم
アイ・ケア・ア・ロット
完美监护
我很在乎
퍼펙트 케어
Genres:
Crime | Drama | Thriller
Production Companies:
Black Bear Pictures
Crimple Beck
STXfilms
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: MA15+ BR: 16 CA: R CH: 16 DE: 12 ES: 16 GB: 15 IE: 15 JP: G KR: 15 LT: N-13 NL: 16 PL: 16 PT: M/14 RO: 18 SG: R21 TR: 18+ UA: 16 US: R
Runtime: 119
A court-appointed legal guardian defrauds her older clients and traps them under her care. But her latest mark comes with some unexpected baggage.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
Linda Forsén
ADR Voice Casting:
Dann Fink
Bruce Winant
Art Department Coordinator:
Sean Doyle
Art Direction:
Michael C. Stone
Best Boy Electric:
Michael Peterson
Best Boy Grip:
Dave Scranton
Boom Operator:
Santino Tartaglia
Casting:
Rori Bergman
Jeanne McCarthy
Casting Assistant:
Brett Duffy
Casting Associate:
Karlee Fomalont
Construction Coordinator:
Scott T. Pina
Costume Design:
Deborah Newhall
Costume Supervisor:
Jocelyn Pierce
Dialect Coach:
Francie Brown
Dialogue Editor:
Linda Forsén
Director:
J Blakeson
Director of Photography:
Doug Emmett
Editor:
Mark Eckersley
Executive Producer:
Adam Fogelson
John Friedberg
Robert Simonds
Sacha Guttenstein
Andrea Ajemian
First Assistant Director:
Urs Hirschbiegel
Foley Artist:
Oliver Ferris
Sue Harding
Foley Editor:
Dario Swade
Foley Mixer:
Sophia Hardman
Adam Mendez
Gaffer:
Jesse Goldberg
Graphic Designer:
Megan Blake
Hair Department Head:
Lori Guidroz
Key Grip:
David C. Romano
Key Hair Stylist:
Shayna Passaretti
Local Casting:
Angela Peri
Lisa Lobel
Location Manager:
Michele Baker
Makeup Department Head:
Trish Seeney
Marine Coordinator:
Josef Boreland
Music Supervisor:
Claire Freeman
Original Music Composer:
Marc Canham
Payroll Accountant:
Lamonte Bell
Post Production Accountant:
Lara Sargent
Post Production Supervisor:
Sacha Guttenstein
Producer:
Teddy Schwarzman
J Blakeson
Michael Heimler
Ben Stillman
Production Consultant:
Dan Lawler
Production Coordinator:
Laura Calcagni
Production Design:
Michael Grasley
Production Supervisor:
Janelle Canastra
Property Master:
Hilary Taillie
Prosthetics:
Gary Archer
Script Supervisor:
Jenna Dayton
Second Assistant Director:
Colin Flaherty
Set Costumer:
Taylor Pilderian
Set Decoration:
Vanessa Knoll
Set Dresser:
Niko Diaz
Rory Brett
Tricia Turczynski
James Sanderson
Sound Effects Editor:
Matt Waites
Sound Mix Technician:
James Cassidy
Sound Mixer:
Jared Detsikas
Sound Re-Recording Mixer:
Brendan Nicholson
Dillon Bennett
Special Effects Coordinator:
Michael Ricci
Special Effects Technician:
Brian Ricci
Still Photographer:
Seacia Pavao
Storyboard Artist:
Douglas Ingram
Stunt Coordinator:
Paul Marini
Stunt Double:
Joseph S. Griffo
Belinda McGinley
Supervising ADR Editor:
Adam Horley
Supervising Dialogue Editor:
Adam Horley
Supervising Sound Editor:
Dillon Bennett
Transportation Coordinator:
Billy Benner
Unit Production Manager:
Andrea Ajemian
Visual Effects Producer:
Karl Kuehn
Visual Effects Supervisor:
Nicholas Bennett
Writer:
J Blakeson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.