A work in constant progress (and occasional regress).
Release Date:
October 14, 2015
Original Title:
Secret in Their Eyes
Alternate Titles:
El secreto de una obsesión
Olhos da Justiça
To mystiko sta matia toys
Vor ihren Augen
Genres:
Crime | Mystery | Thriller
Production Companies:
Gran Via Productions
IM Global
Ingenious Media
Route One Entertainment
SITE Productions
STXfilms
Union Investment Partners
Willie's Movies
Production Countries:
South Korea | Spain | United Kingdom | United States of America
Ratings / Certifications:
AU: M BR: 14 DE: 12 DK: 15 FI: K-12 FR: U|12 GB: 15 GR: Κ-12 HK: IIB IE: 15A NL: 16 PL: 16 PT: M/14 SE: 15 US: PG-13
Runtime: 111
A tight-knit team of FBI investigators, along with their District Attorney supervisor, is suddenly torn apart when they discover that one of their own teenage daughters has been brutally murdered.
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ADR Editor:
Chris Jargo
ADR Mixer:
Jonathan Jost
Michael Miller
Chris Navarro
ADR Recordist:
Nick Jimenez
Art Department Coordinator:
Kathleen Walker
Art Direction:
Colin De Rouin
Assistant Art Director:
Michael Allen Glover
Assistant Property Master:
Michael A. Casey
Associate Producer:
Samuel Yeunju Ha
Best Boy Electric:
Mike Bonnaud
Boom Operator:
Robert Jackson
Camera Operator:
Chris Cuevas
Casting:
Sherry Thomas
Sharon Bialy
Casting Associate:
Gohar Gazazyan
Co-Executive Producer:
Steven Squillante
Co-Producer:
John Ufland
Juan Antonio García Peredo
Cari-Esta Albert
Construction Coordinator:
Robert J. Carlyle
Construction Foreman:
Timothy Vierra
Continuity:
Wilma Garscadden-Gahret
Costume Design:
Shay Cunliffe
Costume Supervisor:
Katie Saunders
Dialect Coach:
Elizabeth Himelstein
Dialogue Editor:
Frederick H. Stahly
Director:
Billy Ray
Director of Photography:
Daniel Moder
Dolly Grip:
Matt Horochowski
Diego Mariscal
Editor:
Jim Page
Electrician:
Jason Hindman
Executive Producer:
Stuart Ford
Deborah Zipser
Lee Jae Woo
Robert Simonds
Jeremiah Samuels
Juan José Campanella
Matt Berenson
Russell Levine
First Assistant "A" Camera:
Chloe Weaver
First Assistant Camera:
Andy DePung
First Assistant Director:
Tom Davies
First Assistant Editor:
Matt Willard
Foley Artist:
Alyson Dee Moore
Shelley Roden
Foley Editor:
Tony Negrete
Foley Mixer:
Mary Jo Lang
Gaffer:
Michael Bauman
Graphic Designer:
Martin Charles
Ellen King
Hair Department Head:
Teressa Hill
Key Costumer:
Valerie Laven-Cooper
Key Grip:
John Janusek
Key Hair Stylist:
Terry Baliel
Key Makeup Artist:
Lesa Nielsen
Leadman:
Brent Rice
Lighting Technician:
Mark Carlile
Thomas M. Dangcil
Location Manager:
Ralph Coleman
Music Editor:
Thomas S. Drescher
Music Supervisor:
David Schulhof
Original Music Composer:
Emilio Kauderer
Pilot:
Craig Hosking
Producer:
Matt Jackson
Mark Johnson
Production Accountant:
George 'Skip' Henfling
Production Coordinator:
Jules Carideo
Production Design:
Nelson Coates
Property Master:
Hope M. Parrish
Propmaker:
Neil Gahm
Creighton Larson
Rigging Grip:
John Beran
Scenic Artist:
Gabrielle McKenna-Elliott
Screenplay:
Billy Ray
Eduardo Sacheri
Juan José Campanella
Second Assistant Director:
Aaron C. Fitzgerald
Second Second Assistant Director:
Adam Cuthbert
Set Decoration:
Andrea Joel
Set Designer:
Michael C. Biddle
Paul Sonski
Set Medic:
Jeffrey D. Stevens
Tim W. Walker
Sound Designer:
Ann Scibelli
Peter Staubli
Sound Effects Editor:
D. Chris Smith
Sound Re-Recording Mixer:
Ron Bartlett
Elliot Tyson
Special Effects Supervisor:
Michael Lantieri
Steadicam Operator:
Benjamin Spek
Still Photographer:
Karen Ballard
Stunt Coordinator:
Dennis Fitzgerald
Stunt Double:
Alisa Hensley
Mark Miscione
Stunts:
Gui DaSilva-Greene
Supervising ADR Editor:
Anna MacKenzie
Supervising Sound Editor:
Karen Baker Landers
Unit Production Manager:
Jeremiah Samuels
Unit Publicist:
Spooky Stevens
Utility Stunts:
Tim Garris
Visual Effects Producer:
Sarah McMurdo
Visual Effects Supervisor:
John Heller
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.