A work in constant progress (and occasional regress).
Tia Nolan is an American film editor. Nolan grew up in Chicago and would develop an interest in filmmaking through her father's work, an advertiser who would collaborate with filmmakers like John Hughes and Allen Daviau. She went to study at the USC School of Cinematic Arts, graduating in 1991. She would be mentored in film editing by Richard Marks, serving as his co-editor on the films I'll Do Anything (1994), You've Got Mail (1998), and Spanglish (2004). For her contributions to the editing of the 74th Academy Awards, Nolan received a nomination for the Primetime Emmy Award for Outstanding Picture Editing for Variety Programming. Nolan's editing work with Bob Murawski on Doctor Strange in the Multiverse of Madness (2022) would earn positive remarks from Chicago Tribune film critic Michael Phillips. Description above from the Wikipedia article Tia Nolan licensed under CC-BY-SA, full list of contributors on Wikipedia.
Assistant Editor:
1996 Extreme Measures
Editor:
1996 Extreme Measures
2002 A Gentleman's Game
2004 Spanglish
2005 Bewitched
2006 Sea of Dreams
2008 The Women
2011 Friends with Benefits
2013 Struck by Lightning
2014 Annie
2014 Date and Switch
2016 How to Be Single
2017 Little Evil
2018 I Feel Pretty
2018 Midnight Sun
2020 Superintelligence
2021 Thunder Force
2022 Doctor Strange in the Multiverse of Madness
2023 Anyone But You
2024 Harold and the Purple Crayon
2025 One of Them Days
First Assistant Editor:
1995 Assassins
1996 Extreme Measures
2002 A Gentleman's Game
2004 Spanglish
2005 Bewitched
2006 Sea of Dreams
2008 The Women
2011 Friends with Benefits
2013 Struck by Lightning
2014 Annie
2014 Date and Switch
2016 How to Be Single
2017 Little Evil
2018 I Feel Pretty
2018 Midnight Sun
2020 Superintelligence
2021 Thunder Force
2022 Doctor Strange in the Multiverse of Madness
2023 Anyone But You
2024 Harold and the Purple Crayon
2025 One of Them Days
Editor:
2013 The Michael J. Fox Show
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.